Un killer professionista viene ucciso, ma fa ritorno dall'inferno nel mondo dei vivi nei panni di un riluttante soldato demoniaco.Un killer professionista viene ucciso, ma fa ritorno dall'inferno nel mondo dei vivi nei panni di un riluttante soldato demoniaco.Un killer professionista viene ucciso, ma fa ritorno dall'inferno nel mondo dei vivi nei panni di un riluttante soldato demoniaco.
- Premi
- 2 vittorie e 6 candidature totali
Robia Scott
- XNN Reporter
- (as Robia La Morte)
John Cothran
- African Liaison
- (as John Cothran Jr.)
Trama
Lo sapevi?
- QuizMartin Sheen agreed to star in this movie because he always wanted to star in a comic book movie. He later played another comic book role, Uncle Ben in The Amazing Spider-Man (2012).
- BlooperAt the North Korean biological weapons plant all of the warning signs on the tanks are written in English.
English is the international language of science.
- Citazioni
Clown: [in cheerleader get-up as he watches Cyan] What a pretty little dress. I wonder if she's it in my size?
[begins cheering]
Clown: Spawnie, Spawnie, he's our man, if he can't kill 'em, no one can. Yay, Spawnie! S to the P to the A to the AWN, S to the P to the A to the AWN. Go, Spawnie, go Spawnie.
- Curiosità sui creditiDuring the credits, at several points, there is a single frame inserted of a blurred, overexposed figure
- Versioni alternativeA R-rated Director's Cut has been released for VHS, DVD, and laserdisc. It includes scenes that had to be cut for a PG-13. The film has a couple of new violent scenes. At the end of the film is a 30-minute interview with the creator Todd McFarlane and a Behind the Scenes of Spawn show that was first aired on the Sci-Fi Network.
- ConnessioniFeatured in The Making of 'Spawn' (1997)
- Colonne sonoreSatan
Written by Paul Hartnoll (as P) and Phil Hartnoll (as P Hartnoll)
Performed by Orbital with Kirk Hammett
Produced by Paul Hartnoll (as P) and Phil Hartnoll (as P Hartnoll)
Orbital appears courtesy of London Records
Kirk Hammett appears courtesy of E/M Ventures
Recensione in evidenza
There are moments in Spawn that stand out with exceptional creativity, but what truly stands out about the movie is just how much of a mess it is.
The screenplay is a wreck, the acting is stiff and unconvincing, and the whole thing seems to fly by so fast, that we don't get a chance to experience much other than a look at some nifty visuals. In fairness, I suppose it is easy enough to argue that Spawn delivers its share of action sequences for a ninety minute movie, but perhaps it needs to back down a bit. It needs more story. In the end, Spawn feels like nothing more or less than an exercise in CGI and make-up effects.
It is pretty difficult to get involved with the story, in part because it makes no sense, but mostly because we simply do not care. The character of Al Simmons is about as cheap and plastic as the armour he suits up in during the second half of the feature. Quite frankly I don't find him all that likable. He is cold and nasty, even as a superhero. I really hate it when the good guys talk like the bad guys; when they cackle or make snarly remarks, like Dr. Westlake in the Darkman series.
Some of the special effects work, some don't. Our hero has a blood red cape which can expand to the size of Texas (don't ask me how). I liked that effect. The thing sort of has a computer generated life of its own, and its elegance clashes with the plastic of Spawn's armour. the primary villain is a clown from hell, who can turn into a ten foot armour plated beast which looks a bit like a cousin of the Queen from Aliens. That is another good effect. The climax takes us deep into the fiery pit of hell, which unfortunately does NOT so convincing. My screen saver is a more intimidating computer generated image. I was reminded a bit of the Brinstar level from Super Smash Brothers.
Like so many films do, Spawn ends on a note that just cries out for a sequel. Needless to say, there isn't one and there never will be. Spawn is entertaining in parts, but definitely not as a whole.
The screenplay is a wreck, the acting is stiff and unconvincing, and the whole thing seems to fly by so fast, that we don't get a chance to experience much other than a look at some nifty visuals. In fairness, I suppose it is easy enough to argue that Spawn delivers its share of action sequences for a ninety minute movie, but perhaps it needs to back down a bit. It needs more story. In the end, Spawn feels like nothing more or less than an exercise in CGI and make-up effects.
It is pretty difficult to get involved with the story, in part because it makes no sense, but mostly because we simply do not care. The character of Al Simmons is about as cheap and plastic as the armour he suits up in during the second half of the feature. Quite frankly I don't find him all that likable. He is cold and nasty, even as a superhero. I really hate it when the good guys talk like the bad guys; when they cackle or make snarly remarks, like Dr. Westlake in the Darkman series.
Some of the special effects work, some don't. Our hero has a blood red cape which can expand to the size of Texas (don't ask me how). I liked that effect. The thing sort of has a computer generated life of its own, and its elegance clashes with the plastic of Spawn's armour. the primary villain is a clown from hell, who can turn into a ten foot armour plated beast which looks a bit like a cousin of the Queen from Aliens. That is another good effect. The climax takes us deep into the fiery pit of hell, which unfortunately does NOT so convincing. My screen saver is a more intimidating computer generated image. I was reminded a bit of the Brinstar level from Super Smash Brothers.
Like so many films do, Spawn ends on a note that just cries out for a sequel. Needless to say, there isn't one and there never will be. Spawn is entertaining in parts, but definitely not as a whole.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Kẻ Bán Linh Hồn Cho Địa Ngục
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 54.870.175 USD
- Fine settimana di apertura Stati Uniti e Canada
- 19.738.749 USD
- 3 ago 1997
- Lordo in tutto il mondo
- 87.840.042 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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