Nel 1932, due sconosciuti vengono ingiustamente condannati e sviluppano una forte amicizia in prigione che durerà per tutto il 20° secolo.Nel 1932, due sconosciuti vengono ingiustamente condannati e sviluppano una forte amicizia in prigione che durerà per tutto il 20° secolo.Nel 1932, due sconosciuti vengono ingiustamente condannati e sviluppano una forte amicizia in prigione che durerà per tutto il 20° secolo.
- Candidato a 1 Oscar
- 1 vittoria e 6 candidature totali
- Goldmouth
- (as Michael 'Bear' Taliferro)
Trama
Lo sapevi?
- QuizWhen Ray and Claude are standing on a box of bottles, Claude mentions that a one of his toes has slipped into one of them. This actually happened during the take, but Martin Lawrence kept going, despite Eddie Murphy's laughing, which is genuine.
- BlooperWhen Ray and Claude are older in the superintendents house talking in their room. You can see that Ray is fixing his bodysuit. He is pulling down his stomach.
- Citazioni
Goldmouth: Maybe I oughta eat *your* cornbread.
Rayford Gibson: Motherfucker, you can't have my cornbread. That's for damn sure. Cause if you try and take my cornbread, Part 2 of my killing spree is gon' begin up in here on your ass, right now. You thinking about my cornbread, better get the taste out your mouth. That's for damn sure.
Claude Banks: Ray, chill out...
Rayford Gibson: No, fuck him. Fuck that, 'cause I'm from New York City, goddammit. Nobody take no cornbread from me. That goes for anyone of you motherfucking farmers who wanna start some shit. You fuck around with me, there's gonna be consequences and repercussions.
- Curiosità sui creditiBloopers are shown during the closing credits.
- ConnessioniFeatured in Maxwell: Fortunate (1999)
- Colonne sonoreWake Up Everybody
Written by Gene McFadden, John Whitehead, Victor Carstarphen
Produced by Wyclef Jean and Jerry 'Wonder' Duplessis
Performed by Robby Pardlo
Courtesy of Booga Basement Records
You leave the theater thinking `It was funny enough, why couldn't it just stay silly?' My friends, I'm with you on every page. It's a slippery slope to juggle the two genres.
`Life' is the millionth attempt at warm-hearted comedy. It tries to make you pee your pants with its jokes, and yet slap your emotions around with the drama. And damn the odds, it fits like a glove. `Life' is also a film that defies much criticism. You either love stars Eddie Murphy and Martin Lawrence, or you don't. I'm in the first category. As the main characters, the two comedians prove just how valuable they are. Murphy is coming off a uniquely horrific year. `Dr. Dolittle' was a smash, but a career setback to say the least. `Holy Man' was an unmitigated disaster, but one that didn't effect Murphy with any real damage. The greatest gift `Life' gives to Murphy is a chance to show off range. Murphy is a very talented actor, and this movie makes you wish he would try a straight drama for once. Murphy can be devastatingly funny. But he can also be very dramatically convincing. With each new movie, Murphy grows as an actor. I really think he's set for brighter things. Martin Lawrence shares many of the same attributes as Murphy. He's terribly funny, and yet able to win your heart with a depth most comedians don't have. `Life' has Lawrence with the quieter role. He uses that chance to provide the film with a backbone. He eventually comes out the best rounded character in the fractured storytelling. It's a good performance, but even better, it's a brilliant pairing with Eddie Murphy. The two are seamlessly funny. Squeezing every moment for comic and emotional juice. It's refreshing to watch a movie with two actors who seem to be trying something different, all the while living up to previous expectations. Ted Demme is a solid director, a thought that immediately puts me in the minority. His `Who's The Man?' was a strictly silly romp, but was actually funny. `The Ref' was the critically lauded and sharp black comedy. `Beautiful Girls' is a film that every time I sit down to watch, feels as comfortable as an old cardigan. He's yet to falter in my eyes. I like his attention to detail, and his gift for trusting his actors. `Life' wouldn't work as well as it does without a specific amount of direction and free will. Demme manages to keep the film on track without ever succumbing to an over-reliance on improv. The best scenes in `Life' are the quiet ones: the gay inmate who's release from prison provides a dilemma, the passage of time montage, and Lawrence's moment with the freshly baked pies(which is actually comical, but who's counting?). The film seems like it was longer at one point, but the film on display here really pleased me. I would recommend this film to anybody that has lost faith in Eddie Murphy.------------- 9
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Condenados a fugarse
- Luoghi delle riprese
- Locke, Sacramento, California, Stati Uniti('Natchez-under-the-Hill')
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 80.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 64.016.268 USD
- Fine settimana di apertura Stati Uniti e Canada
- 20.414.775 USD
- 18 apr 1999
- Lordo in tutto il mondo
- 73.475.268 USD
- Tempo di esecuzione1 ora 48 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1