- Premi
- 5 vittorie e 7 candidature
Trama
Lo sapevi?
- QuizSarah Polley has said in interviews that she only took the role because she loved the line in the opening scene: "...and look how far it got you."
- BlooperWhen Ronna, Manny, and Claire play Dead Celebrities in the back room of the grocery store, Manny says that Omar Sharif is dead. At the time this film was made, he wasn't. However, this could be deliberate to illustrate how little the group really know about deceased celebrities.
- Citazioni
Stringy Haired Woman: Don't think you're something you're not. I used to have your job.
Ronna: Look how far it got you.
- Curiosità sui creditiAlley Cat... Princess Leah Lucky Buttons
- Versioni alternativeDVD includes 14 deleted scenes: they consist mostly of alternate takes of existing scenes (for example Ronna and Simon discussing outside the store) and longer versions of scenes featured in the theatrical release (such as the first conversation between Todd Gaines and Claire). Also included, however, is an alternate ending for the Vegas storyline, where Simon and Marcus find out they left Todd's credit card in Vegas and realize that the goons are on their tracks. They barricade themselves in Simon's apartment. Meanwhile Victor and his son are at Todd's apartment and are waiting for Simon. Claire finds Todd's gun and points it at Victor unaware that the gun isn't loaded. After a fight, Todd manages to wrestle the gun out of Victor's hands. Todd goes to Simon's apartment and, after Simon lets him in, punches him in the face.
- ConnessioniEdited into Go: Deleted Scenes (1999)
- Colonne sonoreFire Up The Shoesaw
(LP Version)
Written by Justin Robertson and John Barry
Performed by Lionrock
Courtesy of Time Bomb Recordings/Arista Records, Inc.
Contains "These Boots Are Made For Walkin"'
Written by Lee Hazlewood
Recensione in evidenza
"Go" reads like a very very good sophomore offering by a very very good up-and-coming director. You can almost see a bright future for everyone involved in the film, from the director (Doug Liman) to the screenwriter (John August) to all of the young actors. The script is clearly the winner, with witty dialogue and a convoluted plotline (or plotlines, depending on how you view it) centered around a dozen or so GenX-er Los Angelenos on Christmas Eve. The film slickly moves you from one plotline to the next, as you follow one minor disaster leading to other minor disasters.
The film being a "sophomore offering," of course, has some drawbacks. Yes, it is tangentially derivative of "Pulp Fiction." And yes, it does scrounge a bit from this teen flick and that. In some cases, certain plotlines wrap up too neatly, and in other cases the plotlines don't converge nearly as neatly enough. But what the film may lack in originality it certainly makes up for with style and quirks.
The real discovery in all this is the cast. Sarah Polly stands out (listen to her mild Canadian accent slip through once in a while) as the world-weary checkout gal who's first and only foray into drug-dealing unleashes a legion of trouble for her. Desmond Askew (wonderfully punny name) is this Pulp Fiction's Tim Roth, glib and cocky as his well-ordered world whirls and crumbles around him in a neatly choreographed disaster. As the sinister drug supplier, Timothy Olyphant is particularly menacing, exuding equal amounts of danger and innocence, sexiness and insecurity. The characters in "Go" never become cardboard parodies of themselves, and they never dissolve into charicatures of themselves for the sake of plot or atmosphere.
So watch the film, soak in the plot, atmosphere, and the characters. At the risk of sounding glib myself, by all means "Go."
The film being a "sophomore offering," of course, has some drawbacks. Yes, it is tangentially derivative of "Pulp Fiction." And yes, it does scrounge a bit from this teen flick and that. In some cases, certain plotlines wrap up too neatly, and in other cases the plotlines don't converge nearly as neatly enough. But what the film may lack in originality it certainly makes up for with style and quirks.
The real discovery in all this is the cast. Sarah Polly stands out (listen to her mild Canadian accent slip through once in a while) as the world-weary checkout gal who's first and only foray into drug-dealing unleashes a legion of trouble for her. Desmond Askew (wonderfully punny name) is this Pulp Fiction's Tim Roth, glib and cocky as his well-ordered world whirls and crumbles around him in a neatly choreographed disaster. As the sinister drug supplier, Timothy Olyphant is particularly menacing, exuding equal amounts of danger and innocence, sexiness and insecurity. The characters in "Go" never become cardboard parodies of themselves, and they never dissolve into charicatures of themselves for the sake of plot or atmosphere.
So watch the film, soak in the plot, atmosphere, and the characters. At the risk of sounding glib myself, by all means "Go."
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- How long is Go?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Viviendo sin límites
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 16.943.454 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.706.795 USD
- 11 apr 1999
- Lordo in tutto il mondo
- 28.451.622 USD
- Tempo di esecuzione1 ora 42 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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What is the streaming release date of Go - Una notte da dimenticare (1999) in Brazil?
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