La signora in giallo - Vagone letto con omicidio
Titolo originale: Murder, She Wrote: South by Southwest
- Film per la TV
- 1997
- 1h 40min
VALUTAZIONE IMDb
7,2/10
1083
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaJessica Fletcher (Dame Angela Lansbury) is attacked on a train when she investigates the case of a missing passenger.Jessica Fletcher (Dame Angela Lansbury) is attacked on a train when she investigates the case of a missing passenger.Jessica Fletcher (Dame Angela Lansbury) is attacked on a train when she investigates the case of a missing passenger.
- Premi
- 3 candidature
Michael Krawic
- Radley
- (as Michael A. Krawic)
Stuart Proud Eagle Grant
- Jim Sunrise
- (as Stuart Grant)
Trama
Lo sapevi?
- QuizThe dusty bus stop town location was Piru, California, adjacent to Fillmore. The Piru town's short Main Street commercial buildings were completely vacant, boarded up, and unoccupied. Art Director Mary Dodson created all of the shops, selecting a market, a Southwest Indian tourist shop, a barber shop, gas station, with necessary window and sign decoration. Mary and the decorator made the town come to life for the filming sequence. Several other exterior buildings and sidewalk locations were utilized filling out the filming schedule's use of the town site.
- BlooperDriving through "Aqua Verde" a street sign above can be seen for "Magic Mountain Parkway"
- Citazioni
[last lines]
Jessica Fletcher: ...It starts with a simple electronic game and an eastbound train.
- ConnessioniFollowed by La signora in giallo - Appuntamento con la morte (2000)
Recensione in evidenza
Anyone who has viewed more than two or three of Jessica's 40-minute TV episodes can set their watch by the little scene where she stops and says "Now let me see if I've got this right" - her chance to help all the dumbos to keep up with the plot.
Well 80 minutes is very different from 40 minutes, and I personally would have welcomed at least one of these idiot-board updates in the course of this bigger and busier version of 'Murder, She Wrote'. No fewer than 37 characters are listed, and their names flung about like confetti, so we only dimly understand who's who in the zoo. But don't let that put you off; the masterly ending will make the same impact anyhow.
The story takes us by rail into the baking sands of Arizona, about as far as you can get from Cabot Cove, both geographically and spiritually. Trains are always good for murder mysteries, with plenty of enigmatic strangers and chance meetings. And with Jessica on board, it's a safe bet that one or two passengers won't quite make it to their destination.
By about the midpoint, we've learned to mistrust every snarling male, but not, of course, certain gracious females who are so keen to confide in Jessica. (This view takes a bit of a knock in the closing stages.)
We can't reveal much more without giving away some key twists that are vastly superior to anything seen in the standard episodes. As for the murder-motive, this relates to a hi-tech agenda that manages to look just as fresh and topical now as it would have done in 1997 - a singular achievement. There are some pleasing touches, like a wacky hotel receptionist (Susan Blommaert) who turns out to be one of Jessica's most devoted fans. And only the inaudible dialogue at a key moment in the dining-car scene lets down the production values.
At the end, Jessica is pointing out the murderer's careless mistakes in her best schoolmarm style. (But regular viewers may like to know that we're spared the usual spluttering "But that's ridiculous..." protest from the other party this time round!)
Well 80 minutes is very different from 40 minutes, and I personally would have welcomed at least one of these idiot-board updates in the course of this bigger and busier version of 'Murder, She Wrote'. No fewer than 37 characters are listed, and their names flung about like confetti, so we only dimly understand who's who in the zoo. But don't let that put you off; the masterly ending will make the same impact anyhow.
The story takes us by rail into the baking sands of Arizona, about as far as you can get from Cabot Cove, both geographically and spiritually. Trains are always good for murder mysteries, with plenty of enigmatic strangers and chance meetings. And with Jessica on board, it's a safe bet that one or two passengers won't quite make it to their destination.
By about the midpoint, we've learned to mistrust every snarling male, but not, of course, certain gracious females who are so keen to confide in Jessica. (This view takes a bit of a knock in the closing stages.)
We can't reveal much more without giving away some key twists that are vastly superior to anything seen in the standard episodes. As for the murder-motive, this relates to a hi-tech agenda that manages to look just as fresh and topical now as it would have done in 1997 - a singular achievement. There are some pleasing touches, like a wacky hotel receptionist (Susan Blommaert) who turns out to be one of Jessica's most devoted fans. And only the inaudible dialogue at a key moment in the dining-car scene lets down the production values.
At the end, Jessica is pointing out the murderer's careless mistakes in her best schoolmarm style. (But regular viewers may like to know that we're spared the usual spluttering "But that's ridiculous..." protest from the other party this time round!)
- Goingbegging
- 2 set 2013
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By what name was La signora in giallo - Vagone letto con omicidio (1997) officially released in Canada in English?
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