Caro fratello

Take Versailles No Bara, replace the setting and the characters with a school full of teenager schoolgirls and ramp-up to over 9000 the drama because hey, already in the original manga Riyoko Ikeda wanted to express her love for opera so why not going full on it? People might stop caring alltogether after seeing expressions of emotions so forced that would make Silvester Stallone's overacting in Judge Dredd green of envy but hey, I'm a mediocre director who made one good thing in the 70's (I'm speaking of Osamu Dezaki) that needs to fill 39 episodes taken from a three-volume manga storyline so I need to fill it with as much pathetic suicide innuendos as possible and that's what I'm going to do, even at the cost of sounding ridicolous! Mediocrity in a nutshell.