Professione killer

Jim Belushi's movie to carry, it appears, but what it slowly becomes is a character portrait of the rebirth of a lost soul. Sheryl Lee as 'Angel', at first somewhat amusing as an eccentric mortician, becomes the real center of the film in her transformation from freaked-out ditz to a woman in control of her own destiny. I found her character fascinating, and the interplay between her and Belushi is like watching a dance with strangers evolve into an odd interplay of almost-love. Detached from the get-go, that same detachment carries Angel through to the end. And it's Belushi's character, the "Rose", who gets sucked up in the surprising finale. Quite frankly, this is a good watch.