VALUTAZIONE IMDb
4,9/10
524
LA TUA VALUTAZIONE
Una serie di "resoconti sessuali" intesi ad affrontare la questione della pedofilia nei primi anni '70.Una serie di "resoconti sessuali" intesi ad affrontare la questione della pedofilia nei primi anni '70.Una serie di "resoconti sessuali" intesi ad affrontare la questione della pedofilia nei primi anni '70.
- Regia
- Sceneggiatura
- Star
Harald Baerow
- Herr Jäger
- (non citato nei titoli originali)
Hans Billian
- Appelt, Mann mit Cabriolet
- (non citato nei titoli originali)
Ulrike Butz
- Topsy
- (non citato nei titoli originali)
Elke Deuringer
- Senta Jäger, Filialleiterin Fahrradgeschäft
- (non citato nei titoli originali)
Sonja Embriz
- Topsys Freundin
- (non citato nei titoli originali)
Marisa Feldy
- Erna, Dienstmädchen
- (non citato nei titoli originali)
Judith Fritsch
- Anita
- (non citato nei titoli originali)
Enzi Fuchs
- Frau Wenzhofer, Kundin
- (non citato nei titoli originali)
Peter Hamm
- Werner Heimbach, Architekt
- (non citato nei titoli originali)
Sonja Jeannine
- Resi Huber
- (non citato nei titoli originali)
Heinz Kopitz
- Peppi
- (non citato nei titoli originali)
Carina Kreisch
- Mädel in der Villa
- (non citato nei titoli originali)
Marie Luise Lusewitz
- Elise
- (non citato nei titoli originali)
Ralph Martens
- Walter
- (non citato nei titoli originali)
Rosl Mayr
- Kreszenzia Krummhuber
- (non citato nei titoli originali)
Ingeborg Moosholzer
- Frau Achleitner, Kundin
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizChristine von Stratowa was 13 when filming this movie, where she has a sexy full-frontal nude scene where a man more than twenty years her senior gently touches her body. As 'Seventeen' magazine, #52 (February 1980) wrote, Marie-Christine von Stratowa started appearing in sexually-oriented nude films and photographs when she was 12. At 13 she told a reporter that when she was 12 an adult man photographed her and afterwards kissed and caressed her breasts so she could practise what it would be like during filming. "After the pictures were taken, he kissed me and caressed my tits....I let him do, because of the role in the movie. He wanted to know if I was capable of playing love scenes," she said. (According to the 1974 documentary "Confessions of a Blue Movie Star", Marie-Christine had a full-blown sexual affair with a film director before she had reached the age of consent (14) so he got sentenced to two years of jail.)
Recensione in evidenza
This episodic film is a close relative of Wolf Hartwig's schoolgirl report movies, made by the same people, in a similar style, around similar topics. However, this one specifically focuses on the coming-of-age aspects, to an extent that it also touches on delicate issues such as paedophilia.
The schoolgirl report movies had the habit of occasionally subjecting its audience to some moralising, with the basic message that today's youth was more misunderstood than depraved. This was typically delivered in a sometimes fairly and sometimes utterly patronising style - in the former case by the reporter and voice-over, and in the latter case by the character "Dr. Bernauer" (alias Günther Kieslich). I always had the impression that this moralising was complete bogus, merely a gimmick to pacify censors or press.
Watching this movie though made me think again because the moralising aspects suddenly take centre-stage, to an extent which surely must have annoyed the film's most likely audience - the raincoat brigade. Thus the makers apparently believed in their message after all, even if the message does not come across very convincingly.
As a result, some of the episodes are a strange mixture of run-of-the-mill exploitation stuff with issues concerning good or bad parenting. For example, in one episode Elise (Marie Luise Lusewitz) has Sunday morning sex with her husband, unaware that her young children are already awake and watching them through the bedroom's keyhole; her hubby finds the subsequent inquisition by the kids regarding the technical details of this weird wrestling match too hard to take and reacts in a way that gives the commentator ample opportunity for more moralising criticism.
But other episodes are just bizarre. One episode of rather dubious taste sees a mother (type: loser, white trash) accidentally discovering that spanking her (approximately 11 year old) daughter appears to re-awaken the waning sexual interest of her boyfriend in her - and she exploits that observation like a free Viagra prescription. When the mother later discovers that his sexual interest extends to the daughter as well she blackmails him into marrying herself.
The schoolgirl report movies had the habit of occasionally subjecting its audience to some moralising, with the basic message that today's youth was more misunderstood than depraved. This was typically delivered in a sometimes fairly and sometimes utterly patronising style - in the former case by the reporter and voice-over, and in the latter case by the character "Dr. Bernauer" (alias Günther Kieslich). I always had the impression that this moralising was complete bogus, merely a gimmick to pacify censors or press.
Watching this movie though made me think again because the moralising aspects suddenly take centre-stage, to an extent which surely must have annoyed the film's most likely audience - the raincoat brigade. Thus the makers apparently believed in their message after all, even if the message does not come across very convincingly.
As a result, some of the episodes are a strange mixture of run-of-the-mill exploitation stuff with issues concerning good or bad parenting. For example, in one episode Elise (Marie Luise Lusewitz) has Sunday morning sex with her husband, unaware that her young children are already awake and watching them through the bedroom's keyhole; her hubby finds the subsequent inquisition by the kids regarding the technical details of this weird wrestling match too hard to take and reacts in a way that gives the commentator ample opportunity for more moralising criticism.
But other episodes are just bizarre. One episode of rather dubious taste sees a mother (type: loser, white trash) accidentally discovering that spanking her (approximately 11 year old) daughter appears to re-awaken the waning sexual interest of her boyfriend in her - and she exploits that observation like a free Viagra prescription. When the mother later discovers that his sexual interest extends to the daughter as well she blackmails him into marrying herself.
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