VALUTAZIONE IMDb
4,8/10
11.510
LA TUA VALUTAZIONE
Una insegnante cattolica incontra un giornalista ateo, che un gruppo di cattolici e sacerdoti crede sia stato scelto dal diavolo per essere l'Anticristo.Una insegnante cattolica incontra un giornalista ateo, che un gruppo di cattolici e sacerdoti crede sia stato scelto dal diavolo per essere l'Anticristo.Una insegnante cattolica incontra un giornalista ateo, che un gruppo di cattolici e sacerdoti crede sia stato scelto dal diavolo per essere l'Anticristo.
- Premi
- 2 candidature
Bob Clendenin
- Mental Patient
- (as Robert Clenendin)
Trama
Lo sapevi?
- QuizThis movie was initially supposed to be released in October 1999. Its trailer was in theaters in Summer 1999. However, due to a flood of "end of the world" movies coming out at the same time (Giorni contati (1999), Stigmate (1999), et cetera) the decision was made to delay the release. Its new date was February 4, 2000. However, it got moved again after the popular "Scream" franchise staked out that date for Scream 3 (2000). The final release date of October 13, 2000 was finally decided upon, which also happened to be the same day as the re-release of L'esorcista (1973).
- Blooper(at around 2 mins) The film opens with a caption purporting to be a Bible verse: ". And the world as we know it will be no more. (Deuteronomy 17)" In fact, there is no such passage in any part of the Bible.
- Citazioni
Maya Larkin: You're about to become the Antichrist who is born unholy and becomes the door to eternal suffering in this world.
- Curiosità sui creditiThe initial credits appear as numbers morphing into letters plus a reversed shadow.
- Colonne sonoreTijuana Lady
Written by Ian Ball, Paul Blackburn, Tom Gray, Ben Ottewell (as Benjamin Jo Attewell), Oliver Peacock (as Oliver James Peacock)
Performed by Gomez
Courtesy of Virgin Records Limited under license from Virgin Records America, Inc.
Recensione in evidenza
Look, I'm a sucker for a good eschatological/apocalyptic thriller. Something totally fascinates me about that stuff. After the sheer stupidity of the illogical 'Stigmata' and especially the lame-brained 'End Of Days', I had a lot of hope for 'Lost Souls'. Sadly, it fails to deliver. Hollywood disappoints yet again!
Winona Ryder plays a troubled young woman who believes that Satan is planning on being reborn in human form, and kicking some Christian ass. Ben Chaplin plays a crime writer who Winona thinks is the Devil in waiting. Instead of just shooting him and doing the world a favour, she forms an uneasy relationship with him. What exactly she plans on doing is hard to say. That's the whole problem with this movie. The 'Se7en'-esque visuals are more important than a decent script. The characters motivations don't really make sense, and as soon as the plot looks like it's going to go is some kind of interesting direction, it doesn't. After a certain point you give up even caring what happens, surely a bad sign in a movie where the whole fate of mankind is at stake?!
Ryder used to be effective as alienated teens back in the late 80s in favourites like 'Beetlejuice' and 'Heathers', but lets face facts, movies like this and 'Girl, Interrupted' show how limited her range really is. She hasn't grown as an actress and is basically just not believable.
Ben Chaplin showed some flair for light comedy in 'The Truth About Cats And Dogs', and had a few outstanding moments in Terrence Malik's wildly uneven and overrated 'The Thin Red Line', but he fails to interest here. Ryder and Chaplin don't show any on screen chemistry or rapport, and this sinks the movie even further into terminal boredom.
The talented character actors in the supporting cast - John Hurt, Kevin Baker Hall, Elias Koteas, John Diehl - are all wasted by the dull and cliched script. Add to that one of the most anti-climactic endings in recent memory, and you've got yourself one lame "thriller" that is a real lost opportunity.
If movies about Satanism, demonic possession, Occult conspiracies and/or The-End-Of-The-World-As-We-Know-It are your scene, avoid this snoozefest and go straight to 'Rosemary's Baby' and 'The Exorcist', both stylish AND genuinely scary classics. After that try the hugely overlooked 80s supernatural Demi Moore flick 'The Seventh Sign', and the more recent Christopher Walken vehicle 'The Prophecy', or the fantastic Spanish comedy/horror 'The Day Of The Beast', both from the mid-90s. These movies all feature more intelligence, originality and suspense than 'Lost Souls' could ever dream of having.
Winona Ryder plays a troubled young woman who believes that Satan is planning on being reborn in human form, and kicking some Christian ass. Ben Chaplin plays a crime writer who Winona thinks is the Devil in waiting. Instead of just shooting him and doing the world a favour, she forms an uneasy relationship with him. What exactly she plans on doing is hard to say. That's the whole problem with this movie. The 'Se7en'-esque visuals are more important than a decent script. The characters motivations don't really make sense, and as soon as the plot looks like it's going to go is some kind of interesting direction, it doesn't. After a certain point you give up even caring what happens, surely a bad sign in a movie where the whole fate of mankind is at stake?!
Ryder used to be effective as alienated teens back in the late 80s in favourites like 'Beetlejuice' and 'Heathers', but lets face facts, movies like this and 'Girl, Interrupted' show how limited her range really is. She hasn't grown as an actress and is basically just not believable.
Ben Chaplin showed some flair for light comedy in 'The Truth About Cats And Dogs', and had a few outstanding moments in Terrence Malik's wildly uneven and overrated 'The Thin Red Line', but he fails to interest here. Ryder and Chaplin don't show any on screen chemistry or rapport, and this sinks the movie even further into terminal boredom.
The talented character actors in the supporting cast - John Hurt, Kevin Baker Hall, Elias Koteas, John Diehl - are all wasted by the dull and cliched script. Add to that one of the most anti-climactic endings in recent memory, and you've got yourself one lame "thriller" that is a real lost opportunity.
If movies about Satanism, demonic possession, Occult conspiracies and/or The-End-Of-The-World-As-We-Know-It are your scene, avoid this snoozefest and go straight to 'Rosemary's Baby' and 'The Exorcist', both stylish AND genuinely scary classics. After that try the hugely overlooked 80s supernatural Demi Moore flick 'The Seventh Sign', and the more recent Christopher Walken vehicle 'The Prophecy', or the fantastic Spanish comedy/horror 'The Day Of The Beast', both from the mid-90s. These movies all feature more intelligence, originality and suspense than 'Lost Souls' could ever dream of having.
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Dettagli
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 16.815.253 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.954.766 USD
- 15 ott 2000
- Lordo in tutto il mondo
- 31.355.910 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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What is the German language plot outline for Lost Souls - La profezia (2000)?
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