VALUTAZIONE IMDb
6,9/10
2018
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTwo sisters become victims of the patriarchal, ultra-orthodox society.Two sisters become victims of the patriarchal, ultra-orthodox society.Two sisters become victims of the patriarchal, ultra-orthodox society.
- Premi
- 3 vittorie e 9 candidature totali
Yael Abecassis
- Rivka
- (as Yaël Abecassis)
Meital Berdah
- Malka
- (as Meital Barda)
Uri Klauzner
- Yossef
- (as Uri Ran-Klausner)
Leah Koenig
- Elisheva
- (as Lea Koenig)
Amos Gitai
- Man in the bar
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizAmos Gitai began shooting on February 2, 1999 and shot the majority of the sequences in continuity. He then edited his film at the rate of 18 hours per day, to send it in mid-April to Gilles Jacob, the president of the Cannes Film Festival, who selected it immediately.
- BlooperThe scene where Yossef the zealot prays loudly for understanding the Torah is completely preposterous. An Orthodox Jew would always pray silently, even when alone. To pray in such a boorish manner would only invite ridicule.
- Versioni alternativeThe "Making of" featurette shows several scenes cut from the movie, including one of Rivka preparing a meal.
- ConnessioniFeatured in Historia Shel Hakolnoah Israeli (2009)
Recensione in evidenza
Judging from the number of comments, KADOSH seems to have received more international exposure than many better Israeli films have. I would hate to think that the reason is that KADOSH encourages the audience to feel superior to the Orthodox Jews, because as other comments have pointed out, the film misrepresents the lifestyle of Orthodox Jews in both big ways and small. I understand there is a tiny industry of ultra-Orthodox Jewish video dramas in Israel, and it would be interesting to see in contrast how these people portray themselves; but few outsiders are likely ever to see those productions because of their commercial appeal is nil. The portrayal of the ultra-Orthodox is left to well-intentioned distortions like THE SECRETS (a more recent Israeli film) and to viciously intended distortions like this one, in which the camera moves from a dead body to a shelf of Jewish books and a Jewish candelabrum as if to say "The blame lies here."
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Botteghino
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- 736.812 USD
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