Aggiungi una trama nella tua linguaIn search of a father,in the streets of Paris.In search of a father,in the streets of Paris.In search of a father,in the streets of Paris.
Foto
Foun-Sen
- Renée Ménard
- (as Fou Sen)
Jean Brochard
- Le guide
- (as Brochard)
Jean Périer
- Le vieillard
- (as Jean Perier)
René Génin
- Le clochard
- (as Genin)
Julienne Paroli
- Un amie de la veuve Ménard
- (as Paroli)
Louis Florencie
- Le commissaire
- (as Florencie)
Georges Bever
- Le garçon de café
- (as Bever)
Trama
Recensione in evidenza
...but I never left you! A film which is anything but derivative but which in the end falls short of its goal.The script is often boring (I almost fell asleep halfway through),there are too few lovely or magical moments in "la Collection Ménard" .A far east young girl comes to Europa to find his father she 's never known..
Casting an Asiatic actress as the lead (Foun-Sen appeared in other FRench movies ,some of which very famous ("Drôle de Drame" ),but remained unnoticed) was quite original for the time (generally they used to make up outrageously a French thespian ).But Viot tried to imitate Jacques Prévert and it's his downfall:too few of his lines were really funny ,witty or moving,except in some scenes which are few and far between: -like the meeting with the senile old man listening to the old folk song (Written just before the FRench Revolution and thus a true omen of the things to come) "Il Pleut Bergère" ....
-Or Marguerite Moreno's short appearance as a novelist ..
-Or the scene in the registry office (the Public Records Office)where Jean Tissier asks people to be polite.
But it is an uneven film;the subject was excellent and the ending is nothing but conventional ,but neither the writer nor the director rise to the occasion.
Casting an Asiatic actress as the lead (Foun-Sen appeared in other FRench movies ,some of which very famous ("Drôle de Drame" ),but remained unnoticed) was quite original for the time (generally they used to make up outrageously a French thespian ).But Viot tried to imitate Jacques Prévert and it's his downfall:too few of his lines were really funny ,witty or moving,except in some scenes which are few and far between: -like the meeting with the senile old man listening to the old folk song (Written just before the FRench Revolution and thus a true omen of the things to come) "Il Pleut Bergère" ....
-Or Marguerite Moreno's short appearance as a novelist ..
-Or the scene in the registry office (the Public Records Office)where Jean Tissier asks people to be polite.
But it is an uneven film;the subject was excellent and the ending is nothing but conventional ,but neither the writer nor the director rise to the occasion.
- dbdumonteil
- 22 set 2007
- Permalink
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By what name was La collection Ménard (1944) officially released in Canada in English?
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