Aggiungi una trama nella tua linguaIn a "live" broadcast on Halloween night, a BBC team investigate a reported poltergeist in an ordinary London home.In a "live" broadcast on Halloween night, a BBC team investigate a reported poltergeist in an ordinary London home.In a "live" broadcast on Halloween night, a BBC team investigate a reported poltergeist in an ordinary London home.
- Regia
- Sceneggiatura
- Star
- Pamela Early
- (as Bríd Brennan)
Trama
Lo sapevi?
- QuizIt earned the dubious honour of being the first TV programme to be cited in the British Medical Journal as having caused Post Traumatic Stress Disorder in children.
- BlooperWhen the Policewoman enters the house you can see her smiling like shes out of character.
- Citazioni
[last lines]
Michael Parkinson: The studio's... completely dark. Just... just blackness. All the lights have failed. The... the power's gone off.
[phosphorescent glow rises]
Michael Parkinson: We've... got some lights in the studio. I don't know... there's cameras, but I don't know which one's working... I mean... there are no... No camermen! I mean... it's difficult to know even if anybody's still... still with us, but if they are, this is the scene in this studio... this totally deserted studio.
[cats start to shriek in background]
Michael Parkinson: Autocue's still working...!..."Round and round the garden... like a teddy bear?"
[stiffens]
Ghost: [speaking through Parkinson] Didn't believe that story about Mother Seddons, did you? Fee... fie... foe... fum.
[cats shriek as camera dies]
- ConnessioniEdited into Screen One: Ghostwatch (1992)
A BBC team are invited to Britain's most haunted house to investigate a malevolent presence terrorising the family that live there, in particular the eldest near-pubescent daughter. As events unfold live from the house an initially sceptical Michael Parkinson and an ever increasingly concerned parapsychologist begin to realise that the BBC is about to score a scoop far greater, and more dangerous, than they had bargained for.
I recall seeing Ghostwatch on its first and only transmission. I had missed the opening Screen One card and titles so what I sat down to I initially believed to be a real investigation into a haunted house. The first university research footage of a poltergeist attack on the two girls made my blood run cold. I remember phoning a friend to see if he was watching. I was shaken. Then I started to realise certain things. The mother and eldest daughter were not convincing. The parapsychologist was clearly an actress. The slightly improvisational interaction between the presenters was clearly a scripted attempt at improvisation. I was disappointed, indeed sufficiently so to change the channel and only occasionally dip back into the programme. I remember the press reports over the following days. I couldn't believe they were referring to the programme I had glimpsed. Then Ghostwatch was buried and forgotten.
Then it came back, released on dvd by the BFI. People started to write about it again, reporting that it still had the power to chill. I had to see it again. I watched it twice this week. The strange thing I realised was that despite the poor acting and the occasionally clichéd script, those people who said it retained its power to scare were absolutely right.
Ghostwatch won't make you jump. It won't turn your stomach and it won't make you scream. Ghostwatch will simply unnerve you. It will make you check things that you see from the corner of your eye again. It will make you wonder what that shape in the corner of your room really is, as you struggle to sleep after viewing the show. It will make you ask whether that really is the sound of the central heating pipes expanding, or contracting, or is it something else.
It's true enough that some of the acting is poor, undermining the verisilimitude of the film. One wishes that the script allowed for more spontaneity from the cast. As it is the actors are quite obviously adhering to a script and their attempts at looking genuinely astonished, scared, unnerved by the events are frequently wooden. Probably the most convincing member of the cast is Craig Charles. His performance is light and therefore he appears the most natural. Sarah Greene does very well for the most part, although once strange events begin to occur it is clear that she is acting scared rather than actually being scared. Michael Parkinson is poor, but his part doesn't help. One simply can't believe that an institution such as he could be so openly cold and dismissive to the plight of the family, as he frequently is (he is particularly unsympathetic at the moment the older girl is found covered in scratches).
So what does work? The staggered revelations about the house and family's history are intriguing and eerie, as is the idea that the accumulation of evil over time in the house and the area has led to a manifestation of hateful malevolence. Sound and video effects are put to excellent use. The occupants of the house are subjected to sudden bumps, crashes and, as more secrets of the house are revealed, the awful wailing of cats. The ghostly voices are creepy in the extreme, particularly the inhuman voice played back on the studio tape recorder. What you hear can be far scarier than what you see and the makers of Ghostwatch play on this with great skill.
The link between house and studio begins to deteriorate late in the show. Picture and sound slow down. The link is lost and regained. The sense that something evil has penetrated the broadcast equipment and begun to transmit itself to homes across the UK is brilliantly done. In the studio more and more callers report strange events at their own homes, events that mirror what is happening in the house. Glass breaks, clocks stop, and dogs start barking at the screen. The parapsychologist realises that the BBC transmission has effectively provided the environment for a national séance. Every home tuned into the programme is now primed for supernatural attack. It's a wonderfully apocalyptic idea and one can imagine how disturbing this must have been for those original viewers who bought the idea that the show was live. As it stood the programme was blamed for several women going into premature labour, for 2 boys requiring treatment for post-traumatic stress, and for the tragic suicide of one young man. One can now understand why the BBC blocked the writer's attempts to have a high-frequency noise, calculated to upset viewers' pets, played on the soundtrack during the show's climax. It could have been the first television show in British history to create civic disorder.
I can't recall the last time a British television programme made such a bold attempt to scare. It's surprising considering the wealth of ghost lore we have to draw on in this country (the UK reportedly has more ghosts per square mile than any other place on earth). It's a testament to Ghostwatch that it has since become a fondly regarded piece of that tradition.
- mbeswick99
- 30 lug 2003
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