Segui il viaggio attraverso tre storie di guerra incentrate sull'aviazione dei partecipanti all'Asse.Segui il viaggio attraverso tre storie di guerra incentrate sull'aviazione dei partecipanti all'Asse.Segui il viaggio attraverso tre storie di guerra incentrate sull'aviazione dei partecipanti all'Asse.
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Recensione in evidenza
Each of the three short films (each an adaptation from a short story in Matsumoto Leiji's manga "The Cockpit") shares a common theme: self-sacrifice for the sake of others. Each protagonist faces challenges and reconciles their personal decision to give up their lives (or in one case, personal honor) for the sake of what they believe to be right. Each individual film highlights an aspect of the tragedy of war by focusing tightly on the personal experiences of those involved.
While most historical fiction vilifies the 'enemy' to the point of becoming propaganda, some of "The Cockpit"'s most poignant moments are when the antagonists reflect on the actions of their enemy--seeing in them the same human emotions and desires as themselves.
The first segment of the film deserves some recognition in that it strongly implies criticism of the United States for the bombing of Hiroshima and Nagasaki--something almost unheard of in Japanese-created animation or film. The second and third segments are far less heavy-handed in their message, but they all tell stories that do more than romanticize the past.
Of particular note is the attention to detail paid to the machinery of the films. Matsumoto's known for his love of machines and that love carries over to stunningly accurate imagery of WWII era vehicles and equipment.
For history buffs or anime freaks, this particular series of short films has a lot to offer--both in terms of story and in the topics the narrative approaches.
While most historical fiction vilifies the 'enemy' to the point of becoming propaganda, some of "The Cockpit"'s most poignant moments are when the antagonists reflect on the actions of their enemy--seeing in them the same human emotions and desires as themselves.
The first segment of the film deserves some recognition in that it strongly implies criticism of the United States for the bombing of Hiroshima and Nagasaki--something almost unheard of in Japanese-created animation or film. The second and third segments are far less heavy-handed in their message, but they all tell stories that do more than romanticize the past.
Of particular note is the attention to detail paid to the machinery of the films. Matsumoto's known for his love of machines and that love carries over to stunningly accurate imagery of WWII era vehicles and equipment.
For history buffs or anime freaks, this particular series of short films has a lot to offer--both in terms of story and in the topics the narrative approaches.
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By what name was Za kokupitto (1993) officially released in Canada in English?
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