VALUTAZIONE IMDb
6,9/10
6863
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA group of old friends reminisce about their lives over the years after the death of one of their crew.A group of old friends reminisce about their lives over the years after the death of one of their crew.A group of old friends reminisce about their lives over the years after the death of one of their crew.
- Premi
- 2 vittorie e 5 candidature
Trama
Lo sapevi?
- QuizDavid Hemmings son Nolan Hemmings plays his character Lenny as a young man in the flashback scenes.
- BlooperThere is a poster for Yellow Submarine (1968) on Vince's daughter's wall in 1974. It is the poster for the 1999 re-release of the movie.
- ConnessioniFeatures Le magiche storie di Gatto Teodoro (1974)
- Colonne sonoreThe Gypsy in My Soul
(1938)
Music by Clay Boland
Lyrics by Moe Jaffe
Published by Peter Maurice Music Company Ltd
Recensione in evidenza
Last orders is a very simple movie. It is based upon one of cinema's simplest genres: The Road Movie. It is about simple people who lead simple lives wherein very little happens very often. But behind this simplicity lies the dreams and desires and mistakes and wasted opportunities of these simple people. Small things (relatively speaking) which would seem to have little consequence on the outside world; but then, we all live in a much smaller world - don't we - and even the tiniest broken dream can sometimes leave us empty - if only for a moment.
This is a film then about people. About how people view each other. About how people can harbour the most powerful emotions or secrets - or both - without even those closest to them having the faintest idea. About the importance of friendship and the universality of loss: innocence as well as bereavement.
So four simple folk take the ashes of their old mate to be scattered into the sea at faded old, lost innocence Margate. While the deceased's wife - avoiding this trip - visits their estranged, handicapped daughter for the final time. We see how they relate (and related) to their old, dead friend and to each other. We see that great tragedy need not be about 'great' people. We see that pure love need not derive from 'pure' people. We see that life and living and loving are as difficult (and as inspirational) for the simplest of folk. And we celebrate this empathy.
Last Orders is a slow burning film with an occasionally awkward script and a potentially confusing narrative. But for all that, it is a fine, frequently moving, honest piece of cinema. The photography is consistently evocative; the acting is impeccable (Winstone impresses as the stoic son; Hemmings crackles as the bludgeoning, second rate pugilist) and several set pieces are profoundly sincere (the scene in the field is electric); but this is not a film that exists to shine incandescently - only to burn, quietly and slowly, until it says what it has to and the fuse runs out. It's worth staying with because, as simple as these people are, if they can't tell you a little something about the sadness and joy and - above all - the wonderful uncertainty of life... then you're probably already dead.
This is a film then about people. About how people view each other. About how people can harbour the most powerful emotions or secrets - or both - without even those closest to them having the faintest idea. About the importance of friendship and the universality of loss: innocence as well as bereavement.
So four simple folk take the ashes of their old mate to be scattered into the sea at faded old, lost innocence Margate. While the deceased's wife - avoiding this trip - visits their estranged, handicapped daughter for the final time. We see how they relate (and related) to their old, dead friend and to each other. We see that great tragedy need not be about 'great' people. We see that pure love need not derive from 'pure' people. We see that life and living and loving are as difficult (and as inspirational) for the simplest of folk. And we celebrate this empathy.
Last Orders is a slow burning film with an occasionally awkward script and a potentially confusing narrative. But for all that, it is a fine, frequently moving, honest piece of cinema. The photography is consistently evocative; the acting is impeccable (Winstone impresses as the stoic son; Hemmings crackles as the bludgeoning, second rate pugilist) and several set pieces are profoundly sincere (the scene in the field is electric); but this is not a film that exists to shine incandescently - only to burn, quietly and slowly, until it says what it has to and the fuse runs out. It's worth staying with because, as simple as these people are, if they can't tell you a little something about the sadness and joy and - above all - the wonderful uncertainty of life... then you're probably already dead.
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Dettagli
Botteghino
- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 2.329.631 USD
- Fine settimana di apertura Stati Uniti e Canada
- 111.676 USD
- 3 mar 2002
- Lordo in tutto il mondo
- 6.873.892 USD
- Tempo di esecuzione1 ora 49 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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