Jessica Stein è una giornalista di successo a New York, di famiglia benestante. Insomma, una vita perfetta, se non fosse per il principe azzurro... assente!Jessica Stein è una giornalista di successo a New York, di famiglia benestante. Insomma, una vita perfetta, se non fosse per il principe azzurro... assente!Jessica Stein è una giornalista di successo a New York, di famiglia benestante. Insomma, una vita perfetta, se non fosse per il principe azzurro... assente!
- Premi
- 8 vittorie e 3 candidature
Trama
Lo sapevi?
- QuizThe cab scene where Helen and Jessica talk about blending lipstick was filmed after the filmmakers hailed a cab, paid the driver $20, the director drove, the director of photography was in the front seat and the sound woman climbed in the back trunk.
- BlooperWhen Jessica and her mother are getting their bridesmaids dresses fitted, Helen is upset to learn that Jessica never mentioned her brother's upcoming wedding. But the wedding would surely have been discussed at the Shabbat dinner at the Steins' that Helen attended three months prior.
- Citazioni
Jessica: You don't appreciate the chaos and absurdity of life on this planet. You don't understand irony, or ethnicity, or eccentricity, or poetry, or the simple joy of being a regular at the diner on your block. I love that. You don't drink coffee or alcohol. You don't over eat. You don't cry when you're alone. You don't understand sarcasm. You plod through life in a neat, colorless, caffeine free, dairy free, conflict free way. I'm bold and angry and tortured and tremendous and I notice when someone has changed their hair part, or when someone is wearing two very distinctly different shades of black or when someone changes the natural temperment of their voice on the phone. I don't give out empty praise. I'm not complacent or well-adjusted. I can't spend fifteen minutes breathing and stretching and getting in touch with myself. I can't spend three minutes finishing an article. I check my answering machine nine times every day and I can't sleep at night because I feel that there is so much to do and fix and change in the world, and I wonder every day if I am making a difference and if I will ever express the greatness within me, or if I will remain forever paralyzed by muddled madness inside my head. I've wept on every birthday I've ever had because life is huge and fleeting and I hate certain people and certain shoes and I feel that life is terribly unfair and sometimes beautiful and wonderful and extraordinary but also numbing and horrifying and insurmountable and I hate myself a lot of the time. The rest of the time I adore myself and I adore my life in this city and in this world we live in. This huge and wondrous, bewildering, brilliant, horrible world.
- Curiosità sui creditiFor our parents.
- ConnessioniEdited into Sex at 24 Frames Per Second (2003)
- Colonne sonorePut on a Happy Face
Written by Lee Adams & Charles Strouse
Performed by Blossom Dearie
Courtesy of Strada Music Co. (ASCAP) and Capitol Records
Through arrangement with EMI-Capitol Special Markets
This is a strange mix of a film that mostly does enough to work. In some ways it seems to be a quirky independent film but in many ways it is just an OK mainstream comedy. Jessica herself seems to be a strange mix between the neurotic side of Woody Allen, the quirky side of Ally McBeal and the female side of Bridget Jones. It is a strange mix but it more or less works as a piece of entertainment even if it isn't as sassy and fresh as it thinks it is. The relationship between Jessica and Helen is delivered in a pacey fashion that doesn't quite ring true due to the lack of depth to it but it does enough to keep things moving along. Laughs are not that common but the general amusing air carries it along and, although the romance is basic and the characters thin, they it is easy viewing and they still engage if you are in an undemanding mood.
Westfeldt overplays her neurotic character a little bit but she just manages to keep her convincing. She has an easy chemistry with Lake which really helps cover up the lacking material they both have to deal with; it helps that they wrote it and were probably very in touch with what they were trying to do, even if they didn't necessarily do what they could have done. The rest of the cast pretty much match them in turning in workable but unspectacular performances not their failing but more to do with the fact that the script is breezy and light and not something a lot of depth can be brought out of. Herman-Wurmfeld's direction matches the light material and keeps it breezy.
Overall this is a pretty sweet little film although not as fresh and fun as it thinks it is. The two leads could have done more as writers but they do have a good feel for the material and their performances help cover the material. Not many laughs or insights but it is consistently amusing and nice enough to be worth watching if you are looking for something undemanding.
- bob the moo
- 10 dic 2005
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Seeking Same
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 7.025.722 USD
- Fine settimana di apertura Stati Uniti e Canada
- 346.999 USD
- 17 mar 2002
- Lordo in tutto il mondo
- 10.013.424 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1