Dopo essersi svegliata da un coma durato quattro anni, un'ex assassina a pagamento si imbarca in una vendetta contro il team di sicari che l'ha tradita.Dopo essersi svegliata da un coma durato quattro anni, un'ex assassina a pagamento si imbarca in una vendetta contro il team di sicari che l'ha tradita.Dopo essersi svegliata da un coma durato quattro anni, un'ex assassina a pagamento si imbarca in una vendetta contro il team di sicari che l'ha tradita.
- Nominato ai 5 BAFTA Award
- 30 vittorie e 103 candidature totali
Shin'ichi Chiba
- Hattori Hanzo
- (as Sonny Chiba)
Chia-Hui Liu
- Johnny Mo
- (as Gordon Liu)
Kenji Ôba
- Bald Guy (Sushi Shop)
- (as Kenji Oba)
Trama
Lo sapevi?
- QuizWhen Chiaki Kuriyama (Gogo) was shooting the scene where she flings her ball and chain out, she accidentally hit Quentin Tarantino on the head as he stood by the camera.
- BlooperWhen Tthe Bride fights the Crazy 88s, she unmasks a young kid who gives up. She then throws him into several others who land into a pool of bloody water. After the scene where she fights with the lights off, she narrowly avoids killing the same kid. He is fully dry, and his white dress shirt is stain free. She then chops his sword into pieces, he gives up and she spanks him.
- Citazioni
Hattori Hanzo: Revenge is never a straight line. It's a forest, And like a forest it's easy to lose your way... To get lost... To forget where you came in.
- Curiosità sui creditiShin'ichi Chiba (Hattori Hanzo) is listed as the samurai sword advisor. He played a maker of samurai swords in the film.
- Versioni alternativeMany changes were made to the movie to minimize the violent and adult content when it was broadcast on TBS. One of the most interesting: The "Pussy Wagon" was changed to a "Party Wagon".
- ConnessioniEdited from Il grande duello (1972)
- Colonne sonoreBang Bang (My Baby Shot Me Down)
Music by Sonny Bono
Lyrics by Sonny Bono
Performed by Nancy Sinatra
Courtesy of Boots Enterprises, Inc.
By Arrangement with Celebrity Licensing
Recensione in evidenza
Just saw Kill Bill: Vol. 1 and was surprised, to be honest, at how incredibly GOOD this film is. Here is a craftsman (or artist, if you prefer) at the top of his game. Some of the shots are simply incredible; the score is, for the most part, vintage Tarantino selections- and the RZA does a very good job at filling the blanks; Uma Thurman is a great female lead, for sheer presence (and decent acting chops). Even Lucy Liu, who I expected was going to re-hash her Charlie's Angel character, burst on the scene like a flaming nunchuck.
The stringing together of the scenes was impeccable. The transitions, the intercutting between dialogue, the flashbacks... I simply could not get enough. Tarantino IS, indeed, having fun here. He is giving us a film that may not go down as a classic, Pulp Fiction style, but that shows us what is yet to come. I doubt that he's lost his writing talents (as some have claimed), and I actually disagree that the dialogue in the film is "poor", or that there are "no memorable lines" (Empire). The kung-fu genre has never been a particularly good park to display Shakespearean writing virtuosisms. The lines work fine. The plot is simple enough, but Tarantino takes a burger and serves it as "steak tartare with sauce au poivre and asparagus terrine". He basically manages to cram so much information into the film that plot is simply irrelevent. What is relevent is the Bride's thirst for blood, her primal sense of vengeance and our total devotion to her. Bill, of course, is one of the greatest characters to ever NOT appear on screen. Overall, a great movie and an example of how a filmmaker's tool is not his pen: it's his eye.
The stringing together of the scenes was impeccable. The transitions, the intercutting between dialogue, the flashbacks... I simply could not get enough. Tarantino IS, indeed, having fun here. He is giving us a film that may not go down as a classic, Pulp Fiction style, but that shows us what is yet to come. I doubt that he's lost his writing talents (as some have claimed), and I actually disagree that the dialogue in the film is "poor", or that there are "no memorable lines" (Empire). The kung-fu genre has never been a particularly good park to display Shakespearean writing virtuosisms. The lines work fine. The plot is simple enough, but Tarantino takes a burger and serves it as "steak tartare with sauce au poivre and asparagus terrine". He basically manages to cram so much information into the film that plot is simply irrelevent. What is relevent is the Bride's thirst for blood, her primal sense of vengeance and our total devotion to her. Bill, of course, is one of the greatest characters to ever NOT appear on screen. Overall, a great movie and an example of how a filmmaker's tool is not his pen: it's his eye.
- emperorpasta
- 9 ott 2003
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Kill Bill Vol. 1: La venganza
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 70.099.045 USD
- Fine settimana di apertura Stati Uniti e Canada
- 22.200.000 USD
- 12 ott 2003
- Lordo in tutto il mondo
- 180.908.413 USD
- Tempo di esecuzione1 ora 51 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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What is the streaming release date of Kill Bill - Volume 1 (2003) in India?
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