** 1/2 out of ****
The Life of David Gale was slammed by critics for being a sanctimonious preachfest. I prefer to view the movie as a mystery/thriller with the death penalty views as a background for its plot. Seen as thus, this is a mostly satisfying thriller, packed with just the right amount of twists and turns, red herrings, and intriguing characters to entertain for its two-hour running time.
Kate Winslet (look prettier than ever) star as Bitsey Bloom, a journalist who is on task to interview David Gale (Kevin Spacey) before he is to be executed in three days. He was a former professor sentenced for the rape and murder of Constance Harraway (Laura Linney), who along with Gale, were close friends and advocates against the death penalty. As Gale unfolds the tale of the last few months of his life before the murder, she slowly begins to believe he might actually be innocent and that the real killer could be very well out there, watching her every move.
As I said before, The Life of David Gale is a very entertaining thriller. Seen as just that, a thriller, it does have its flaws, some of it pertaining to Winslet. Her performance is actually quite good, it's that, as is the case with a lot of movies in this genre, the "detectives" are usually the least well-developed characters, simply because they're there to gather the facts and piece the clues together. The only things we know about her is that she's determined and very tenacious.
Both Spacey and Linney are excellent, convincing in their portrayals of normal individuals who suffer plenty of heartbreak in their lives, with the latter eventually losing hers in a brutal manner. Spacey, during the interview scenes, exudes an aura of mystery and quiet uneasiness, basically the same style of acting he's relied on almost his entire career. Still, he's good at it, but one wonders when he'll really break out into something completely different.
The film runs smoothly for most of its running time, and the movie's first big twist, revealed with about a half-hour left, caught me off-guard, in a good way. It's the final scene that irks me. That last shot should have been omitted from the film, as it negates the purpose of much of what went on the previous two hours and might even make you lose complete respect for one of its major characters. Director Alan Parker obviously meant for this shot to chill us, and while it will probably to that effect initially, you're going to feel cheated once the credits have rolled.
