VALUTAZIONE IMDb
6,8/10
7941
LA TUA VALUTAZIONE
Una coppia fugge insieme per sposarsi e metter su casa, sperando che solo l'amore sia sufficiente, ma questo è solo l'inizio della storia.Una coppia fugge insieme per sposarsi e metter su casa, sperando che solo l'amore sia sufficiente, ma questo è solo l'inizio della storia.Una coppia fugge insieme per sposarsi e metter su casa, sperando che solo l'amore sia sufficiente, ma questo è solo l'inizio della storia.
- Regia
- Sceneggiatura
- Star
- Premi
- 17 vittorie e 10 candidature
Tanuja Samarth
- Shobhana
- (as Tanuja)
Trama
Lo sapevi?
- QuizThe song "Chalka" was used in the Hollywood movie Accidental Husband.
- BlooperRani Mukherjee's hairstyle keeps on changing between several scenes during the film.
- Citazioni
Aditya Sehgal: I love you.
Suhani Sharma: What is that?
Aditya Sehgal: I Love you...means I love you.
Suhani Sharma: Means what?
Aditya Sehgal: Means that I am in love with you, I can do anything for you.
Suhani Sharma: Anything? Can you jump off this train?
Aditya Sehgal: Sure! i'll jump as soon as it stops.
- ConnessioniReferenced in Fighter (2024)
- Colonne sonoreSaathiya
Written by Gulzar (as Sampooran Singh Gulzar)
Composed by A.R. Rahman
Performed by Sonu Nigam
Courtesy of Saregama HMV
Recensione in evidenza
Remakes, remakes and remakes. Some from Hollywood and some from South India. And the results at the box-office are mostly the same. FLOP! But why? Because these remakes can't achieve the status of the original versions (although good story, good performances or good music). Therefore directors are remaking their own films in Hindi but are failing, as well, because there is too much South Indian touch (Nayak Mudhalvan; Rehna Tere Dil Main Minnale; Dil Hi Dil Mein Kadhal Dhinam; Doli Sajake Rakhna Aniathiypravu etc.).
Saathiya, a Mani Ratnam creation, is a great movie. The film's strength is that it is suitable to North Indian milieu but fails to reach the quality that `Alai Payuthey' spread.
So where is its weakness then? Vivek Oberoi? Certainly not! It's a difficult job to top Madhavan's great performance in `Alai Payuthey'. Vivek won where Madhavan failed.
Rani Mukherji then? She portrayed her character, Suhani Sharma, completely different as her counterpart Shalini did in the original version. Both were great and for me difficult to say who was the better one.
So A.R. Rahman? He was the one who gave the wonderful scent to `Alai Payuthey' which you won't forget so easily. The songs and the background score which is filled with soulful tunes are absolutely great. It's one of Rahman's best works and he knows that he can't top it. As a result he didn't bring too many new songs which would destroy his early work. His new songs are nice to hear and fit to the North Indian milieu. The orchestra in the climax where Vivek apologizes to Rani is absolutely mind-blowing.
Gulzar then? I must admit that I don't understand Hindi and not much Tamil (thanks to English-subtitling) but the songs have good meanings and are as good as Vairamuthu's work for `Alai Payuthey'.
Perhaps Shah Rukh Khan and Tabu? Shah Rukh Khan is fantastic in his 10 minutes and portrayed the role differently as Arwind Swamy did. Tabu is unfortunately not as good as Khushboo who has done a superb job in Tamil.
But where is then the problem? It's certainly unfair to compare a youngster's work like Shaad Ali's with that one of a genius like Mani Ratnam's. Ali's direction is very good and is the best debutant director since Farhan Akhtar for Dil Chahta Hai. But small scenes which might be unnecessary are missing to achieve a very good quality. For example, in Saathiya `Aditya' has no one whom he can tell all his sorrows and lands up as a depressed husband. `Karthik' in Alai Payuthey talks with his Malayalee neighbour/houseowner (in Hindi Tinnu Anand) about love, marriage etc. and gets new hopes to set a new beginning in his marriage. The climax also in Tamil which has a more realistic look is better than in Hindi which is too filmy despite Vivek's performance and Rahman's orchestra. A clear parallel between Shah Rukh Khan/Tabu and Vivek Oberoi/Rani Mukherji could not been attained, as well.
But Ali has given the film a more youthful look than Mr Ratnam has done (more hanging out with friends, parties etc.) and like mentioned before, a suitable film to North Indian audiences and it is a film that is worth watching (though not as good as `Alai Payuthey').
Alai Payuthey 9.5/10; Saathiya 8.5/10
Saathiya, a Mani Ratnam creation, is a great movie. The film's strength is that it is suitable to North Indian milieu but fails to reach the quality that `Alai Payuthey' spread.
So where is its weakness then? Vivek Oberoi? Certainly not! It's a difficult job to top Madhavan's great performance in `Alai Payuthey'. Vivek won where Madhavan failed.
Rani Mukherji then? She portrayed her character, Suhani Sharma, completely different as her counterpart Shalini did in the original version. Both were great and for me difficult to say who was the better one.
So A.R. Rahman? He was the one who gave the wonderful scent to `Alai Payuthey' which you won't forget so easily. The songs and the background score which is filled with soulful tunes are absolutely great. It's one of Rahman's best works and he knows that he can't top it. As a result he didn't bring too many new songs which would destroy his early work. His new songs are nice to hear and fit to the North Indian milieu. The orchestra in the climax where Vivek apologizes to Rani is absolutely mind-blowing.
Gulzar then? I must admit that I don't understand Hindi and not much Tamil (thanks to English-subtitling) but the songs have good meanings and are as good as Vairamuthu's work for `Alai Payuthey'.
Perhaps Shah Rukh Khan and Tabu? Shah Rukh Khan is fantastic in his 10 minutes and portrayed the role differently as Arwind Swamy did. Tabu is unfortunately not as good as Khushboo who has done a superb job in Tamil.
But where is then the problem? It's certainly unfair to compare a youngster's work like Shaad Ali's with that one of a genius like Mani Ratnam's. Ali's direction is very good and is the best debutant director since Farhan Akhtar for Dil Chahta Hai. But small scenes which might be unnecessary are missing to achieve a very good quality. For example, in Saathiya `Aditya' has no one whom he can tell all his sorrows and lands up as a depressed husband. `Karthik' in Alai Payuthey talks with his Malayalee neighbour/houseowner (in Hindi Tinnu Anand) about love, marriage etc. and gets new hopes to set a new beginning in his marriage. The climax also in Tamil which has a more realistic look is better than in Hindi which is too filmy despite Vivek's performance and Rahman's orchestra. A clear parallel between Shah Rukh Khan/Tabu and Vivek Oberoi/Rani Mukherji could not been attained, as well.
But Ali has given the film a more youthful look than Mr Ratnam has done (more hanging out with friends, parties etc.) and like mentioned before, a suitable film to North Indian audiences and it is a film that is worth watching (though not as good as `Alai Payuthey').
Alai Payuthey 9.5/10; Saathiya 8.5/10
- yoshielavumkal
- 31 gen 2003
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Companion
- Luoghi delle riprese
- Dhanushkodi, Tamil Nadu, India(Mera Yaar milade song)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 317.564 USD
- Fine settimana di apertura Stati Uniti e Canada
- 71.400 USD
- 22 dic 2002
- Lordo in tutto il mondo
- 541.367 USD
- Tempo di esecuzione2 ore 18 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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