VALUTAZIONE IMDb
6,1/10
88.628
LA TUA VALUTAZIONE
Dopo che New York City riceve una serie di attacchi da giganteschi robot volanti, un reporter si allea con un pilota alla ricerca della loro origine.Dopo che New York City riceve una serie di attacchi da giganteschi robot volanti, un reporter si allea con un pilota alla ricerca della loro origine.Dopo che New York City riceve una serie di attacchi da giganteschi robot volanti, un reporter si allea con un pilota alla ricerca della loro origine.
- Regia
- Sceneggiatura
- Star
- Premi
- 8 vittorie e 19 candidature totali
Laurence Olivier
- Dr. Totenkopf
- (filmato d'archivio)
- (as Sir Laurence Olivier)
Trama
Lo sapevi?
- QuizAs Sky Captain and Polly Perkins fly submerged with "The Amphibious Squadron", they "overfly" a sunken steamer named "Venture". It's the ship used to bring King Kong (1933) to New York City. It even includes, on its deck, a cage large enough to confine Kong; implying perhaps that this is the original Skull Island.
- BlooperAfter the P-40 surfaces on Totenkopf's island, Polly sees the plane's registration "h11od" reflected in the water and one of the dashes is has moved, it reads "polly". In order to make the gag obvious, the filmmaker flipped the reflection horizontally.
- Citazioni
[last lines]
[instead of taking a picture of the pods falling to Earth, Polly turns and snaps a shot of Joe]
Joe 'Sky Captain' Sullivan: Polly... you...
Polly Perkins: It's all right. You don't have to say anything.
Joe 'Sky Captain' Sullivan: Lens cap.
- Curiosità sui creditiLaurence Olivier is given a major on-screen credit, despite only being in the film through archive footage and having another actor voice his character's lines.
- ConnessioniFeatured in The Flying Legion Air Combat Challenge (2004)
- Colonne sonoreOver the Rainbow
Written by E.Y. Harburg and Harold Arlen
Performed by Jane Monheit
Used by permission of EMI Feist Catalog Inc.
Jane Monheit appears courtesy of Sony Classical
Recensione in evidenza
I'll be the first to admit it. I went into 'Sky Captain and the World of Tomorrow' with a lot of trepidation and even loathing. I didn't like the direction that cinema was taking with this film, featuring a backdrop that was mostly digital, because being a film purist, I used to relish the feel of actual celluloid in my hands, so this 'fake' creation was disturbing. I am still wary of this possible trend, but after seeing 'Sky Captain', I found that art can be realized in this medium.
'Sky Captain and the World of Tomorrow' not only boasts one of the longest film titles in recent months, but a great cast: Jude Law as Joe 'Sky Captain' Sullivan, our hero, Gwyneth Paltrow as Polly Perkins, our intrepid reporter and Sullivan's former flame and Angelina Jolie as Capt. Franky Cook, a friend and ally of Joe's. There is an evil element threatening the Earth, and it is up to Joe and Polly to find out who is behind the threat, before Earth is destroyed.
One line is all it really takes to sum up the story, which is generally all it took to summarize the films 'Sky Captain' pays homage to. The story is good, and it certainly boasts one of the most entertaining endings that I can remember in recent years, but it is the presentation that is the biggest draw with 'Sky Captain'. The overall style is 1930's Art Deco mixed with bits of Neo-Futurism. The robots in the first half hour of the film look like something out of comic book, the clothes and character styles are most certainly inspired by the 1930's, and the backdrops and locations are very Deco. It's obvious that one of the advantages in producing a film in this manner is that the filmmaker can be as elaborate in design as possible, because the 'set design' was very rich and exciting.
As a lover of classic film, I found the numerous nods to the films of the 30's very refreshing. Several scenes or lines could have been construed as corny, but I found them to be presented with a giant wink at the audience. Because all of these aforementioned elements were done so well, this film was a huge success in my opinion. And despite my concerns (which are still prevalent in my mind) I can sincerely rave about and recommend 'Sky Captain and the World of Tomorrow' to just about anyone who appreciates both art and good entertainment.
--Shel
'Sky Captain and the World of Tomorrow' not only boasts one of the longest film titles in recent months, but a great cast: Jude Law as Joe 'Sky Captain' Sullivan, our hero, Gwyneth Paltrow as Polly Perkins, our intrepid reporter and Sullivan's former flame and Angelina Jolie as Capt. Franky Cook, a friend and ally of Joe's. There is an evil element threatening the Earth, and it is up to Joe and Polly to find out who is behind the threat, before Earth is destroyed.
One line is all it really takes to sum up the story, which is generally all it took to summarize the films 'Sky Captain' pays homage to. The story is good, and it certainly boasts one of the most entertaining endings that I can remember in recent years, but it is the presentation that is the biggest draw with 'Sky Captain'. The overall style is 1930's Art Deco mixed with bits of Neo-Futurism. The robots in the first half hour of the film look like something out of comic book, the clothes and character styles are most certainly inspired by the 1930's, and the backdrops and locations are very Deco. It's obvious that one of the advantages in producing a film in this manner is that the filmmaker can be as elaborate in design as possible, because the 'set design' was very rich and exciting.
As a lover of classic film, I found the numerous nods to the films of the 30's very refreshing. Several scenes or lines could have been construed as corny, but I found them to be presented with a giant wink at the audience. Because all of these aforementioned elements were done so well, this film was a huge success in my opinion. And despite my concerns (which are still prevalent in my mind) I can sincerely rave about and recommend 'Sky Captain and the World of Tomorrow' to just about anyone who appreciates both art and good entertainment.
--Shel
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- The World of Tomorrow
- Luoghi delle riprese
- Chandler Valley Center Studios - 13927 Saticoy St, Panorama City, California, Stati Uniti(World of Tomorrow stage photography)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 70.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 37.762.677 USD
- Fine settimana di apertura Stati Uniti e Canada
- 15.580.278 USD
- 19 set 2004
- Lordo in tutto il mondo
- 57.947.036 USD
- Tempo di esecuzione1 ora 46 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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Divario superiore
By what name was Sky Captain and the World of Tomorrow (2004) officially released in India in English?
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