La storia di Alessandro, re di Macedonia e leader di uno dei più[ grandi eserciti della storia, e di come ha conquistato gran parte del mondo.La storia di Alessandro, re di Macedonia e leader di uno dei più[ grandi eserciti della storia, e di come ha conquistato gran parte del mondo.La storia di Alessandro, re di Macedonia e leader di uno dei più[ grandi eserciti della storia, e di come ha conquistato gran parte del mondo.
- Premi
- 6 vittorie e 20 candidature totali
- Young Ptolemy
- (as Robert Earley)
Trama
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- QuizThe biography of Alexander by Oxford University professor Robin Lane Fox was an original inspiration and source of information for writer and director Oliver Stone. As a historical advisor, Professor Fox didn't get on-screen credit. His price for giving his advice was to be allowed to take a place at the head of what is one of the largest cavalry charges ever filmed. Professor Fox was used to riding around the English countryside, but gladly dressed up as a Macedonean cavalry officer to live his dream of charging for Alexander.
- BlooperPtolemy I is depicted recounting the story of Alexander in 283 B.C. The Lighthouse at Alexandria, seen in the background, was built during the reign of his son Ptolemy II, around 270 B.C.
- Citazioni
Old Ptolemy: The truth is never simple and yet it is. The truth is we did kill him. By silence we consented... because we couldn't go on. But by Ares, what did we have to look forward to but to be discarded in the end like Cleitus? After all this time, to give away our wealth to Asian sycophants we despised? Mixing the races? Harmony? Oh, he talked of these things. I never believe in his dream. None of us did. That's the truth of his life. The dreamers exhaust us. They must die before they kill us with their blasted dreams.
- Versioni alternativeThe Director's Cut is 9 minutes shorter than the 175-minute theatrical version. It is a reworked version although seamless to many. 18 minutes were cut and 9 added. Many of the added or extended sequences involve Val Kilmer and Angelina Jolie's characters. The battle of Gaugamela now starts earlier. Taking a cue from classic movie epics, the opening reel now set up the basic themes with greater economy: Alexander's Oedipal relationship with his parents, Olympias' ambitions for her son, the boy's need to surpass his father, and the entirely natural way in which myth/religion is shown as integral to the ancients' behavior. Oliver Stone reworked the third act, too, juxtaposing events in India and Greece. Jolie's Olympias emerges now more as a genuinely pathetic figure in the whole tragedy. Ptolemy's final scene was edited. Stone also slightly reworked Alexander's death scene because of audience feedback, adding 17 seconds to the scene.
- ConnessioniFeatured in Charging for Alexander (2004)
The subtle presentation of the film in Greek Tragedy format worked well for me, from Pharoah Ptolomy representing the chorus through the Oedipal angst of Alexander's love/hate relationship with his parents. The costuming was perfection, as was the architecture. Not once was I jolted by an incorrect piece of art, jewelry, fabric or weapon. The use of a Gypsy Horse (or Irish Cob) for Bucephalus was a striking choice. They are a majestic breed and, although I am under-educated as to what his actual breed was, he was well cast.
Before seeing the film I was only aware of Messers Stone and Farrell and Ms. Jolie's involvement so I was pleasantly surprised by the appearance of Brian Blessed as the wrestling master and Jonathan Rhys Meyers as Cassander, and I was thrilled by the Vangelis score! I have not heard a Vangelis score since The Bounty.
As for the representation of love between Alexander and Hephaestion, my hat is off to Oliver Stone for his presentation of a love that transcended gender and was as true as that Paris held for Helen. Unlike the recent film of Troy, in which the lovers Achilles and Patroclus were made into platonic cousins, Oliver Stone has courageously represented an historic love to a culture wherein the attitude towards male/male pairings have become anethema. That the Great General Alexander had a male life companion is a simple fact of history as we know it. In my years at school it was not presented as either laudable or offensive, it was simply a researched fact. History as we know it tells us that the Greece of Alexander's time looked upon such pairings as Alexander's and Hephaestion's as something acceptable as long as they grew in knowledge and virtue. Christopher Plummer's Aristotle sums this up in one simple speech near the beginning of the film and, by taking Ganymede to his side, the greatest of all Greek Gods, Zeus, sanctioned such pairings. Like it as not, right or wrong, the *gender issue* and *gay issue* are a none other than a matter of popular opinion, and popular opinion at the time of Alexander was that men lay down with men as well as women. It simply was, and that is how Oliver Stone handled it-simply-without defense or apology and that took guts.
Even without the *controversial* relationship between Alexander and Hephaestion, this would have been a 9.5 out of 10 for me.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Alexander Revisited: The Final Cut
- Luoghi delle riprese
- Udon Rachatani, Thailandia(Ubon Ratchathani, Thailand)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 155.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 34.297.191 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.687.087 USD
- 28 nov 2004
- Lordo in tutto il mondo
- 167.298.192 USD
- Tempo di esecuzione2 ore 55 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1