Aggiungi una trama nella tua linguaThree artists from São Paulo - Leda Catunda, Leonilson and Ciro Cozzolino - talk about their work and the rebirth of painting through pop, conceptual art and graffiti.Three artists from São Paulo - Leda Catunda, Leonilson and Ciro Cozzolino - talk about their work and the rebirth of painting through pop, conceptual art and graffiti.Three artists from São Paulo - Leda Catunda, Leonilson and Ciro Cozzolino - talk about their work and the rebirth of painting through pop, conceptual art and graffiti.
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- QuizThe short film received the award of Best Director at the Festival de Caxambú in 1986. Among the list of festivals where the film was shown are: Festival des 3 Continents (1985); Festival International de Films de Femmes de Créteil (1986); International Short Film Festival Clermont-Ferrand, France (1986); Biennale Internationale deu Film d'Architecture et d'Environnement Urbain (1986); International Festival of Women's Films and Videos (1986); and the Mostra Le Cinéma Brésilien (Brazilian Cinema Exhibition) at the Georges Pompidou Center (1987).
- BlooperWhen the police uses the spray on the young man's face, the victim doesn't scream or make any sound - he only slightly moves his head to the back.
- Citazioni
Leonilson: There was a time when it was said that the paintings are over, and that the art was gone. But painting was never forgotten. There were painters who kept going, and the pop art is responsible for its continuation, I think. It kept this tradition of ink over a canvas. Life and art are part of the leap in the abyss that I decided to give. To live I need to paint. It's my way of spending the days, you know. We gotta live, right? And I had to find a nice way to live. I have this idea that when one says "What'll be your profession?" instead the person should ask "What is gonna be the best form of a nice way for you to live?".
- ConnessioniFeatured in Leonilson, sob o Peso dos Meus Amores (2012)
The film's title is slightly misleading except for the introduction where we see young street artists spraying on a wall until the police arrives and arrest one of them. It just goes to show the current street art scene (which was the graffitti painted on walls or buildings) but that topic isn't brought up by the artists. It's only that sequence and the main song written by Lobão and Bernardo Vilhena that gives such notion. Leonilson, Leda and Cozzolino were all part of the 80's Generation - a group of young plastic artists from Rio and São Paulo who had similar aesthetics, ideas and perceptions while trying to break up with the conceptual art forms of the 1970; it was a new generation that managed to present their works, paintings, fabrics, and succeed with that all the way through the early 1990's.
The trio talk about their works and their take on art and what it means to them. As evidenced by another documentary I watcher afterwards, Leonilson definitely deserves his self-acclaimed title as "The most well-known". Of the trio, he's the one who presents the most interesting insights, views and opinions about what he does with his art, the future of it and at a such young age he really know what goes on when it comes to artistic presentations and its importance to viewers. But at the end they all reveal their work, a collaborative and inspired gathering of their own paitings.
On personal levels I liked "Spray Jet" because it showed me a variation of things I haven't heard or knew about it and it was magnificent. São Paulo art scene in the 1980's, bright, vivid, real and colorful and filled with diversity from genders, races and sexuality all exposing what they had in their inner self or reflecting life as it was. Since this is a short film and just presents a brief view about what the then current art was to then, I'll recommend "A Paixão de JL" and "Leonilson, sob o Peso dos Meus Amores" which are foccused on Leonilson's works, life and death, and with those films you can get a wider scope about his importance on that scenery, and how the plastic works were perceived and praised by its contemporaries. I'd like to see films about Leda Catunda and Ciro Cozzolino as well but so far, all the register from that time comes from film and another short film that vanished from view and doesn't even have a credit here.
On a final analyses their art hasn't died, many followed their paths and art has become more accessible to people not just because it's everywhere but simply because in that group case they were completely pretentious; they reflected what they saw and what they lived. As for the graffitti, on a personal level, it's only art when there's more than just a strange form/pattern of imaginative "hand writing"; it has to show images, messages, some concept or even some homage to other form of arts. To spray "guy loves some girl" is idiotic - romantic for the couple though - or just put some signature everywhere goes the same way but protesting against social/political injustices or sharing thoughts are all welcome because that kind of work grow on you, makes you think and analyze not just the message but how it is conveyed. Life is art, art is life. 9/10
- Rodrigo_Amaro
- 19 giu 2019
- Permalink
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Dettagli
- Paese di origine
- Lingua
- Luoghi delle riprese
- Parque do Ibirapuera, San Paolo, San Paolo, Brasile(Leonilson appears in three sequences inside the park.)
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione15 minuti