Dopo aver messo insieme un altro flop a Broadway, il produttore sfortunato Max Bialystock, si allea con il timido contabile Leo Bloom in uno schema per arricchirsi rapidamente mettendo in sc... Leggi tuttoDopo aver messo insieme un altro flop a Broadway, il produttore sfortunato Max Bialystock, si allea con il timido contabile Leo Bloom in uno schema per arricchirsi rapidamente mettendo in scena il peggior spettacolo del mondo.Dopo aver messo insieme un altro flop a Broadway, il produttore sfortunato Max Bialystock, si allea con il timido contabile Leo Bloom in uno schema per arricchirsi rapidamente mettendo in scena il peggior spettacolo del mondo.
- Premi
- 1 vittoria e 17 candidature
Trama
Lo sapevi?
- QuizAfter Max (Nathan Lane) and Leo (Matthew Broderick) do Der Guten Tag Hop Clop with Franz (Will Ferrell), Max tries to pull open the door. When it doesn't open, he shouts, "We're trapped!" This is an inside joke from the play's run in England. One night, a stage hand had locked the door. When Nathan Lane tried it, he realized it was locked and shouted out, "We're trapped! Trapped like rats with a crazy Nazi!" A stage hand then went up and unlocked the door and they got out.
- BlooperThe older male dancer who says "Don't be stupid, be a schmarty..." is speaking with Mel Brooks' voice on his first appearance. The next time he is heard delivering a line, he has a completely different, deep voice. However, this is deliberate: the character also lip syncs to Mel Brooks' recorded voice in the stage production.
- Citazioni
Leo Bloom: Let's assume for a moment, that you are a dishonest man.
Max Bialystock: Assume away.
- Curiosità sui creditiFor the closing credits, Will Ferrell (in the character of Franz Liebkind) recorded "The Hop-Clop Goes On" - a slower version of "Der Guten Tag Hop-Clop" that parodies "My Heart Will Go On" from "Titanic" right down to the cheesy instrumentals. At the end of the song, Franz whispers to the audience: "Don't forget to purchase 'Mein Kampf' in paperback. You can find it at Borders... or Barnes and Noble...und Amazon.com"
- ConnessioniFeatured in HBO First Look: The Producers (2005)
- Colonne sonoreThere's Nothing Like a Show on Broadway
Music and Lyrics by Mel Brooks
Performed by Nathan Lane and Matthew Broderick
Most fundamentally, it seemed more of a cinematic rendering of the stage show than a remake of the movie - the problem is that it utterly lacks the charm of the 1968 film, and fails to capture the excitement and energy of the show. This is not to do with the actors, who all put in great performances and do the best job possible with their roles. Though, I wonder if it was a good idea to keep the leads from Broadway - playing a part on stage is very different from doing the same thing in a movie. This is at the heart of what is wrong with this movie - it is trying to be cinematic and theatrical at the same time.
Also, they have cut some of the funniest scenes and changed some of the best lines from the original. Why, I wonder? For example, the first encounter between Max and Leo in the original movie is hilarious and dramatic - a magnificent opening set-piece, with drama, humour and conflict. In this version, Leo just knocks on the door and introduces himself. Bit of a damp squib, really.
Overall, I am not sure what to make of this movie. I would probably have enjoyed it more if I had not seen the original. But not much.
- misterphilco
- 13 ott 2006
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- The Producers
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 45.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 19.398.532 USD
- Fine settimana di apertura Stati Uniti e Canada
- 154.590 USD
- 18 dic 2005
- Lordo in tutto il mondo
- 38.075.318 USD
- Tempo di esecuzione2 ore 14 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1