L'uomo di Londra

If you are FRench ,first thing to bear in mind is that this is the second version of Georges Simenon's novel .This is not to say it's a "remake" for the two versions are as different as they can be.But it must be written that Henry Decoin's movie(1) was made in the darkest hour of the Occupation in 1943 ,and produced by the Continental ,a German firm ,so the writers had to deal with the censorship.What am I driving at?simply that at the time,there was no need to create a nightmarish atmosphere (although Decoin succeeded in doing so) for the nightmare was all around.

Compared to the "modern" version ,the old one may seem conventional (but please give it a try if you can ) .This one looks like a nightmare with its stark black and white ,its interminable fixed shots ,its lugubrious music -sometimes a simple accordion tune looks like Tangerine Dream or even Nico music - its actors whose performances are so overblown it's almost unbearable .The movie is very long and I must admit that ,If I did not know the plot,I would have got lost since the first reel.The lines are few and far between and it sometimes recalls films of the silent age this side of German Expressionismus.Bela Tarr refuses any suspense ,any show (the scene in the cabin by the sea is revealing:close shot on a padlock).The atmosphere is much more important than the detective story ;even the social comment which was present in Decoin's movie (If only my son could get into Ecole Polytechnique) gets totally lost in the treatment, deliberately so of course ;this man does not really want to get by ,his wife is a shrew ,his daughter is ugly and all the furs in the world can't change that .The characters melt into the background .

(1) "L'Homme De Londres"