Mauro, infermiere cinquantenne, accetta di accompagnare un bambino, entrato clandestinamente in Italia, dalla Puglia fino a Chiasso, dove sarà adottato da una famiglia svizzera.Mauro, infermiere cinquantenne, accetta di accompagnare un bambino, entrato clandestinamente in Italia, dalla Puglia fino a Chiasso, dove sarà adottato da una famiglia svizzera.Mauro, infermiere cinquantenne, accetta di accompagnare un bambino, entrato clandestinamente in Italia, dalla Puglia fino a Chiasso, dove sarà adottato da una famiglia svizzera.
Foto
Bayed Mohamed Ismail
- Eddi
- (as Bayed Mohamed Ismael)
Aleksandar Cvjetkovic
- Ivica
- (as Alexandar Cvetkovic)
Anna Rita Del Piano
- Rollo's Mother
- (as Rita del Piano)
Trama
Recensione in evidenza
'VERSO NORD' ('Without Conscience') is one of those unheralded Italian films that deal with controversial subjects while retaining a story of human compassion and love. It is a film with equal parts brutality and tenderness and the direction and writing (Stefano Reali) and cast that make it work exceedingly well.
Mauro (Maurizio Mattioli) is an emotionally needy and lonely middle-aged male nurse, working for a physician (whom he wishes to impress) who connects Mauro with a group of questionable types led by Gino (Claudio Bigali) dealing in the transport of undocumented children from Morocco and other countries to 'buyers/adoptive parents'. When Mauro meets the smarmy crew and the boy Eddi (Mohamed Ismail Bayed) is selected, he is joined by a strangely quiet, powerfully brutal fighter, but exceptionally handsome young man Rollo (Valerio Foglia Manzillo). Mauro is the guardian, the driver of his boss' Mercedes, and the verbal member of the unlikely trio as they begin their drive from Rome to the Swiss border. Rollo is mysterious, seems to react to stimuli in a Pavlovian way, gets in to fights and trouble from the start, but becomes increasingly devoted to the mute Eddi in the back seat.
Mauro and Rollo gradually form an alliance out of need and out of mutual growing love for Eddi and for each other. Mauro senses a feral quality in Rollo, realizes through his inappropriate behavior towards bar girls that he has never experienced intimacy, and finds a prostitute Elena (Ana Papadopulu) who not only fills the sexual void in Rollo's life but also begins to teach him the gentle quality of intimacy. But with her comes the baggage of criminal pimps who further hamper the safety of Mauro's delivery mission. The film develops into a chase film with the now quartet of Mauro, Rollo, Eddi, and Elena madly striving to reach the safety of the Swiss border and the reward of delivering Eddi to adoptive parents. The manner in which the movie ends is best left to the discovery of the individual viewer: the unlikely pairing of Mauro and Rollo serves as the nidus for one of the more beautiful friendships on film.
The acting is exceptional in this film: Maurizio Mattioli creates a gay character impossible not to love while the inordinately handsome and charismatic Valerio Foglia Manzillo brings a presence to the screen that promises an exciting career! Stefano Reali finds just the right balance between the always popular gangster atmosphere films and the intensely personal views of unexpected human love stories. The pacing is breathtaking, the cinematography is magnificent, and the message is timely and universal. In Italian, French, Bulgarian, etc and with English subtitles. Recommended. Grady Harp
Mauro (Maurizio Mattioli) is an emotionally needy and lonely middle-aged male nurse, working for a physician (whom he wishes to impress) who connects Mauro with a group of questionable types led by Gino (Claudio Bigali) dealing in the transport of undocumented children from Morocco and other countries to 'buyers/adoptive parents'. When Mauro meets the smarmy crew and the boy Eddi (Mohamed Ismail Bayed) is selected, he is joined by a strangely quiet, powerfully brutal fighter, but exceptionally handsome young man Rollo (Valerio Foglia Manzillo). Mauro is the guardian, the driver of his boss' Mercedes, and the verbal member of the unlikely trio as they begin their drive from Rome to the Swiss border. Rollo is mysterious, seems to react to stimuli in a Pavlovian way, gets in to fights and trouble from the start, but becomes increasingly devoted to the mute Eddi in the back seat.
Mauro and Rollo gradually form an alliance out of need and out of mutual growing love for Eddi and for each other. Mauro senses a feral quality in Rollo, realizes through his inappropriate behavior towards bar girls that he has never experienced intimacy, and finds a prostitute Elena (Ana Papadopulu) who not only fills the sexual void in Rollo's life but also begins to teach him the gentle quality of intimacy. But with her comes the baggage of criminal pimps who further hamper the safety of Mauro's delivery mission. The film develops into a chase film with the now quartet of Mauro, Rollo, Eddi, and Elena madly striving to reach the safety of the Swiss border and the reward of delivering Eddi to adoptive parents. The manner in which the movie ends is best left to the discovery of the individual viewer: the unlikely pairing of Mauro and Rollo serves as the nidus for one of the more beautiful friendships on film.
The acting is exceptional in this film: Maurizio Mattioli creates a gay character impossible not to love while the inordinately handsome and charismatic Valerio Foglia Manzillo brings a presence to the screen that promises an exciting career! Stefano Reali finds just the right balance between the always popular gangster atmosphere films and the intensely personal views of unexpected human love stories. The pacing is breathtaking, the cinematography is magnificent, and the message is timely and universal. In Italian, French, Bulgarian, etc and with English subtitles. Recommended. Grady Harp
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Dettagli
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Proporzioni
- 1.85 : 1
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