VALUTAZIONE IMDb
5,9/10
70.024
LA TUA VALUTAZIONE
Un racconto della storia di vita di Domino Harvey. La figlia dell'attore Laurence Harvey si è allontanata dalla sua carriera come modella Ford per diventare una cacciatrice di taglie.Un racconto della storia di vita di Domino Harvey. La figlia dell'attore Laurence Harvey si è allontanata dalla sua carriera come modella Ford per diventare una cacciatrice di taglie.Un racconto della storia di vita di Domino Harvey. La figlia dell'attore Laurence Harvey si è allontanata dalla sua carriera come modella Ford per diventare una cacciatrice di taglie.
- Premi
- 2 vittorie
Edgar Ramírez
- Choco
- (as Edgar Ramirez)
Rizz Abbasi
- Alf
- (as Rizwan Abbasi)
Joe Nunez
- Raul Chavez
- (as Joseph Nunez)
Trama
Lo sapevi?
- QuizTony Scott claimed that the frenetic filming and editing style of the picture is reflective of the high usage of cocaine amongst real bounty hunters he consulted while researching the film.
- BlooperWhen Domino and her dad are at the beach in England in 1993 (really filmed at Santa Monica Pier, Los Angeles), stuffed animals prizes from Alla ricerca di Nemo (2003) are at the carnival game.
- Citazioni
Domino Harvey: I saved her... And when she is older, a woman named Domino will tell her that there is only one conclusion to every story... We all fall down.
- Curiosità sui creditiThe credits for the principal cast are shown by first name only in the closing credits, ending with the real Domino Harvey, followed by an "In Loving Memory" title card for Domino.
- ConnessioniFeatured in Bounty Hunting on Acid: Tony Scott's Visual Style (2006)
- Colonne sonoreAm I Really That Bad
Written by Domino Harvey, Jan Pomerans and Solomon Mansoor
Performed by Domino Harvey (as Domino) and the Dagger Baileys
Recensione in evidenza
If you go to this movie expecting something it isn't, you will be disappointed, as with any movie. This movie contains what Hemmingway described as the "iceberg effect". On the surface, its simply a cache of random movie clips smashed together to make a movie. If this would be written in a book, it would be a short story, because the action in the movie is very fast paced, and unless you actually try to catch it, the reasoning behind the plot (along with some subtle foreshadowing) can very well pass you by. Definitely a movie you will have to see twice in order to fully appreciate. Experimental Cinematography barely describes this movie. The camera-work and post production add much to the overall flavour of the film, making it quite artistic at some points and open to interpretation at others (something to be desired in American movies as of late). Although, at some parts it may get a little raunchy, gruesome and too heavy for some audiences, the movie never becomes completely unrealistic. The only aspect of the movie that I would write off as "needs improvement" is the soundtrack selection. No movie is ever good without a fitting soundtrack, and although the soundtrack is quite fitting, the opening is a little too long, and the other rap songs in the film really could have been replaced with something more appropriate (heavy, grungy rock or psychedelic electronica would have made this film a real trip). The flooding of imagery and dynamic... color palettes adds another "artistic" aspect to it, also combined with the events that happen throughout the film, this is not a movie you can miss any part of and still understand. However, that also makes it much more of a desirable film to watch, and not one you'll quickly get bored of. 8.5/10
- hinata-soul
- 14 ott 2005
- Permalink
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 10.169.202 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.675.000 USD
- 16 ott 2005
- Lordo in tutto il mondo
- 22.984.628 USD
- Tempo di esecuzione2 ore 7 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti