VALUTAZIONE IMDb
5,7/10
34.775
LA TUA VALUTAZIONE
Quando un gruppo di turisti in un tour nelle paludi infestate di New Orleans si ritrova bloccato nella natura selvaggia, la loro serata di divertimento e spettri si trasforma in un incubo te... Leggi tuttoQuando un gruppo di turisti in un tour nelle paludi infestate di New Orleans si ritrova bloccato nella natura selvaggia, la loro serata di divertimento e spettri si trasforma in un incubo terribile.Quando un gruppo di turisti in un tour nelle paludi infestate di New Orleans si ritrova bloccato nella natura selvaggia, la loro serata di divertimento e spettri si trasforma in un incubo terribile.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 1 candidatura in totale
Amara Zaragoza
- Marybeth Dunstan
- (as Tamara Feldman)
John Carl Buechler
- Jack Cracker
- (as John Buechler)
Lance Kelly
- Buddy #2
- (as Lance Kelley)
Trama
Lo sapevi?
- QuizWriter and Director Adam Green created a "No CGI" rule for post-production. Only CGI was used to remove on-screen wires and camera set-ups.
- BlooperShawn takes the group to the tour on a bus which leaves the French Quarter in daylight. Enough time passes that the sun goes down, signifying they've been driving a while. Shawn then directs their attention to a passing cemetery which he claims is Saint Louis Cemetery #1 and which he says houses the tomb of Marie Laveau - except that cemetery is back in the French Quarter, just a couple of blocks' walk away from where the tour bus departed.
- Versioni alternativeThe unrated Director's cut has one full minute of extra gore that the MPAA forced the filmmakers to cut out for the theatrical release.
- ConnessioniFeatured in His Name Was Jason: 30 Years of Friday the 13th (2009)
- Colonne sonoreThis Is The New Shit
Written by John 5 (as John Lowery), Tim Skold (as Tim L.K. Skold) and Marilyn Manson (as Brian Warner)
Performed by Marilyn Manson
Courtesy of EMI and Chrysalis Music o/b/o GTR HACK Music
Recensione in evidenza
Anyone whose a regular on sites like Ain't It Cool News has no doubt caught the massive hype campaign for Adam Green's Hatchet. Well, to get straight to the point, don't buy into it. Certain people would have you believe that this is the second coming of the horror genre (just like Hostel part II right?). What movie did they see? I saw a very by the book slasher flick with no surprises or real twists on the genre.
The plot concerns a tour group in the NOLA swamps that begin to be picked off one by one by the deformed Victor Crowley (wow what an original name). Crowley looks like the Elephant Man on steroids and of course, possesses super human strength. For a character whose been called the next horror icon, I just can't help but be underwhelmed. The big reveal of the grown up Crowley is so ineptly handled I actually said "that's it?" to myself. He sorta of just strolls onto screen. Movies like The Descent and Feast handled these kinds of reveals so much more memorably.
I'll give credit were credit is due though. The kills in this movie are delightfully over the top and gory. They're definitely the highlight of the movie. But, it's at odds with the acting, which for once is actually pretty good. The actors in this movie for the most part play it straight and do a convincing job. I really liked Joel Moore, who I'm eager to see more of. But it's too real. I know that's an odd complaint but bear with me here. The actors are so convincing in places and seem to behave like real people probably would in this situation, but then Crowley rips someone's arms off or appears, literally, from out of nowhere. This disparity hurts the film in the long run. Either it really should have gone for all out splatstick zaniness, or it should have toned down on the sillier moments and played it more for real scares.
The score isn't doing anyone any favors either. It's the all too typical, crappy sounding MIDI highlighting and underlining every cheap scare with a big sting. I am so sick to death of this type of horror score. If you don't have a budget, forget the MIDI and go for creepy minimalism.
I wish Adam Green the best in his career because there is potential here, but he's still green. Maybe next time Adam.
The plot concerns a tour group in the NOLA swamps that begin to be picked off one by one by the deformed Victor Crowley (wow what an original name). Crowley looks like the Elephant Man on steroids and of course, possesses super human strength. For a character whose been called the next horror icon, I just can't help but be underwhelmed. The big reveal of the grown up Crowley is so ineptly handled I actually said "that's it?" to myself. He sorta of just strolls onto screen. Movies like The Descent and Feast handled these kinds of reveals so much more memorably.
I'll give credit were credit is due though. The kills in this movie are delightfully over the top and gory. They're definitely the highlight of the movie. But, it's at odds with the acting, which for once is actually pretty good. The actors in this movie for the most part play it straight and do a convincing job. I really liked Joel Moore, who I'm eager to see more of. But it's too real. I know that's an odd complaint but bear with me here. The actors are so convincing in places and seem to behave like real people probably would in this situation, but then Crowley rips someone's arms off or appears, literally, from out of nowhere. This disparity hurts the film in the long run. Either it really should have gone for all out splatstick zaniness, or it should have toned down on the sillier moments and played it more for real scares.
The score isn't doing anyone any favors either. It's the all too typical, crappy sounding MIDI highlighting and underlining every cheap scare with a big sting. I am so sick to death of this type of horror score. If you don't have a budget, forget the MIDI and go for creepy minimalism.
I wish Adam Green the best in his career because there is potential here, but he's still green. Maybe next time Adam.
- moviedoors
- 6 set 2007
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Lưỡi Rìu
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 175.281 USD
- Fine settimana di apertura Stati Uniti e Canada
- 100.358 USD
- 9 set 2007
- Lordo in tutto il mondo
- 208.550 USD
- Tempo di esecuzione1 ora 33 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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