Boudu
- 2005
- 1h 44min
VALUTAZIONE IMDb
5,2/10
1305
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaLight-hearted, social comedy about the house guest from Hell. A modern remake of Renoir's classic film about a vagabond saved from drowning.Light-hearted, social comedy about the house guest from Hell. A modern remake of Renoir's classic film about a vagabond saved from drowning.Light-hearted, social comedy about the house guest from Hell. A modern remake of Renoir's classic film about a vagabond saved from drowning.
- Premi
- 1 candidatura in totale
Agnès Regolo
- La mère de Coralie
- (as Agnès Régolo)
Fabien Aïssa Busetta
- Un visiteur de la galerie d'art
- (as Aïssa Busetta)
Trama
Lo sapevi?
- QuizA remake of Boudu salvato dalle acque (1932). That film has also been remade as Su e giù per Beverly Hills (1986), with Nick Nolte in the Boudu roles. Nolte also appeared in In fuga per tre (1989), a remake of Due fuggitivi e mezzo (1986),. Nolte took over Depardieu's role in that film as well.
- ConnessioniFeatured in Gérard Jugnot - artisan réalisateur (2013)
- Colonne sonoreL'Enlèvement au sérail
Composed by Wolfgang Amadeus Mozart
Performed by the Wiener Philharmoniker (as Vienna Philharmonic Orchestra), conducted by Georg Solti
Decca Records 1987
With kind permission of Universal Music Projets Spéciaux
Recensione in evidenza
This is a remake of Jean Renoir's Boudu Saved From Drowning (1932), which Paul Mazursky remade in Down and Out in Beverly Hills (1986).
I'm not sure why it had to be done again (a universal dearth of ideas possibly), but it's not a bad piece of fluff, an enjoyable waste of time. Its only real problem is its length: it just runs out steam. Jugnot and Depardieu are fun to watch for a while, but you just know their mutual fulminations and frustrations are going to wane; sure enough, it happens, at about the 75-minute mark. After that, it just goes downhill, and there just isn't any fun anymore.
Depardieu offers us yet another self-mocking caricature of Gerard Depardieu. I like him a lot -- it's somehow endearing to see this universally known actor fearlessly showing his bulbous belly and nude derriere to a worldwide audience. It's somehow very European, or maybe just French. I've always loved Catherine Frot, and her ditzy performance adds a lot to the silliness.
Good comedies are hard to find. One reason is that they can rarely sustain the comedy and the 'plot' convincingly over a feature length. This is the fate of this latest incarnation of Boudu.
I'm not sure why it had to be done again (a universal dearth of ideas possibly), but it's not a bad piece of fluff, an enjoyable waste of time. Its only real problem is its length: it just runs out steam. Jugnot and Depardieu are fun to watch for a while, but you just know their mutual fulminations and frustrations are going to wane; sure enough, it happens, at about the 75-minute mark. After that, it just goes downhill, and there just isn't any fun anymore.
Depardieu offers us yet another self-mocking caricature of Gerard Depardieu. I like him a lot -- it's somehow endearing to see this universally known actor fearlessly showing his bulbous belly and nude derriere to a worldwide audience. It's somehow very European, or maybe just French. I've always loved Catherine Frot, and her ditzy performance adds a lot to the silliness.
Good comedies are hard to find. One reason is that they can rarely sustain the comedy and the 'plot' convincingly over a feature length. This is the fate of this latest incarnation of Boudu.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Tenemos un problema gordo
- Luoghi delle riprese
- Environs d'Aix-en-Provence, Bouches-du-Rhône, Francia(village house)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 8.568.040 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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