VALUTAZIONE IMDb
6,6/10
155.154
LA TUA VALUTAZIONE
Il tentato omicidio del presidente degli Stati Uniti, raccontato secondo prospettive diverse.Il tentato omicidio del presidente degli Stati Uniti, raccontato secondo prospettive diverse.Il tentato omicidio del presidente degli Stati Uniti, raccontato secondo prospettive diverse.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 2 candidature
Edgar Ramírez
- Javier
- (as Edgar Ramirez)
Zoe Saldana
- Angie Jones
- (as Zoë Saldana)
Alicia Jaziz
- Anna
- (as Alicia Jaziz Zapien)
Trama
Lo sapevi?
- QuizIn the original script, the tourist was a Russian named Lewicki. When Forest Whitaker auditioned for a different role, Pete Travis was so impressed that he rewrote the tourist as an American and offered the role to him.
- BlooperWhen the blue Astra crashes between two parked cars, and when it crashes into the truck, it's going fast enough that the front and side airbags should have deployed.
Recensione in evidenza
One crime, multiple vantage points. Sounds cool right? Yes. But "Vantage Point" never really pulls it off quite how it sets itself up to. The result is a cool action flick with some clever storytelling that sort of fizzles in the end.
In "Vantage Point," the President of the United States (William Hurt) arrives in Salamanca, Spain to give a speech on global terrorism efforts and ties with Spain to improve them. He gets shot and then a bomb goes off killing many people. We get this story through the eyes of a variety of characters and by the end of the film know exactly what happened.
The cast is a solid mix of familiar and old faces. Dennis Quaid, Forest Whitaker, William Hurt, Matthew Fox (of LOST fame) and even Sigorney Weaver give this film the star power it requires. The terrorists are entirely new faces, which is no real surprise.
As the film first presents the vantage point concept, the first thirty or forty-five minutes develop a redundancy. You do get many new perspectives, but seeing the same events happen over and over again and the cheesy rewind sequences to establish a change in POV really gets a bit boring. Sometimes you're not really seeing something new, just the same old thing in a new way that doesn't really bring more insight into the plot. Sometime it does and it really helps the film, but mostly it's not the vantage points, but cutting the story off at pivotal moments and clues into the mystery so that when they're revealed in another perspective you can get excited. It's just good storytelling, nothing unique.
The film really loses its appeal, however, with the "final perspective." In fact, it's not really anyone's perspective. The writers sort of realized that adding five more perspectives to reveal the full mystery (which is what it would have taken) would really bother viewers and get absurdly repetitive, so they combined them all into a final twenty minute action sequence that is like any other normal action movie.
Was deviating from the concept in order to please viewers and keep the film short the best course of action? For this film, yes. Sticking to the concept would have made it bad considering the complexity of the plot. But even the ending can also be seen about 15 minutes prior to when it happens, so it's not really all that great. This film would have been better, however, if it could both stay true to the structural concept and please the viewer, which means first-time writer Barry Levy stretched his idea just a bit too far. ~Steven C
Visit my site at http://moviemusereviews.blogspot.com/
In "Vantage Point," the President of the United States (William Hurt) arrives in Salamanca, Spain to give a speech on global terrorism efforts and ties with Spain to improve them. He gets shot and then a bomb goes off killing many people. We get this story through the eyes of a variety of characters and by the end of the film know exactly what happened.
The cast is a solid mix of familiar and old faces. Dennis Quaid, Forest Whitaker, William Hurt, Matthew Fox (of LOST fame) and even Sigorney Weaver give this film the star power it requires. The terrorists are entirely new faces, which is no real surprise.
As the film first presents the vantage point concept, the first thirty or forty-five minutes develop a redundancy. You do get many new perspectives, but seeing the same events happen over and over again and the cheesy rewind sequences to establish a change in POV really gets a bit boring. Sometimes you're not really seeing something new, just the same old thing in a new way that doesn't really bring more insight into the plot. Sometime it does and it really helps the film, but mostly it's not the vantage points, but cutting the story off at pivotal moments and clues into the mystery so that when they're revealed in another perspective you can get excited. It's just good storytelling, nothing unique.
The film really loses its appeal, however, with the "final perspective." In fact, it's not really anyone's perspective. The writers sort of realized that adding five more perspectives to reveal the full mystery (which is what it would have taken) would really bother viewers and get absurdly repetitive, so they combined them all into a final twenty minute action sequence that is like any other normal action movie.
Was deviating from the concept in order to please viewers and keep the film short the best course of action? For this film, yes. Sticking to the concept would have made it bad considering the complexity of the plot. But even the ending can also be seen about 15 minutes prior to when it happens, so it's not really all that great. This film would have been better, however, if it could both stay true to the structural concept and please the viewer, which means first-time writer Barry Levy stretched his idea just a bit too far. ~Steven C
Visit my site at http://moviemusereviews.blogspot.com/
- Movie_Muse_Reviews
- 26 mar 2008
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Vantage Point - Prospettive di un delitto
- Luoghi delle riprese
- Puebla, Puebla, Messico(Exterior)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 72.266.306 USD
- Fine settimana di apertura Stati Uniti e Canada
- 22.874.936 USD
- 24 feb 2008
- Lordo in tutto il mondo
- 152.039.882 USD
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
- 2.39 : 1
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