Borat: Studio culturale sull'America a beneficio della gloriosa nazione del Kazakistan
Titolo originale: Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
Borat, il direttore televisivo kazako, viene inviato negli Stati Uniti per riferire sul più grande paese del mondo. Con una troupe di documentaristi al seguito, Borat diventa più interessato... Leggi tuttoBorat, il direttore televisivo kazako, viene inviato negli Stati Uniti per riferire sul più grande paese del mondo. Con una troupe di documentaristi al seguito, Borat diventa più interessato a localizzare e sposare Pamela Anderson.Borat, il direttore televisivo kazako, viene inviato negli Stati Uniti per riferire sul più grande paese del mondo. Con una troupe di documentaristi al seguito, Borat diventa più interessato a localizzare e sposare Pamela Anderson.
- Candidato a 1 Oscar
- 20 vittorie e 34 candidature totali
Ilham Aliyev
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Pamela Anderson
- Self - Autograph Signing
- (non citato nei titoli originali)
Bob Barr
- Self - Former Georgia Congressman
- (non citato nei titoli originali)
Joseph Behar
- Self - Bed-and-Breakfast Owner
- (non citato nei titoli originali)
Carole De Saram
- Self - Feminist
- (non citato nei titoli originali)
Mitchell Falk
- Prime Minister of Kazakhstan
- (non citato nei titoli originali)
Jodi L. Goldfinger
- Kazakh women - '06 Toronto Int'l Film Festival Premiere
- (non citato nei titoli originali)
Alan Keyes
- Self - 2-Time Republican Presidential Candidate
- (non citato nei titoli originali)
Andre Myers
- Pride Dancer
- (non citato nei titoli originali)
Jean-Pierre Parent
- Kazakh Swimmer
- (non citato nei titoli originali)
Chip Pickering
- Self - U.S. Congressman
- (non citato nei titoli originali)
Bobby Rowe
- Self - General Manager of Imperial Rodeo
- (non citato nei titoli originali)
Viva Sex
- Pamela Anderson Fan
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe police were called on Sacha Baron Cohen ninety-two times during the production of this film.
- BlooperWhen Borat gets out of the RV where he'd been drinking with the frat boys, it is a different RV than the one he originally got into.
- Curiosità sui crediti"KAZAKH BOARD OF FILM CENSORS: This film is unsuitable for children under the age of 3"
- Versioni alternativeFor the film's US television premiere on USA Network in June 2009, the film is presented largely uncut -- including the infamous nude wrestling and chase between Borat and Azamat, which is censored with black bars -- but several of the harshest profanities and sexual terms are silenced and a label reading "CENZURAT" appears over mouths (and, where necessary, subtitles) in order to try and further hide which terms are being used.
- ConnessioniFeatured in Friday Night with Jonathan Ross: Episodio #11.8 (2006)
- Colonne sonoreChaje Shukarije
Written and Performed by Esma Redzepova
Courtesy of Times Square Records/World Connection Enterprises
Recensione in evidenza
For months, I could not go anywhere, see or read anything without hearing something about Borat: Cultural Learnings of American for Make Benefit Glorious Nation of Kazakhstan. It was being hailed as groundbreaking, and hilarious beyond anyone's wildest dreams. Everyone I knew wanted to see it, and I just stood back and could not understand what the big fuss was about. Yeah, it looked fairly amusing, but nothing more than that. Sacha Baron Cohen's Da Ali G Show never impressed me when I watched random episodes, so I was not in belief that this film would.
But with all of the hype, it made me want to see it opening weekend. Unfortunately, I never managed to. I caught it a few weeks later without the benefit of a huge audience watching it with me. And for the most part, I think my original assumption was correct.
Basically for the two people who have zero clue what the movie is about (despite it now being on DVD), Borat Sagdiyev (Cohen) is a Kazak journalist sent to the United States to observe the American way of life. He brings his TV crew with him every step of the way, and begins to explore the country. But because of his origin, he is outrageously obnoxious in his behaviour. But for some reason, it only becomes more tolerated as he continues on, allowing for many surprising responses from the people he comes across.
The satirical idea for the film is simply brilliant. The character of Borat is racist, misogynist, raunchy, and just downright vile in the way he acts. And the Americans he talks to either do not realize what is going on, or actually agree with him. The tour he takes across the United States involves a plethora of random, everyday citizens being duped in this fashion. The fact that the film was marketed so well in the US, and then further made millions, attests to the idea that this may just be the greatest practical joke every played.
But unfortunately, it is a one-note joke. The film loses steam after thirty minutes, and can barely pick up afterwards. It strikes a pretty solid barrier, and just cannot recover no matter how hard it tries. Yes, the proceeding minutes had their share of laughs and shocks, but nowhere near as much as the first little bit. It just sets itself up far too well, and fails to live up to its original design. Its nifty idea and execution really should have told people from the start that it would not work for a ninety minute long film, but I guess they had more faith in the picture than I did.
Another upsetting thing about the film was the grand amount of preplanning. It was continually being sold to the audience as being spur-of-the-moment, and very uncoordinated. But as the film progresses, you can tell that some moments are actually being filmed this way, and that some reek of being rehearsed. It takes away from the satire the film had built up for itself, and really brings down the genuine enjoyment for the film. I know it had barely anywhere to go from the start, but making it almost so that it was written unnaturally before hand, just takes away from the genuine impact that the film has. The fact that the writing was nominated at the Oscars also does an effective amount of damage to the final moments of the film, which otherwise would have been drop dead funny instead of just amusing.
The film-making techniques on the other hand, are just magical. You really get a sense of the gritty and grungy documentary look the filmmakers wanted from the minute the film starts, right up until its finale. The hand-held camera works beautifully in every sequence, and the very personal diary feel that the film gains during the second act works very well. Just trying to keep up with Cohen in certain scenes seemed to have been a test of endurance on its own. The film is very low budget, and it shows in how unique the film looks. If it had not been so heavily publicized, I think I actually would have had trouble deferring whether or not it was an actual documentary if I saw it while flipping through TV channels.
There are no proper words to describe Cohen and his schtick. It really is a sight to marvel all on its own. His dedication and perfection in this role is nearly unheralded in my mind. He goes beyond transcending himself into the character. Every moral fibre of this character is ingrained in Cohen's performance. You do not see Cohen, and you do not see an actor. You see a rude and ignorant Kazak journalist. He never lets up for a second, and is always acting in character. This fictional character is brought to life with so much energy, that he actually forms into a real life person. The line between reality and fiction is just so thin here, that it really begs the question of how far an actor will go for his character. And he is absolutely hysterical to watch.
Ken Davitian, who plays Borat's producer and sidekick Azamat, is also very good in his performance. He is almost always watching, and is so subtle. He never breaks a smile, and he is just so serious that he complements how perfect Cohen's character is. He is obviously not as strong an actor (and is barely understandable), but his valiant efforts do go rewarded.
Even with its flaws, Borat is an experience everyone should take. Some may find it funnier than others, and some may not find it funny at all. There is a bit of a middle ground, but not much. And in the process of watching, everyone will be able to marvel at one of the greatest character performances ever committed to celluloid.
7.5/10.
But with all of the hype, it made me want to see it opening weekend. Unfortunately, I never managed to. I caught it a few weeks later without the benefit of a huge audience watching it with me. And for the most part, I think my original assumption was correct.
Basically for the two people who have zero clue what the movie is about (despite it now being on DVD), Borat Sagdiyev (Cohen) is a Kazak journalist sent to the United States to observe the American way of life. He brings his TV crew with him every step of the way, and begins to explore the country. But because of his origin, he is outrageously obnoxious in his behaviour. But for some reason, it only becomes more tolerated as he continues on, allowing for many surprising responses from the people he comes across.
The satirical idea for the film is simply brilliant. The character of Borat is racist, misogynist, raunchy, and just downright vile in the way he acts. And the Americans he talks to either do not realize what is going on, or actually agree with him. The tour he takes across the United States involves a plethora of random, everyday citizens being duped in this fashion. The fact that the film was marketed so well in the US, and then further made millions, attests to the idea that this may just be the greatest practical joke every played.
But unfortunately, it is a one-note joke. The film loses steam after thirty minutes, and can barely pick up afterwards. It strikes a pretty solid barrier, and just cannot recover no matter how hard it tries. Yes, the proceeding minutes had their share of laughs and shocks, but nowhere near as much as the first little bit. It just sets itself up far too well, and fails to live up to its original design. Its nifty idea and execution really should have told people from the start that it would not work for a ninety minute long film, but I guess they had more faith in the picture than I did.
Another upsetting thing about the film was the grand amount of preplanning. It was continually being sold to the audience as being spur-of-the-moment, and very uncoordinated. But as the film progresses, you can tell that some moments are actually being filmed this way, and that some reek of being rehearsed. It takes away from the satire the film had built up for itself, and really brings down the genuine enjoyment for the film. I know it had barely anywhere to go from the start, but making it almost so that it was written unnaturally before hand, just takes away from the genuine impact that the film has. The fact that the writing was nominated at the Oscars also does an effective amount of damage to the final moments of the film, which otherwise would have been drop dead funny instead of just amusing.
The film-making techniques on the other hand, are just magical. You really get a sense of the gritty and grungy documentary look the filmmakers wanted from the minute the film starts, right up until its finale. The hand-held camera works beautifully in every sequence, and the very personal diary feel that the film gains during the second act works very well. Just trying to keep up with Cohen in certain scenes seemed to have been a test of endurance on its own. The film is very low budget, and it shows in how unique the film looks. If it had not been so heavily publicized, I think I actually would have had trouble deferring whether or not it was an actual documentary if I saw it while flipping through TV channels.
There are no proper words to describe Cohen and his schtick. It really is a sight to marvel all on its own. His dedication and perfection in this role is nearly unheralded in my mind. He goes beyond transcending himself into the character. Every moral fibre of this character is ingrained in Cohen's performance. You do not see Cohen, and you do not see an actor. You see a rude and ignorant Kazak journalist. He never lets up for a second, and is always acting in character. This fictional character is brought to life with so much energy, that he actually forms into a real life person. The line between reality and fiction is just so thin here, that it really begs the question of how far an actor will go for his character. And he is absolutely hysterical to watch.
Ken Davitian, who plays Borat's producer and sidekick Azamat, is also very good in his performance. He is almost always watching, and is so subtle. He never breaks a smile, and he is just so serious that he complements how perfect Cohen's character is. He is obviously not as strong an actor (and is barely understandable), but his valiant efforts do go rewarded.
Even with its flaws, Borat is an experience everyone should take. Some may find it funnier than others, and some may not find it funny at all. There is a bit of a middle ground, but not much. And in the process of watching, everyone will be able to marvel at one of the greatest character performances ever committed to celluloid.
7.5/10.
- DonFishies
- 24 mar 2007
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Borat: El segundo mejor reportero del glorioso país Kazajistán viaja a América
- Luoghi delle riprese
- Glod, Romania(Kazakhstan)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 18.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 128.505.958 USD
- Fine settimana di apertura Stati Uniti e Canada
- 26.455.463 USD
- 5 nov 2006
- Lordo in tutto il mondo
- 262.552.893 USD
- Tempo di esecuzione1 ora 24 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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