L'assassinio di Jesse James per mano del codardo Robert Ford
Robert Ford, che nutre una profonda ammirazione per Jesse James sin da quando era bambino, cerca con tutte le sue forze di entrare a far parte della gang del fuorilegge del Missouri, ma dive... Leggi tuttoRobert Ford, che nutre una profonda ammirazione per Jesse James sin da quando era bambino, cerca con tutte le sue forze di entrare a far parte della gang del fuorilegge del Missouri, ma diventa sempre più amareggiato nei confronti del bandito.Robert Ford, che nutre una profonda ammirazione per Jesse James sin da quando era bambino, cerca con tutte le sue forze di entrare a far parte della gang del fuorilegge del Missouri, ma diventa sempre più amareggiato nei confronti del bandito.
- Candidato a 2 Oscar
- 25 vittorie e 69 candidature totali
- Baggagemaster
- (as James DeFelice)
- Danish Train Passenger
- (as Torben S. Hansen)
Trama
Lo sapevi?
- QuizCinematographer Roger Deakins has called the arrival of the train in darkness as one of the high points of his career.
- BlooperJesse James uses the term "gunslinger" but this term didn't come into use until at least the 1920's. Terms for outlaw gunmen appropriate for the time would have been gunman, pistoleer, shootist, or even gunfighter.
- Citazioni
[last lines]
Narrator: He was ashamed of his persiflage, his boasting, his pretensions of courage and ruthlessness; he was sorry about his cold-bloodedness, his dispassion, his inability to express what he now believed was the case- that he truly regretted killing Jesse, that he missed the man as much as anybody and wished his murder hadn't been necessary. Even as he circulated his saloon he knew that the smiles disappeared when he passed by. He received so many menacing letters that he could read them without any reaction except curiosity. He kept to his apartment all day, flipping over playing cards, looking at his destiny in every King and Jack. Edward O'Kelly came up from Bachelor at one P.M. on the 8th. He had no grand scheme. No strategy. No agreement with higher authorities. Nothing but a vague longing for glory, and a generalized wish for revenge against Robert Ford. Edward O'Kelly would be ordered to serve a life sentence in the Colorado Penitentiary for second degree murder. Over seven thousand signatures would eventually be gathered in a petition asking for O'Kelly's release, and in 1902, Governor James B. Ullman would pardon the man. There would be no eulogies for Bob, no photographs of his body would be sold in sundries stores, no people would crowd the streets in the rain to see his funeral cortege, no biographies would be written about him, no children named after him, no one would ever pay twenty-five cents to stand in the rooms he grew up in. The shotgun would ignite, and Ella Mae would scream, but Robert Ford would only lay on the floor and look at the ceiling, the light going out of his eyes before he could find the right words.
- Curiosità sui creditiThe film does not contain either an opening title nor intro credits. The film title is displayed first after the final fadeout.
The style of the film is often visually arresting and downright disturbing, especially in the acts of violence, which leave the most gruesome parts slightly off camera, but are frequently shot and framed in such a way as to maximize shock value and leave an uncomfortable feeling of tension in the theater seats. Dominik sometimes relies too heavily on voice-over narration torn straight from the book upon which the film is based leaving us to assume that aside from dreadfully beautiful photography of passing clouds and desolate Midwestern landscapes, he wasn't always sure how he visually wanted to tell the story. This leads to a sometimes snails' pace as the plot unfolds, though the haunting Oscar-worthy cinematography from Roger Deakins and mesmerizing music score from Nick Cave and Warren Ellis eventually get under your skin even as the hands of the clock seem to move slower as if stuck in a pretty photograph of a nightmare.
The acting in the film is superb from all involved. However, the performances often blur the line between caricatured scenery-chewing and emotional nuance (especially from Pitt and Rockwell). While there is some entertainment to be found in the lighter scenes of camaraderie amongst the gang members, the audience never really feels anything for the characters aside from sharing their sense of paranoia and fear knowing that around any corner someone will be betrayed and shot. The film also suffers from some scene stealing cameos from James Carville as the governor hell-bent on catching Jesse and the otherwise lovely Zooey Deschanel, who appears out of nowhere for a few moments about ten minutes after the film should have rightfully ended.
When the credits finally rolled, I wasn't sure what to make of the film. There's some unforgettable imagery (my personal favorite being the almost surreal depiction of the cloth-masked robbers waiting in the dark woods as the train comes roaring down the tracks), and many commendable artistic elements to be found in the film. If the idea was to leave the audience feeling the era showcased was a tension-riddled and violently lonely existence, then the film succeeded wonderfully. Those seeking a more pure entertainment will most assuredly be left stressed and stretched to their limits.
- WriterDave
- 5 ott 2007
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- El asesinato de Jesse James por el cobarde Robert Ford
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 3.909.149 USD
- Fine settimana di apertura Stati Uniti e Canada
- 147.812 USD
- 23 set 2007
- Lordo in tutto il mondo
- 15.003.764 USD
- Tempo di esecuzione2 ore 40 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1