Michael Clayton, avvocato in un famoso studio legale che difende gli interessi di grandi multinazionali, quando scopre la colpevolezza di uno dei clienti più importanti deve decidere se tace... Leggi tuttoMichael Clayton, avvocato in un famoso studio legale che difende gli interessi di grandi multinazionali, quando scopre la colpevolezza di uno dei clienti più importanti deve decidere se tacere o seguire la sua coscienza.Michael Clayton, avvocato in un famoso studio legale che difende gli interessi di grandi multinazionali, quando scopre la colpevolezza di uno dei clienti più importanti deve decidere se tacere o seguire la sua coscienza.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 28 vittorie e 114 candidature totali
- Walter
- (voce)
- Del
- (voce)
Trama
Lo sapevi?
- QuizIn a November 2020 interview, George Clooney stated that the case in the film, while about a completely different industry, was based on the Ford Pinto case, where it wasn't that Ford had a car that was unsafe, but that an internal memo showed that they had calculated the cost of recall versus the individual suits from people being killed in the car, and determined it was cheaper to pay off claims and not do the recall.
- BlooperArthur says "I am Shiva, The God of Death". Yama is the Hindu God of Death. Shiva is the destroyer or transformer.
- Citazioni
Michael Clayton: I'm not the guy you kill. I'm the guy you buy! Are you so fucking blind that you don't even see what I am? I sold out Arthur for 80 grand. I'm your easiest problem and you're gonna kill me?
The central character is Michael Clayton (George Clooney), a "fixer" at a major Manhattan law firm. His job entails him cleaning up other's messes, not litigating in a court room. He hates the work, but the senior partner at the firm, Marty Bach (Sydney Pollack), wants him to stay in the job because he has a talent for it. Things are not rosy for Michael right now: his addict brother has run a business venture that Michael was a partner in into the ground, leaving Michael with thousands of dollars in debt; his relationship with his ex-wife is on the rocks, and into this environment comes a whole new caliber of problem: Michael's friend, and fellow attorney, Arthur Edens (Tom Wilkinson), who is a lead attorney for a major case for the firm involving U/North, a huge, multifaceted corporation, has discovered evidence damning to U/North, and has also, seemingly, lost his senses.
Arthur begins plotting to publicly expose U/North with this evidence, thereby destroying them, something that U/North's lead corporate attorney, Karen Crowder (Tilda Swinton), cannot allow. Michael is called in to help calm Arthur and bring the situation under control, but it becomes quickly obvious that Arthur cannot be reigned in, and Karen begins looking at far more dire methods of containment.
When you walk into Michael Clayton, you need to be prepared for a limited amount of action, and a fair amount of talk. It is a film about words and far less exciting events than found in many movies. Michael Clayton is also not the most straightforwardly plotted film. A great deal of information is suggested through inference and requires the full attention of the audience. But Michael Clayton is hardly boring. It delves into the decisions that individuals make when their livelihood depends on living in a moral quagmire. Michael is a man who is concerned about making sure that he can make the payments on a huge debt and dealing with the sometimes annoying and reprehensible people that the law firm provides its services to. Arthur is in a similar situation, but he can no longer live with himself and the protection of clients who are obviously guilty. It is debatable whether Arthur is mentally unhinged, or simply woken up to the reality of his actions and what they mean in the grander scheme of things.
Michael Clayton is the directorial debut of Tony Gilroy, a longtime Hollywood screenwriter, who crafts a film that manages to keep you involved like a good thriller without providing many of the requisite elements: chases, shootouts and fisticuffs. Michael Clayton is a thriller that works at a slower pace, but still manages to enthrall with its developments. Critical to the film's success is its performances. George Clooney gives us a Michael who feels many aspects of his world closing around him and tries to keep all the balls in the air. Tom Wilkinson's turn as Arthur is that of a man who has experienced an epiphany, seeing the world like a newborn baby. Finally, Tilda Swinton's Karen Crowder is a woman who is all about appearance (one of her first scenes reveals her practicing a speech so that it will appear perfect) and ensuring that no one rocks the boat of U/North. She has sold her soul to the devil and will do anything to keep the company intact.
Michael Clayton is certainly not everyone's cup of tea. It requires a strong attention span and a willingness to not have everything spelled out for you. If you can provide that, then it is a film experience that will provide some rewards.
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Luật Sư Phá Án
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 49.033.882 USD
- Fine settimana di apertura Stati Uniti e Canada
- 719.910 USD
- 7 ott 2007
- Lordo in tutto il mondo
- 92.991.835 USD
- Tempo di esecuzione1 ora 59 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1