VALUTAZIONE IMDb
7,5/10
22.353
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA software engineer comes to India in order to serve the nation and invest in its welfare. A few corrupt officials and politicians try to stop him while he tries to do good for the poor.A software engineer comes to India in order to serve the nation and invest in its welfare. A few corrupt officials and politicians try to stop him while he tries to do good for the poor.A software engineer comes to India in order to serve the nation and invest in its welfare. A few corrupt officials and politicians try to stop him while he tries to do good for the poor.
- Premi
- 13 vittorie e 5 candidature
Rajinikanth
- Sivaji Arumugam
- (as Rajnikanth)
Cochin Hanifa
- Minister A.Kulandaivelu
- (as V.M.C. Hanifa)
- …
Shanmugarajan
- Police Inspector
- (as Shanmugha Rajan)
Trama
Lo sapevi?
- QuizAs of July 2007, "Shivaji" is highest grossing Tamil movie ever. It grossed 100 crores (1 billion) Indian rupees in it's third weekend. First Tamil film and non-Hindi Indian movie to gross 100 crores and also the fastest Indian movie to gross that much.
- BlooperIn the scene at the open air movie theatre, Sivaji is seen in a Toyota Land Cruiser with his wife. When he has a "car fight" with the goons, the car changes to a Mahindra Scorpio towards the end.
- Versioni alternativeThe UK release was cut, the distributor chose to remove a scene showing the hero of the film throwing a firework into his mouth, lighting it and then spitting it out at somebody else. Cut was made in order to obtain a 12A classification. An uncut 18 classification was available.
- ConnessioniFeatured in Bindass (2008)
- Colonne sonoreBalleilakka (Tamil)
Music by A.R. Rahman
Lyrics by Na. Muthukumar
Performed by S.P. Balasubrahmanyam, A.R. Reihana, Benny Dayal
Recensione in evidenza
How many stars or superstars in India have the status of being treated like a God, being cheered at every punch-line or cool gesture, being in a position where a mere nod has the potential to change political fortunes? From his humble beginnings as a bus conductor in Bangalore, Shivaji Rao Gaekwad, aka Superstar Rajnikanth is simply larger than life and this time it has just gone bigger with Sivaji, his one hundredth Tamil flick. With more than 700 shows on a single day running now, it just can’t get any bigger.
With an enormous budget, which according to varied reports ranges between INR60Cr to INR80Cr, Sivaji is the most expensive Indian film to date; with nearly INR35Cr and overseas rights going to the highest paid lead star Rajnikanth. The dizzy numbers easily outweigh any of the stars of Bollywood and compares with Jackie Chan, the highest paid actor in Asia who is an exponent in the genre of stunt based action and style.
In his latest flick Rajnikanth plays the title role Sivaji, a US returned wealthy software engineer turned social reformer. Incidentally, his name in the movie is same as his original Maharashtran name and also the name of the legendary king. In his path, the reformist finds many obstacles which, needless to say are handled with unprecedented ease and in a populist approach with lots of cool and crazy style thrown in.
For worshipper fans, Rajnikanth gives them an overdose of style. The opulent sets, especially for the song vaaji vaaji are beyond proportion. With numerous costumes and hairdo changed nearly for every couple of lines. The outdoor shots are equally creative with a colorful group song, El Mariachi style sets for one and European locales for another. Shriya has done a fabulous job of looking great as both, an item girl in the songs and as a homely girl in the story. Nayantara too did a great jig in the first song. Although AR Rahman was not up to his usual mark, the sets compensated for it.
Coming to the substantive part of the movie, the story, script and dialogues, my review may not be on the dot since I didn’t really get all of the Tamil dialogues. I should have ideally seen a Telugu version. But, really, how does language matter when most of the movie can be understood by situation. Style and opulence are there for all to see. In what is a departure from full Tamil dialogues, Rajnikanth is a suave and cool computer wizard with some English dialogues. May be, this was designed to appeal to Gen-next Southerners, many of whom are well placed software engineers in India and abroad.
Although some may argue that Rajnikanth movies are all about unrealistic style, it is important to consider that this in itself is a different genre. Similar unreal & stylish movies include Quentin Tarantino flicks like Desperado, its sequel, Chinese flicks where people fly, Bond flicks and of course and the Recent Dhoom 2. The last Rajnikanth movie I saw was Padaiyappa which I felt was a tad more realistic. But, who cares about realism when you know fully well that stylish movies are usually no-brainers and especially when you see a whole multi-ethnic multiplex audience going into frenzy at every other scene!
With an enormous budget, which according to varied reports ranges between INR60Cr to INR80Cr, Sivaji is the most expensive Indian film to date; with nearly INR35Cr and overseas rights going to the highest paid lead star Rajnikanth. The dizzy numbers easily outweigh any of the stars of Bollywood and compares with Jackie Chan, the highest paid actor in Asia who is an exponent in the genre of stunt based action and style.
In his latest flick Rajnikanth plays the title role Sivaji, a US returned wealthy software engineer turned social reformer. Incidentally, his name in the movie is same as his original Maharashtran name and also the name of the legendary king. In his path, the reformist finds many obstacles which, needless to say are handled with unprecedented ease and in a populist approach with lots of cool and crazy style thrown in.
For worshipper fans, Rajnikanth gives them an overdose of style. The opulent sets, especially for the song vaaji vaaji are beyond proportion. With numerous costumes and hairdo changed nearly for every couple of lines. The outdoor shots are equally creative with a colorful group song, El Mariachi style sets for one and European locales for another. Shriya has done a fabulous job of looking great as both, an item girl in the songs and as a homely girl in the story. Nayantara too did a great jig in the first song. Although AR Rahman was not up to his usual mark, the sets compensated for it.
Coming to the substantive part of the movie, the story, script and dialogues, my review may not be on the dot since I didn’t really get all of the Tamil dialogues. I should have ideally seen a Telugu version. But, really, how does language matter when most of the movie can be understood by situation. Style and opulence are there for all to see. In what is a departure from full Tamil dialogues, Rajnikanth is a suave and cool computer wizard with some English dialogues. May be, this was designed to appeal to Gen-next Southerners, many of whom are well placed software engineers in India and abroad.
Although some may argue that Rajnikanth movies are all about unrealistic style, it is important to consider that this in itself is a different genre. Similar unreal & stylish movies include Quentin Tarantino flicks like Desperado, its sequel, Chinese flicks where people fly, Bond flicks and of course and the Recent Dhoom 2. The last Rajnikanth movie I saw was Padaiyappa which I felt was a tad more realistic. But, who cares about realism when you know fully well that stylish movies are usually no-brainers and especially when you see a whole multi-ethnic multiplex audience going into frenzy at every other scene!
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Dettagli
Botteghino
- Budget
- 600.000.000 INR (previsto)
- Lordo in tutto il mondo
- 5.871.620 USD
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