Quick! Name your top five all time favorite horror films from the Netherlands.
OK. How about just a top three? Top two? Any? Even I have to admit that when it comes to slasher flicks, the Netherlands sits on equal par with India and Madagascar as countries that I don't traditionally think of as great horror genre producing empires.
But then I got a surprise in the mail with the 2006 Netherlands slash and gash film Slaughter Night (Sl8n8). The films packaging caught my eye immediately with a young blonde in a red hoody sitting in a pool of water with a shotgun tucked behind her knees. Call me old fashioned, but this is the kind of box art that gets me to stop in my tracks when I'm scouring the video store shelves for a DVD to watch with the girlfriend late on a Saturday night.
But as we all know, box art does not necessary dictate good film so it was up to the first chapter of the flick to catch my attention.
Slaughter Night did not disappoint. It all begins in 1857 where a child murder has two girls bound in his wooden shack of an abode where heads of other unfortunate younglings lie perched atop spokes. It was as if Jason Voorhees' basement got pimped out by TLC's While You Were Out designers. The psycho is identified as one Andries Martiens and we later learn that before the death penalty was abolished in 1860, men accused of crimes were forced to go down into the mines and set off gas leaks that was 100% effective in dealing with their sentence.
All the movie has to do now is connect the 1857 death of Andries Martiens in the mine to a group of hot looking, expendable young things and you have a horror film that is the perfect compliment to the Pretty in Pink you had to sit through to get to your half of the double feature.
It all starts with the obligatory introductions that are quickly forgotten when an expected car accident leaves one of the starlings of the film (Victoria Koblenko) without a father figure. The accident is alarming and comes just one week after a similar shocking moment occurred in the opening set-up of Disturbia.
So, what better way to escape the memories of the horrific incident than to gather a group of friends and travel to a mine where her father was working on a book about the infamous Andries Martiens. Sounds good to me, and luckier still that is exactly what happens. Cause let's face it, what's scarier than the ever running tunnels of a mine shaft. You don't have to look further than the overlooked 1981 film My Bloody Valentine to get the claustrophobic feel of being in a cold, dark and damp place where daylight is about as far away as me getting some action at the conclusion of this gore fest to understand how a mine shaft could be the perfect breeding ground for carnage.
Helping matters along is the Ouija Board that one of the expected victims brings along in an attempt to communicate with her father which coupled with their presence leads to a night that has moments that harkened me back to the glory days of Evil Dead where demonic possession of your best friends leads to some awkward moments of 'geez, I really liked you, but I am going to take you head off with a shovel'.
I must admit to sitting with a grin on my face for most of Slaughter Night and really, I have to definitive reason why. It's all been done before and without subtitles to boot. But this movie just got to me. The production values were good and the story was fun enough to sit back and enjoy while the body count added up like a tilted abacus. With enough decapitations to do five or six films, Slaughter Night delivers the goods and let's face facts
. how many times can you say that about a horror film you have never heard of? So for all you horror fans out there that rent and buy crap DVD after crap DVD based on cover art and quotes thrown on movie posters from reviewers that might not even exist, Slaughter Night is the perfect addition to any horror collection. It's gory. It's violent. And it's foreign, so at least you can tell your friends that you are broadening your intellectual scope.
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