VALUTAZIONE IMDb
6,0/10
72.840
LA TUA VALUTAZIONE
Un fotografo ossessionato da un soggetto sinistro finisce per ostacolare un serial killer che perseguita i viaggiatori notturni.Un fotografo ossessionato da un soggetto sinistro finisce per ostacolare un serial killer che perseguita i viaggiatori notturni.Un fotografo ossessionato da un soggetto sinistro finisce per ostacolare un serial killer che perseguita i viaggiatori notturni.
- Premi
- 2 vittorie e 6 candidature totali
Nori Satô
- Erika Sakaki
- (as NorA)
Michael Shawn McCracken
- Father #1
- (as Michael McCracken)
Trama
Lo sapevi?
- QuizIn its official North American release, the film opened in one hundred two discount theaters, also called "dollar theaters" for their very low admission prices, rather than at regular first-run cinemas with normal ticket prices, which was a factor in its poor opening weekend box-office earnings.
- BlooperWhen Leon is showing Maya the newspaper article dated December 19, 1895, a closeup of the newspaper shows a column of copy containing the words, "bikini-clad babes and tanned hunks". Putting aside the unlikelihood of that style of news-writing in 1895, the term "bikini", as regards clothing, was not coined until the mid-1940's.
- Citazioni
Leon Kauffman: I've got a train to catch.
- Versioni alternativeGerman version is cut by approx. 7 minutes to secure a "Not under 18" rating.
- ConnessioniFeatured in Phelous & the Movies: Phelous Aboard the Midnight Meat Train (2009)
- Colonne sonoreCatching Up To You
Written by Joe Diaco
Performed by Alt-Ctrl-Sleep
Courtesy of Lakeshore Records
Recensione in evidenza
Mahogany (Vinnie Jones) is big bad butcher, whose weapon of choice is a mallet and an ice hook. Day after day, night after night he takes the 2 am train to hell, where unsuspecting passengers are massacred and then hung up like dead meat.
Leon (Bradley Cooper) is an up and coming photograph, who is trying to make it critically, but so far his work has been unable to break it. His biggest fan and believer is his beautiful fiancée Maya (Leslie Bibb). One chance session in the subway changes the direction of his life. First he photographs a model being harassed by some thugs and after saving her from them takes a picture of her entering the 2 am train...
Clive Barker has really been prolific with all the horror he has caused come to life on the big screen. It is enough to mention that his stories was the backbone of such classics as Hellraiser or Candyman. That said he has also been raped as a horror writer with atrocities such as Rawhead Rex.
This movie doesn't hit the highs or the lows, but I must say it was pretty decent and definitely one of the best genre movies I have seen lately. No matter has essentially idiotic the plot I have to say it did cut loose of the copycat phase in horror cinema we are currently at. It had a certain freshness to it not only in the way it was told, but also in subject matter itself. I won't go as far as to say it was breakthrough original, but it was darn intriguing all the way through.
I normally rate a good horror movie based on gut feeling. The moment you can't wait to know what will happen at the end of the movie or in the next scene for that matter and at the same time you have to fight with yourself to continue watching - that lets you know this horror flick is actually pretty good.
Definitely full of flaws and the graphic gore isn't my kind of horror meal. Acting was great and tech credits all round were superb. Ryûhei Kitamura deserves accolades for this horror movie. Maybe not a classic, but given the far fetched material he had to work with it is a triumph.
Leon (Bradley Cooper) is an up and coming photograph, who is trying to make it critically, but so far his work has been unable to break it. His biggest fan and believer is his beautiful fiancée Maya (Leslie Bibb). One chance session in the subway changes the direction of his life. First he photographs a model being harassed by some thugs and after saving her from them takes a picture of her entering the 2 am train...
Clive Barker has really been prolific with all the horror he has caused come to life on the big screen. It is enough to mention that his stories was the backbone of such classics as Hellraiser or Candyman. That said he has also been raped as a horror writer with atrocities such as Rawhead Rex.
This movie doesn't hit the highs or the lows, but I must say it was pretty decent and definitely one of the best genre movies I have seen lately. No matter has essentially idiotic the plot I have to say it did cut loose of the copycat phase in horror cinema we are currently at. It had a certain freshness to it not only in the way it was told, but also in subject matter itself. I won't go as far as to say it was breakthrough original, but it was darn intriguing all the way through.
I normally rate a good horror movie based on gut feeling. The moment you can't wait to know what will happen at the end of the movie or in the next scene for that matter and at the same time you have to fight with yourself to continue watching - that lets you know this horror flick is actually pretty good.
Definitely full of flaws and the graphic gore isn't my kind of horror meal. Acting was great and tech credits all round were superb. Ryûhei Kitamura deserves accolades for this horror movie. Maybe not a classic, but given the far fetched material he had to work with it is a triumph.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Prossima fermata: l'inferno
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 83.361 USD
- Fine settimana di apertura Stati Uniti e Canada
- 34.394 USD
- 3 ago 2008
- Lordo in tutto il mondo
- 3.534.313 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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