Dream Boy

Back in 1995 Jim Grimsley published DREAM BOY, the second novel of his continuing examination of the coming of age in the South and followed by the equally popular COMFORT AND JOY, BOULEVARD, FORGIVENESS, MY DROWNING etc. It took many years of for James Bolton ('Eban & Charley', 'The Graffiti Artist') to decide to adapt this story to the screen, and while Bolton elected to replace much of the lyricism of Grimsley's prose with extended periods of non-verbal communication in the screenplay, the story of two high school kids coming to grips with a mutual attraction in the dank repressive aura of the South manages to still come through intact.

Nathan (Stephen Bender) is a quiet, reclusive sophomore in high school who is settling in to yet another move by his alcoholic, Bible-pounding, abusive father (Thomas Jay Ryan) and his sympathetic mother (Diana Scarwid). Next door lives handsome jock Roy (Maximillian Roeg) who befriends Nathan, shares homework, and when he is not with his girlfriend, offers Nathan rides in the school bus he drives. Exchanges of glances and the growth of mutual attraction between the boys lead to a very private but sincere physical relationship: Nathan does not share with Roy that he has suffered sexual abuse from his father. Roy and his buddies - Burke (a very promising Randy Wayne) and Randy (Owen Beckman) - begin to join the boys on swimming gigs and finally a camping trip that includes visitation of an old deserted and possibly haunted plantation house. What happens in this mysterious place provides the climax of the story - a brutal surprise ending that then transports the film into another dimension - a region the viewer must decide is satisfying or not.

There are some fine moments in this little low budget movie and the presence of Maximillian Roeg, Diana Scarwid, and Randy Wayne lifts the cast to a higher level of competence. Whether or not the viewer is willing to go along with the ending will make the vote for or against the film. Bolton does have a fine touch with stories about the coming out of young men in his films and his ability to capture the Gothic atmosphere of the South is solid.

Grady Harp