Aang, l'ultimo di una lunga stirpe di Avatar, in grado di di controllare gli elementi, deve impedire alla nazione del Fuoco di rendere schiave le tribù dell'Acqua ed il regno della Terra.Aang, l'ultimo di una lunga stirpe di Avatar, in grado di di controllare gli elementi, deve impedire alla nazione del Fuoco di rendere schiave le tribù dell'Acqua ed il regno della Terra.Aang, l'ultimo di una lunga stirpe di Avatar, in grado di di controllare gli elementi, deve impedire alla nazione del Fuoco di rendere schiave le tribù dell'Acqua ed il regno della Terra.
- Premi
- 8 vittorie e 12 candidature totali
Nicola Peltz Beckham
- Katara
- (as Nicola Peltz)
Trama
Lo sapevi?
- QuizThe film was intended to be the first part of a trilogy, with the next two films being based on books 2 and 3. While the film ultimately made a modest profit at the box office, about $150,000,000 was spent on production with another $130,000,000 spent on advertising, which would bring a total of $280,000,000 spent on one movie. Therefore, The Last Airbender did not gross enough to have Paramount green light the last two sequels. However a new live action remake series of the original animated show is in development for Netflix.
- BlooperDuring a large battle scene between the Fire Nation and the Northern Water Tribe, the camera pans to reveal a Fire Nation soldier fighting with no one.
- Citazioni
Uncle Iroh: [to Zuko, after Aang has escaped] It was not by chance that for generations people have been searching for him, and now you have found him. Your destinies are tied, Zuko.
- Curiosità sui creditiThe closing credits feature Aang, Katara and Zuko bending their respective elements of water, fire and air (no earth bending is demonstrated).
- Versioni alternativeAlso released in a 3D version.
Recensione in evidenza
Shyamalan takes a stunningly sophisticated cartoon and reduces it to one of the most insultingly dumb films I've seen in years. From the script to the visuals, the directing, the acting, there is absolutely nothing that did well, either as an adaptation or as a film in its own right.
Characters who were once powerful and spitfire (Katara) or entertainingly sarcastic (Sokka) are now bland and exist solely for the purpose of exposition. In fact, the entire film comes off as exposition, far too much of the dialog serving as "by the way" explanations, never allowing the plot or characters to really take form. The scenes seem episodic and unconnected, and the film never comfortably establishes its universe, always retreading with an "as you know" or "aren't you that guy who..." to establish (often unnecessary) continuity.
The style, too, is disappointing, capturing none of the magic of the series. Most noticeable was the "bending"--while the series took its martial arts seriously, carefully aligning real-world arts with elements and making the benders' movements coincide with those of their elements, the film gives us characters flailing in generic martial arts forms for a few minutes, only to effect one splash, boulder, or blast of fire. In the series, every movement had a meaning; in the film, only about one in ten does.
Many fans of the series who were angry at the "whitewashing" of the cast hoped that it had at least resulted in the best actors for the parts. However, the acting was at best uninspired, and at worst painfully awkward, though part of this can be attributed to a truly atrocious script. Dialog is stilted and unnatural, certain phrases are repeated needlessly throughout ("great library," anyone?), and in all the only chance the script stands of being remembered is through memetic appreciation of its unintentional, awkward hilarity.
Not even the collective will of a devoted fanbase wanting so much for this film to be good could make it even remotely watchable.
Characters who were once powerful and spitfire (Katara) or entertainingly sarcastic (Sokka) are now bland and exist solely for the purpose of exposition. In fact, the entire film comes off as exposition, far too much of the dialog serving as "by the way" explanations, never allowing the plot or characters to really take form. The scenes seem episodic and unconnected, and the film never comfortably establishes its universe, always retreading with an "as you know" or "aren't you that guy who..." to establish (often unnecessary) continuity.
The style, too, is disappointing, capturing none of the magic of the series. Most noticeable was the "bending"--while the series took its martial arts seriously, carefully aligning real-world arts with elements and making the benders' movements coincide with those of their elements, the film gives us characters flailing in generic martial arts forms for a few minutes, only to effect one splash, boulder, or blast of fire. In the series, every movement had a meaning; in the film, only about one in ten does.
Many fans of the series who were angry at the "whitewashing" of the cast hoped that it had at least resulted in the best actors for the parts. However, the acting was at best uninspired, and at worst painfully awkward, though part of this can be attributed to a truly atrocious script. Dialog is stilted and unnatural, certain phrases are repeated needlessly throughout ("great library," anyone?), and in all the only chance the script stands of being remembered is through memetic appreciation of its unintentional, awkward hilarity.
Not even the collective will of a devoted fanbase wanting so much for this film to be good could make it even remotely watchable.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- El último maestro del aire
- Luoghi delle riprese
- The Pagoda, Skyline Drive, Mt. Penn, Reading, Pennsylvania, Stati Uniti(Southern Air Temple)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 150.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 131.772.187 USD
- Fine settimana di apertura Stati Uniti e Canada
- 40.325.019 USD
- 4 lug 2010
- Lordo in tutto il mondo
- 319.713.881 USD
- Tempo di esecuzione1 ora 43 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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