VALUTAZIONE IMDb
6,8/10
1232
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn original movie about the friendship between country-music stars Patsy Cline and Loretta Lynn.An original movie about the friendship between country-music stars Patsy Cline and Loretta Lynn.An original movie about the friendship between country-music stars Patsy Cline and Loretta Lynn.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 8 candidature
Natalie Renee Kirk
- Dottie West
- (as Natalie Renee Long)
Hayden Blane
- Blonde
- (non citato nei titoli originali)
Cannon Bosarge
- 13-Year-Old Jack Benny Lynn
- (non citato nei titoli originali)
Payne Bosarge
- 8-Year-Old Jack Benny Lynn
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThis marks Jessie Mueller's second time playing a real life singer-songwriter after having previously won Tony and Grammy Awards for her performance as Carole King in Beautiful: The Carole King Musical.
- Colonne sonoreMountain Guitar
Written by Rudy Thacker
Performed by The Nomads
Courtesy of Nor-Va-Jak Music & Licensing
Under License from Mutiny Recordings
Recensione in evidenza
Omg, where do I start?
Patsy Cline was a gifted contralto who could sing at least two octaves without losing the fullness of the nótes. Her voice, even in songs like "Honky Tonk Merry Go Round" stayed silky, seductive and personal. She sang every song as if it is personal, which is why her voice is unmistakable whether it's paired with violins or cowbells. She knew how to make it her own.
Megan Hilty, a terrific Broadway singer, doesn't just sing a song. She belts it out so the people the back can hear her. She has a greater vocal range, but not the same ability or carve a note out from a song and leave it hanging in the air. That's why her rendition of "Crazy" sounds less like Patsy "making love to the audience" (as Owen Bradley said of Patsy's voice), and more like Ethel Merman telling us that "there's NO business like SHOW business,"
It's the wrong voice for the character. It wouldn't be a big deal but this is a movie about singers with the wrong kind of singing voices.
Jessie Mueller does a better job with Loretta Lynn's fragile, near shouting way of singing. She nails the pauses and breathing that Lynn puts into her songs. She's a little off with the look and the notes, but she does a pretty good job.
The accents in this movie are GODAWFUL. Couldn't Lifetime have spring for a dialect coach? It's as bad as watching a whole movie of David Boreanaz pretending to be the Irish Angelus.
Finally, the film itself is poorly paced. It feels as if we are waiting for a Yoplait or Progressive commercial every 15 minutes. There's a story to be told here, but this isn't the film to tell it,
Watch "Sweet Dreams" or "Coal Miner's Daughter." They are far better films with far better acting and music.
Patsy Cline was a gifted contralto who could sing at least two octaves without losing the fullness of the nótes. Her voice, even in songs like "Honky Tonk Merry Go Round" stayed silky, seductive and personal. She sang every song as if it is personal, which is why her voice is unmistakable whether it's paired with violins or cowbells. She knew how to make it her own.
Megan Hilty, a terrific Broadway singer, doesn't just sing a song. She belts it out so the people the back can hear her. She has a greater vocal range, but not the same ability or carve a note out from a song and leave it hanging in the air. That's why her rendition of "Crazy" sounds less like Patsy "making love to the audience" (as Owen Bradley said of Patsy's voice), and more like Ethel Merman telling us that "there's NO business like SHOW business,"
It's the wrong voice for the character. It wouldn't be a big deal but this is a movie about singers with the wrong kind of singing voices.
Jessie Mueller does a better job with Loretta Lynn's fragile, near shouting way of singing. She nails the pauses and breathing that Lynn puts into her songs. She's a little off with the look and the notes, but she does a pretty good job.
The accents in this movie are GODAWFUL. Couldn't Lifetime have spring for a dialect coach? It's as bad as watching a whole movie of David Boreanaz pretending to be the Irish Angelus.
Finally, the film itself is poorly paced. It feels as if we are waiting for a Yoplait or Progressive commercial every 15 minutes. There's a story to be told here, but this isn't the film to tell it,
Watch "Sweet Dreams" or "Coal Miner's Daughter." They are far better films with far better acting and music.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Пэтси и Лоретта
- Luoghi delle riprese
- Ryman Auditorium, Nashville, Tennessee, Stati Uniti(Grand Ole Opry)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
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Divario superiore
By what name was Patsy & Loretta (2019) officially released in Canada in English?
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