Un giovane di Mumbai riflette sulla sua infanzia quando viene accusato di aver barato durante un quiz televisivo.Un giovane di Mumbai riflette sulla sua infanzia quando viene accusato di aver barato durante un quiz televisivo.Un giovane di Mumbai riflette sulla sua infanzia quando viene accusato di aver barato durante un quiz televisivo.
- Vincitore di 8 Oscar
- 153 vittorie e 133 candidature totali
Jira Banjara
- Airport Security Guard
- (as Hira Banjara)
Sunil Kumar Agrawal
- Mr. Chi
- (as Sunil Aggarwal)
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
Trama
Lo sapevi?
- QuizDirector Danny Boyle placed the money to be paid to the 3 lead child actors in a trust that is to be released to them upon their completion of grade school at 16 years of age. The production company has set up for an auto-rikshaw driver to take the kids to school every day until they are 16 years old.
- BlooperIn one scene, when teenage Salim and Jamal are at the Taj Mahal, there is an external shot where a passing guard looks at the camera and says, "Stop filming. Stop filming." This was included purposely by director Danny Boyle for the sake of realism.
- Citazioni
Police Inspector: [whispering] Doctors... Lawyers... never get past 60 thousand rupees. He's won 10 million.
[pause]
Police Inspector: What the hell can a slumdog possibly know?
Jamal Malik: [quietly] The answers.
[spits out blood]
Jamal Malik: [quietly and gently] I knew the answers.
- Curiosità sui creditiSeveral of the cast perform a traditional Bollywood song and dance number set in a train station over the end credits.
- ConnessioniEdited from Kaun Banega Crorepati? (2000)
- Colonne sonoreO... Saya
Written and performed by A.R. Rahman and M.I.A.
Produced by A.R. Rahman
Published by K.M. Musiq Ltd./Imagen Music
Guitars by Sanjay Joseph
Additional Music Produced by P.A.Deepak
Recorded at A M Studios Chennai
Music Engineers : P.A.Deepak , Viviane & H. Sridhar
Song Mixed by P.A.Deepak
Mixed at Panchathan Rec Inn Chennai
Recensione in evidenza
Bless us all, Danny Boyle is in his prime. His "Sunshine" was lifeatleringly effective for me. He does things with a camera that are new, effective. He does better than others in providing a story foundation that fits the cinematic effects. He's visually clever. Its all more than enough for me.
Here, he appeases audiences too much for my taste in building a happy ending that has you walking out actually believing that you have seen a happy romance, worthy of Bollywood dance fantasy. This, I suppose is his answer to those who were confused by "Sunshine"s failure to support a common genre. Alas, a shame.
But the cinematic bits are more than enough.
Quite apart from the romance, what we have here is a (unique I think) synthesis of the film (here a TeeVee show) within that affects the film without plus a similar device of memory within. Here it is both a recall and a storytelling. The earlier in life we go, the more hectic and jagged the visions. It starts with one of the three "City of God" types of choppy editing and slowly bleeds into a normally paced picture. But that "City of God" stuff was mostly just in camera motion, and intended to contrast with the other two "personalities."
Here it is in the camera, in the movement of the actors and deeply in the editing. Its integrated and cinematic. Its brilliant. I think that is because of the way Boyle has digested the results of Dogma 95. There was a lot of pretentious stuff in that manifesto, but its core and ultimately its effect has been the opposite of the intended. The capture of the natural to be true has to involve intrusive craft, not lack of craft. Boyle, without notice has picked up Dogma graduates for his crew, more this time than usual.
The beginning of this film is true, powerful, full of life, energy. It is real. As it progresses and our hero enters and is accepted into TeeVee land it becomes more romantic and unreal, more like a Bollywood romance. It is more powerful than any from Bollywood because we assume it to be real from the beginning. Clever.
Ted's Evaluation -- 3 of 3: Worth watching.
Here, he appeases audiences too much for my taste in building a happy ending that has you walking out actually believing that you have seen a happy romance, worthy of Bollywood dance fantasy. This, I suppose is his answer to those who were confused by "Sunshine"s failure to support a common genre. Alas, a shame.
But the cinematic bits are more than enough.
Quite apart from the romance, what we have here is a (unique I think) synthesis of the film (here a TeeVee show) within that affects the film without plus a similar device of memory within. Here it is both a recall and a storytelling. The earlier in life we go, the more hectic and jagged the visions. It starts with one of the three "City of God" types of choppy editing and slowly bleeds into a normally paced picture. But that "City of God" stuff was mostly just in camera motion, and intended to contrast with the other two "personalities."
Here it is in the camera, in the movement of the actors and deeply in the editing. Its integrated and cinematic. Its brilliant. I think that is because of the way Boyle has digested the results of Dogma 95. There was a lot of pretentious stuff in that manifesto, but its core and ultimately its effect has been the opposite of the intended. The capture of the natural to be true has to involve intrusive craft, not lack of craft. Boyle, without notice has picked up Dogma graduates for his crew, more this time than usual.
The beginning of this film is true, powerful, full of life, energy. It is real. As it progresses and our hero enters and is accepted into TeeVee land it becomes more romantic and unreal, more like a Bollywood romance. It is more powerful than any from Bollywood because we assume it to be real from the beginning. Clever.
Ted's Evaluation -- 3 of 3: Worth watching.
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Quisiera ser millonario
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 141.319.928 USD
- Fine settimana di apertura Stati Uniti e Canada
- 360.018 USD
- 16 nov 2008
- Lordo in tutto il mondo
- 378.411.362 USD
- Tempo di esecuzione2 ore
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
- 2.39 : 1
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