You know those essays we used had to write in some point of our educational career. The answer to the question could with just one sentence but in order to look smart and hard working we build up our paper with pages and pages of unnecessary garbage. Once we run out of garbage idea, we would finally reveal that one sentence answer. Mafia is basically the movie version of that essay. The director builds a whole movie full of slow-motion scenes of guns loading and biceps that are completely pointless and the one sentence answer is the grand climax suspense. And believe me I am a huge fan of revelation suspense movies. Like those are literally my most favorite kind climax suspense, but as much as these revelations are exciting to see the all the excitement depends on how intriguing the scenes that lead to the big revelation are. If the scenes that lead to the revelation have no steam then the revelation is basically pointless because it is going to have no impact on the audience. Director Karthick Naren completely fails to create and connection with the audience whatsoever. We end up just sitting there like idles with no emotions like fear, anger, or excitement (all of which are very important for a successful thriller) not overcoming us. This led to me reacting with just an "oh" to the great climax revelation. In fact the villain had to praise himself powerful because the character created for him is one-dimensional. However, I wouldn't say the movie was a complete waste. I really enjoyed staring at Arun Vijay's well-built body and hairstyle along with Prassanna and Priya Bhavni Shankar. I went in with huge expectations because of D16. I thought it would be similar to Vikram Vedha but I guess if you go in with no expectation it could be a decent one time watch.
