Una banda di DJ ribelli che ha affascinato la Gran Bretagna suonando alla radio la musica di tutta una generazione davanti a un governo che voleva solo la musica classica e nient'altro sulle... Leggi tuttoUna banda di DJ ribelli che ha affascinato la Gran Bretagna suonando alla radio la musica di tutta una generazione davanti a un governo che voleva solo la musica classica e nient'altro sulle onde radio.Una banda di DJ ribelli che ha affascinato la Gran Bretagna suonando alla radio la musica di tutta una generazione davanti a un governo che voleva solo la musica classica e nient'altro sulle onde radio.
- Premi
- 2 vittorie e 9 candidature
Trama
Lo sapevi?
- QuizThe scene in which Young Carl sulks about Marianne was originally supposed to be about eight seconds long and contain nothing but Tom Sturridge sitting on a bench and looking sad. Will Adamsdale and Ike Hamilton happened to be there, so executive producer, writer, and director Richard Curtis told them to have a go at what they would have done if their friend was in the same situation. He put on "So Long, Marianne" and they came up with everything that remains in the scene.
- BlooperThe characters frequently use vernacular that was not made popular until much later than 1966. Characters refer to protection as 'condoms,' which were much more commonly called 'Johnnies' in the 60s. Also, Young Carl is told that when dealing with Thick Kevin, it was important to "think outside the box," a term not coined in general use until the early 90s.
- Citazioni
The Count: To all our listeners, this is what I have to say - God bless you all. And as for you bastards in charge, don't dream it's over. Years will come, years will go, and politicians will do fuck all to make the world a better place. But all over the world, young men and young women will always dream dreams and put those dreams into song. Nothing important dies tonight, just a few ugly guys on a crappy ship. The only sadness tonight is that, in future years, there'll be so many fantastic songs that it will not be our privilege to play. But, believe you me, they will still be written, they will still be sung and they will be the wonder of the world.
Gavin Cavanagh: Hit it!
- Curiosità sui creditiThis film is dedicated to all who worked and broadcast on the pirate stations - all those wonderful years, all day and all of the night.
- Versioni alternativeUS distributor, Universal have chosen to re-title the film as "Pirate Radio" and release it under Focus Features in US territories. This new version will be edited for length by director Richard Curtis after some European reviewers cited its 135 minute running time as a factor in its diminished success.
- ConnessioniFeatured in The 81st Annual Academy Awards (2009)
- Colonne sonoreAll Day and All of the Night
Written by Ray Davies
Performed by The Kinks
Courtesy of Sanctuary Records Group Ltd.
Under license from Universal Music Operations Ltd.
Partly based on real events, the movie deals with the struggles faced by rock and pop music to emerge in England in the early '60s, when the BBC only played one hour of that music per day. The solution: pirate radio stations, situated in the North Sea, playing rock music 24/7. The young protagonist of the film, one Carl (Jim Sturridge) is sent to help on the boat that broadcasts Radio Rock, and ends up sharing experiences with the eccentric manager (Bill Nighy) and the DJs, which include the sardonic Count (Philip Seymour Hoffman), the philandering Gavin (Rhys Ifans) and the weirdly lovable Doctor Dave (Nick Frost). Their biggest problem: the British government, specifically an uptight minister (Kenneth Branagh) who intends to shut down pirate radio for good.
With romance taking a step back (albeit with enough room for a fun subplot or two), The Boat that Rocked is an affectionate and irreverent tribute to a lost era, deftly blending the right tunes - "Wouldn't It Be Nice" plays during a scene that gleefully spoof Titanic - and a mix of sweet and raunchy comedy, with the latter having a more prominent spot in this very guy-centric picture (a scene involving the use of the F-word on the radio also serves as satire, given the picture itself, released almost 50 years after the events, is R-rated for its liberal use of expletives). Strangely enough, though, the political bit of the story, while benefiting from a brilliantly stiff-upper-lipped Branagh, is the weaker section of the film, if only because Curtis, famously unable to restrain himself at times, overplays the joke of an assistant (Jack Davenport) being named Twatt - a poor hangover from the fourth Blackadder series that becomes grating after the first few times.
Then again, such issues are compensated by a lively pace, creative camera work and energetic performances. Sturridge does a good job as the audience surrogate getting us acquainted with the team, but the show is inevitably stolen by the more consummate players and, despite Hoffman's riotous work, the best laughs are inevitably British, with Nighy and Ifans delivering their customary Curtis-inspired performances and Frost proving he doesn't need Simon Pegg to shine. And for all the male-dominated atmosphere, fun cameos by January Jones and Emma Thompson make for some truly funny moments.
In other words, The Boat that Rocked isn't exactly as good as Curtis' biggest hits (then again, not many films can match Four Weddings and a Funeral), but as a piece of excellently scored and foul-mouthed escapism it's quite brilliant on its own terms. Only a real Twatt wouldn't want to watch it.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- The Boat That Rocked
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 8.017.917 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.904.380 USD
- 15 nov 2009
- Lordo in tutto il mondo
- 36.352.467 USD
- Tempo di esecuzione2 ore 15 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
- 2.39 : 1