Un giovane Bob Dylan sconvolge la scena della musica folk quando collega la sua chitarra elettrica al Newport Folk Festival nel 1965.Un giovane Bob Dylan sconvolge la scena della musica folk quando collega la sua chitarra elettrica al Newport Folk Festival nel 1965.Un giovane Bob Dylan sconvolge la scena della musica folk quando collega la sua chitarra elettrica al Newport Folk Festival nel 1965.
- Candidato a 8 Oscar
- 24 vittorie e 126 candidature totali
Mentors, Legends, and Making Up Your Past
Mentors, Legends, and Making Up Your Past
Timothée Chalamet, Elle Fanning, Monica Barbaro, and Edward Norton discuss their experiences portraying iconic figures from the 1960s folk music scene.
Trama
Lo sapevi?
- QuizEdward Norton was the first cast member to muster up the courage to reach out to the real Joan Baez for advice, interested in what the real Pete Seeger was like and her friendship with him. He then passed on word to Monica Barbaro that Baez was willing to speak with her.
- BlooperJoan Baez asks Dylan if he's recorded Blowin' in the Wind after hearing it for the first time. This scene takes place in October 1962. In reality, he'd been playing the song at Village coffeehouses since at least April 1962. It was published in a May 1962 issue of Broadside, and a June 1962 issue of Sing Out! Dylan recorded it in July 1962. By October of that year, it wouldn't have been new to Baez or anyone on the folk scene.
- Citazioni
Bob Dylan: I don't think they want to hear what I want to play.
Johnny Cash: Who's they?
Bob Dylan: You know, the people who decide what folk music is or isn't.
Johnny Cash: Fuck them, I wanna hear you. Go track some mud on somebody's carpet. Make some noise, B.D.
- Colonne sonoreDusty Old Dust (So Long It's Been Good to Know Yuh)
Written and Performed by Woody Guthrie
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
Recensione in evidenza
"So Long, It's Been Good to Know Yuh." Woody Guthrie (Scott McNairy)
Those of us alive in early '60's could not have known the nasal, raspy-voiced 19-year-old, Bob Dylan (Timothee Chalamet), would one day change folk music forever. Director James Mangold in the biopic A Complete Unknown, perfectly captures the times changing and Dylan as he takes us from Pete Seeger's traditional folk to Dylan's own brand of folk rock.
The surprise in this solid one-of-the-best of the year, is how much music Mangold and co-writer Jay Cocks give the audience. Besides, several of the tunes are played in full by the lead actors, not something I could say even in the wake of Bohemian Rhapsody. Another surprise, Chalamet can sing very well.
Inevitably, a folk star must contend with the attentions of women, either friends or colleagues. The latter are represented in the distractingly attractive Joan Baez (Monia Barbaro), both talented and beautiful. Her biopic, I Am a Noise, explained her ambivalence toward Dylan, who was her opposite with his growing selfish mien.
Lover Sylvie Russo (Elle Fanning), not as talented or beautiful as Baez, represents the collateral damage from his fame. Despite his growing disaffection, she still influenced him to write such classics as A Hard Rain's Gonna Fall and The Times They are A Changin.
Both women are treated as important parts of Dylan's life, not just weepy or ineffectually forlorn. Baez was never neutralized by his allure, whereas Sylvie shriveled. The film captures this rough spot in his life while it also champions his talent. Let's face it-he was distant, downright enigmatic, and the film doesn't try to explain why. But then, other attempts at understanding him such as Scorsese's No Direction Home and Haynes' I'm Not There failed as well. Dylan's just too interior to be flushed out.
What these and other parts of his life also show is Dylan's insensitivity while he could sing of more loving attitudes to mankind in general. It is commonly known that artists can be abrasive and dismissive but also creative beyond measure. Dylan, however, clashes with the warm and caring Pete Seeger (Edward Norton, waiting I predict for an Oscar nomination) over Dylan's electrifying folk music, one of the intriguing conflicts the film does not sugarcoat.
Besides the splendid period accuracy, A Complete Unknown offers multiple musical sequences to delight even the newest audiences. After seeing this bountiful biopic, audiences witness Dylan becoming better known and his music eternal for even the most conservative audience.
One of the best films of the year and a biopic for the ages.
Those of us alive in early '60's could not have known the nasal, raspy-voiced 19-year-old, Bob Dylan (Timothee Chalamet), would one day change folk music forever. Director James Mangold in the biopic A Complete Unknown, perfectly captures the times changing and Dylan as he takes us from Pete Seeger's traditional folk to Dylan's own brand of folk rock.
The surprise in this solid one-of-the-best of the year, is how much music Mangold and co-writer Jay Cocks give the audience. Besides, several of the tunes are played in full by the lead actors, not something I could say even in the wake of Bohemian Rhapsody. Another surprise, Chalamet can sing very well.
Inevitably, a folk star must contend with the attentions of women, either friends or colleagues. The latter are represented in the distractingly attractive Joan Baez (Monia Barbaro), both talented and beautiful. Her biopic, I Am a Noise, explained her ambivalence toward Dylan, who was her opposite with his growing selfish mien.
Lover Sylvie Russo (Elle Fanning), not as talented or beautiful as Baez, represents the collateral damage from his fame. Despite his growing disaffection, she still influenced him to write such classics as A Hard Rain's Gonna Fall and The Times They are A Changin.
Both women are treated as important parts of Dylan's life, not just weepy or ineffectually forlorn. Baez was never neutralized by his allure, whereas Sylvie shriveled. The film captures this rough spot in his life while it also champions his talent. Let's face it-he was distant, downright enigmatic, and the film doesn't try to explain why. But then, other attempts at understanding him such as Scorsese's No Direction Home and Haynes' I'm Not There failed as well. Dylan's just too interior to be flushed out.
What these and other parts of his life also show is Dylan's insensitivity while he could sing of more loving attitudes to mankind in general. It is commonly known that artists can be abrasive and dismissive but also creative beyond measure. Dylan, however, clashes with the warm and caring Pete Seeger (Edward Norton, waiting I predict for an Oscar nomination) over Dylan's electrifying folk music, one of the intriguing conflicts the film does not sugarcoat.
Besides the splendid period accuracy, A Complete Unknown offers multiple musical sequences to delight even the newest audiences. After seeing this bountiful biopic, audiences witness Dylan becoming better known and his music eternal for even the most conservative audience.
One of the best films of the year and a biopic for the ages.
- JohnDeSando
- 27 dic 2024
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- Sito ufficiale
- Lingua
- Celebre anche come
- Going Electric
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 70.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 73.995.525 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.655.553 USD
- 29 dic 2024
- Lordo in tutto il mondo
- 120.170.593 USD
- Tempo di esecuzione2 ore 21 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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