After waiting for a long time, watching the short film "Blue Bed" made by the author Alireza Kazemipour was an interesting experience for me.
The film reminds us that we can expect a lot from the medium of short films. The Blue Bed is a power answer to those who say short films do not give them an opportunity for characterizing and if the filmmaker can create influential situation, it should be excellent.
Kazemipour in the short time that the film has given him, could be a skilled magician who arranges the elements of the story with all the care and patience in front of the viewer's astonished eyes. He does not neglect in directing although the subject that he has chosen is the taboo but at the same time, he does not insist on showing off his ability.
The attractive story of the film has the best opportunity to fall into the trap of tearful melodrama and shows us the filmmaker's support of the main character. The choice of two women as the main protagonists of the film also puts the risk of emotional perception of the subtleties of the protagonist's feminine and feminine world for the filmmaker. But the filmmaker, with the confidence that comes from the filmmaker's personality trait, safely leaves these deadly gaps and he has finished his story with a deep and surprising final.
At the end of the film, it begins in the viewer's mind whit a question. What art is better than the filmmaker sending spectators out of the cinema with a question in their mind?
