VALUTAZIONE IMDb
6,0/10
6829
LA TUA VALUTAZIONE
Valeria sogna da tempo di diventare madre. Dopo aver appreso di essere incinta, si aspetta di sentirsi felice, ma qualcosa non va.Valeria sogna da tempo di diventare madre. Dopo aver appreso di essere incinta, si aspetta di sentirsi felice, ma qualcosa non va.Valeria sogna da tempo di diventare madre. Dopo aver appreso di essere incinta, si aspetta di sentirsi felice, ma qualcosa non va.
- Premi
- 13 vittorie e 31 candidature totali
Carlos Orozco Plascencia
- Victor
- (as Carlos Orozco)
Trama
Lo sapevi?
- QuizThe title is derived from the folklore of La Huesera, a mysterious female figure who roamed the desert gathering bones. Said to favour those of wolves, La Huesera would assemble an entire skeleton, before singing to it. Her song would eventually bring the deceased creature back to life, granting it freedom to roam the plains once more.
- Colonne sonoreSabinas
Performed by Norma Reyna, Gina Morett and Rocío Belmont
Written by Gibrán Andrade (as Gibrán Androide) and Cabeza de Vaca
Courtesy of Gibrán Andrade (as Gibrán Androide) and Cabeza de Vaca
Recensione in evidenza
Huesera, the directorial debut of Mexican filmmaker Michelle Garza Cervera, presents itself as a film exploring the desire to be a mother and the consequences of having a child, all within a horror premise. However, the result is a movie that, although ambitious, leaves much to be desired.
One of the standout elements is undoubtedly Natalia Solián's performance. Her acting effectively conveys the nerves, fears, and trauma of being a first-time mother. Solián grabs the viewer's attention by making every emotion and doubt of her character feel genuine. The issue, however, is that the script and narrative don't support her.
The biggest problem with Huesera lies in its pacing and storytelling. The film becomes boring and tedious at several points, especially when it delves into areas where horror should be at the forefront but isn't. The lack of a consistent atmosphere of fear causes the film to lose its focus. The horror elements are missing, which leads to the film losing the tone it initially promised.
The script, on the other hand, is another weak point. The story feels incomplete, with many narrative gaps. There are moments where it seems material was cut during post-production, leaving unanswered questions and unexplained events. This affects the coherence of the plot.
One of the standout elements is undoubtedly Natalia Solián's performance. Her acting effectively conveys the nerves, fears, and trauma of being a first-time mother. Solián grabs the viewer's attention by making every emotion and doubt of her character feel genuine. The issue, however, is that the script and narrative don't support her.
The biggest problem with Huesera lies in its pacing and storytelling. The film becomes boring and tedious at several points, especially when it delves into areas where horror should be at the forefront but isn't. The lack of a consistent atmosphere of fear causes the film to lose its focus. The horror elements are missing, which leads to the film losing the tone it initially promised.
The script, on the other hand, is another weak point. The story feels incomplete, with many narrative gaps. There are moments where it seems material was cut during post-production, leaving unanswered questions and unexplained events. This affects the coherence of the plot.
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 1.685.816 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Proporzioni
- 1.85 : 1
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