L'ombra di Caravaggio

I saw it as a fair work. For beautiful cinematography, reminding, scene bty scene, the art of Michelangelo Merisi, for Riccardo Scamarcio and his work in skin of Caravaggio, for Isabelle Huppert and Louis Garel, more than inspired crafters of their characters , for music and for good kick to viewer to (re)discover a great artist masterpieces.

Obvious, the film reflects the perspective of Michele Placcido and, I admitt, far to be easy say about the best manner to reflect a life defined by torments, force and shadows like this.

A beautiful film, not perfect, not correct in many details, not exactly for admirers of Caravaggio, simplistic for few reasons but enough for define it more than decent movie , not comparing with Derek Jarman 1986 film or with documentaries across last decades.