Un povero ragazzo di origine sconosciuto viene salvato dalla povertà e accolto dalla famiglia Earnshaw, dove sviluppa un intenso rapporto con la sua giovane sorella adottiva, Cathy.Un povero ragazzo di origine sconosciuto viene salvato dalla povertà e accolto dalla famiglia Earnshaw, dove sviluppa un intenso rapporto con la sua giovane sorella adottiva, Cathy.Un povero ragazzo di origine sconosciuto viene salvato dalla povertà e accolto dalla famiglia Earnshaw, dove sviluppa un intenso rapporto con la sua giovane sorella adottiva, Cathy.
- Premi
- 6 vittorie e 10 candidature
- Young Edgar
- (as Jonathan Powell)
Trama
Lo sapevi?
- QuizNatalie Portman was originally cast as Catherine Earnshaw. After her departure from the film, Lindsay Lohan campaigned for the role but Abbie Cornish was eventually cast. As filming neared, Cornish was then replaced by Gemma Arterton. When Andrea Arnold was hired to direct, she replaced Gemma Arterton with Kaya Scodelario.
- Citazioni
Older Cathy: You and Edgar broke my heart. You've killed me... Will you be happy when I am in the earth? Will you forget me?
Older Heathcliff: Don't torture me! I've not killed you. I could no more forget you than myself. When you're at peace, I shall be in hell.
Older Cathy: I will never be at peace.
- Curiosità sui creditiAfter all credits, including distributors' credits, there is a final shot of Heathcliff.
- ConnessioniFeatured in Breakfast: Episodio datato 8 settembre 2011 (2011)
- Colonne sonoreThe Enemy
Original Title Song written and performed by Mumford & Sons
Published by Universal Music Publishing Ltd.
Master Courtesy of Universal Records
A lot of the time I felt I was being battered over the head with the director's insistence that This Is a Very Important Metaphor but simply didn't understand what the shot of a beetle, or a horse's flank, or a patch of stone, or yet another rainstorm, was supposed to be saying. (The one thing I didn't notice, interestingly, was that the film is in Academy ratio rather than widescreen - probably because the vast majority of the pictures I watch are not in widescreen and in fact I generally dislike it, so I certainly wasn't conscious of that as a drawback.) To be fair, my other companion, who adores the novel, thought the film was the closest she'd ever seen to capturing the spirit of the book, although she too was somewhat disappointed in the 'adult' section.
I suppose you could say that it was a disquieting film of a disquieting book, in which none of the characters were sympathetic because none of the characters in the original are sympathetic: for my part I found myself roused to a furious dislike and resentment, so was at least not indifferent to it. I didn't walk out of what was a sparsely-attended screening -- I didn't even allow myself to disturb my neighbours by looking at my watch -- but I fantasised about being able to leave and was longing for the experience to end.
I think the film has power, which is why I haven't marked it lower than I have. I also think that in many ways it is a bad piece of film-making, more akin to a pretentious video installation than the telling of a complicated and violent story.
The wind really does 'wuther' like that in Yorkshire, though...
- Igenlode Wordsmith
- 14 dic 2011
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
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- Wuthering Heights
- Luoghi delle riprese
- Aziende produttrici
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Botteghino
- Budget
- 5.000.000 £ (previsto)
- Lordo Stati Uniti e Canada
- 100.915 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.956 USD
- 7 ott 2012
- Lordo in tutto il mondo
- 1.742.215 USD
- Tempo di esecuzione2 ore 9 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1