L'astronauta Sam Bell lavora in isolamento sulla Luna assistito solo da un computer. Ma è veramente solo?L'astronauta Sam Bell lavora in isolamento sulla Luna assistito solo da un computer. Ma è veramente solo?L'astronauta Sam Bell lavora in isolamento sulla Luna assistito solo da un computer. Ma è veramente solo?
- Ha vinto 1 BAFTA Award
- 28 vittorie e 37 candidature totali
Kevin Spacey
- GERTY
- (voce)
Gavin Rothery
- Eliza Rescue Captain
- (non citato nei titoli originali)
Gary Shaw
- Shaw, Rescue Team Member
- (non citato nei titoli originali)
Mick Ward
- Ward, Rescue Team Member
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizProducer Stuart Fenegan performed the stunt when Sam hits his head, because the stuntman was not present on that day and, as Fenegan put it in the DVD commentary, he was the only person who would not have sued the production in case of the stunt going wrong. Fenegan was quite proud of how his shot turned out.
- BlooperSam realizes that he has lost a tooth when feeling around in his lower jaw. However, the tooth that he pulls out of the toilet has three roots, meaning that it is a maxillary (upper) molar. Mandibular (lower) molars only have two roots, unless the person is of Asian or Native American descent.
He first felt his upper row of molars where the tooth came out of, then tried wiggling some from the bottom row to see if any more were loose.
- Curiosità sui creditiThe fictional company which owns and operates the lunar base is called Lunar Industries Ltd. As a nod to this, the production company used to make the movie is also called Lunar Industries Ltd (UK Companies House company number 06346944), whose company directors are Duncan Zowie Hayward Jones (the movie's director) and Stuart Douglas Fenegan (one of the movie's producers).
- ConnessioniEdited into Race for Space (2010)
- Colonne sonoreFlute and Harp Concerto K299 2nd Mvt.
Composed by Wolfgang Amadeus Mozart (as Wolfgang A. Mozart)
Published by Boosey & Hawkes Production Music
Recensione in evidenza
I was led to this movie, partly because of a sort of dissatisfaction from what we've known as science fiction due to Star-Treks, Star wars, terminators and transformers. On my visit to the local independent movie theater, I was only expecting something like Apollo 13 and I would've been satisfied with just that.
But the movie proved to be much more. It wasn't just the cinematography, few captivating shots of the moon surface, or the great acting performance. It was as if the movie took a while to ponder over philosophical questions that science and technology raise- something that every science fiction ought to do.
This work won't be unworthy of a comparison with Kubrick's- space odyssey – only that it is probably not as visually stimulating as the latter. It does make good use of classical music like Kubrick's. I found the movie to be a bit more accessible than Tarkovsky's Solaris in that it is much more fluid and entertaining (Solaris was 3 hr long – executed very slow albeit with a similar idea). Like Solaris, the protagonist's recollections of the life on earth eventually result in some mental instability, but the movie stays away from getting into long philosophical debates on human experience or our place on earth.
In general, do expect a lot more than space travel in this movie. To cite an example, the isolation of Sam made him more attached to memories of his life on earth. I don't recall many other movies that have expressed it so well that in isolation, nothing really means anything. Kudos to the director! Such existentialist reflections aside, there are many instances when the movie makes a statement about unethical corporate practices, evasive HR responses - almost to the extent 'Michael Clayton' did. I think that makes it more worthwhile to watch. Still despite all that, it avoids taking any stances on controversies that bother all of us in modern times. It puts us through the fears of the unknown, catastrophes of distrust and what arises from distrust and isolation and all of that.
Still, somehow the movie isn't really as dark as the script might make it sound. There is isolation, mistrust, schemes, confusion, curiosities and despair, but the human experience probably transcends the realism of its existence – that was the idea I carried back from the movie theater.
But the movie proved to be much more. It wasn't just the cinematography, few captivating shots of the moon surface, or the great acting performance. It was as if the movie took a while to ponder over philosophical questions that science and technology raise- something that every science fiction ought to do.
This work won't be unworthy of a comparison with Kubrick's- space odyssey – only that it is probably not as visually stimulating as the latter. It does make good use of classical music like Kubrick's. I found the movie to be a bit more accessible than Tarkovsky's Solaris in that it is much more fluid and entertaining (Solaris was 3 hr long – executed very slow albeit with a similar idea). Like Solaris, the protagonist's recollections of the life on earth eventually result in some mental instability, but the movie stays away from getting into long philosophical debates on human experience or our place on earth.
In general, do expect a lot more than space travel in this movie. To cite an example, the isolation of Sam made him more attached to memories of his life on earth. I don't recall many other movies that have expressed it so well that in isolation, nothing really means anything. Kudos to the director! Such existentialist reflections aside, there are many instances when the movie makes a statement about unethical corporate practices, evasive HR responses - almost to the extent 'Michael Clayton' did. I think that makes it more worthwhile to watch. Still despite all that, it avoids taking any stances on controversies that bother all of us in modern times. It puts us through the fears of the unknown, catastrophes of distrust and what arises from distrust and isolation and all of that.
Still, somehow the movie isn't really as dark as the script might make it sound. There is isolation, mistrust, schemes, confusion, curiosities and despair, but the human experience probably transcends the realism of its existence – that was the idea I carried back from the movie theater.
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Dettagli
Botteghino
- Budget
- 5.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 5.010.163 USD
- Fine settimana di apertura Stati Uniti e Canada
- 136.046 USD
- 14 giu 2009
- Lordo in tutto il mondo
- 9.760.107 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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