Ryan Bingham si gode il suo lavoro che lo vede viaggiare su e giù per il Paese licenziando persone. Tuttavia, si rende conto che il suo stile di vita è minacciato dalla presenza di un potenz... Leggi tuttoRyan Bingham si gode il suo lavoro che lo vede viaggiare su e giù per il Paese licenziando persone. Tuttavia, si rende conto che il suo stile di vita è minacciato dalla presenza di un potenziale interesse in amore e di una nuova assunzione.Ryan Bingham si gode il suo lavoro che lo vede viaggiare su e giù per il Paese licenziando persone. Tuttavia, si rende conto che il suo stile di vita è minacciato dalla presenza di un potenziale interesse in amore e di una nuova assunzione.
- Candidato a 6 Oscar
- 75 vittorie e 171 candidature totali
- Kevin
- (as Chris Lowell)
Trama
Lo sapevi?
- QuizWhen Bob shows Ryan a photo of his two children, it is a photo of J.K. Simmons's real children.
- BlooperWhen Ryan asks how many miles a round-the-world flight would cost, he's told it's 500,000 miles. On American a first class round-the-world flight costs 300,000 miles (and even less for lower classes). However, the trip is for two people, not just one.
- Citazioni
Ryan Bingham: [on the docks in Miami] You know that moment when you look into somebody's eyes and you can feel them staring into your soul and the whole world goes quiet just for a second?
Natalie Keener: Yes.
Ryan Bingham: [shrugs] Right. Well, I don't.
Natalie Keener: you're an asshole.
- Curiosità sui creditiThere is a voice recording by Kevin Renick addressing to Jason Reitman mid-credit, stating the reason he wrote the song and the original recording of the song.
- ConnessioniEdited into De wereld draait door: Episodio #5.84 (2010)
- Colonne sonoreThis Land Is Your Land
Written by Woody Guthrie
Performed by Sharon Jones and The Dap-Kings
Courtesy of Daptone Records
Although a lot of the movie concerns the workplace, the disconnect between the interests of corporates and the interests of society (a link that was present historically in America, but which has been irrevocably decoupled), and how to work in that environment, the interest for me was more to do with relationships. From my male perspective there are some fairly poisonous insights into the female mind (though it may be unfair to generalise), the young Cornell grad Natalie Keener (played by Anna Kendrick) talks about her preconceptions of the man she will meet, the kind of name he will have, apparently the only thing he will love more than her is their "golden lab". The slightly older perspective from Alex Goran (played by Vera Farmiga) is that the man should be taller, should earn more, and come from a good family. To go with the aeronautical theme of the movie, the theatre should have provided some sick bags.
The main theme is, for me, pure Frank Borzage, it's about earning the right to love and be loved. In common with 80 years ago when those movies were being made, it's an onus that only weighs upon the male of the species, which makes the film a little hackneyed.
My favourite ambiguity of the film would have to be the backpack lectures that Bingham (Clooney) gives. He has a whole metaphor about everything in your life, the people, the trinkets, all the stuff you can collect, being in a backpack and weighing you down. He says that people aren't swans, they're not meant to be together forever, that they're actually sharks, who have to keep swimming continually, weighed down by nothing. I think there's an element of truth to both poles, I can see both arguments. I just love going to a Hollywood movie and not having an opinion shoved down my throat.
I had a slight problem regarding the level of realism in the film, I felt that the air-commuter lifestyle that was being shown was over-slicked, like I was watching something of a feather with The Consequences Of Love (or Giulia Doesn't Sleep At Night, two of the great modern hyper-stylised films from Italy). Nothing wrong with stylisation, except that I think Jason was trying to go for a film that had a lot of resonance with Recession America. I felt it was awkward to introduce real-life folks at the end, and also realistic looking termination assessments (or whatever they're called when you can someone), when the actors such as Clooney and Vera Farmiga were just so damned suave, as if from a different universe.
And this is to Claire.
- oOgiandujaOo_and_Eddy_Merckx
- 28 gen 2010
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- Siti ufficiali
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- Celebre anche come
- Amor sin escalas
- Luoghi delle riprese
- Cheshire Inn, Saint Louis, Missouri, Stati Uniti(Wedding shower scene)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 83.823.381 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.181.450 USD
- 6 dic 2009
- Lordo in tutto il mondo
- 166.842.739 USD
- Tempo di esecuzione1 ora 49 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1