Nell'Inghilterra del primo Ottocento una giovane governante, entrata a servizio in una dimora dello Yorkshire, scopre che il suo padrone, di cui si è perdutamente innamorata, nasconde un ter... Leggi tuttoNell'Inghilterra del primo Ottocento una giovane governante, entrata a servizio in una dimora dello Yorkshire, scopre che il suo padrone, di cui si è perdutamente innamorata, nasconde un terribile segreto.Nell'Inghilterra del primo Ottocento una giovane governante, entrata a servizio in una dimora dello Yorkshire, scopre che il suo padrone, di cui si è perdutamente innamorata, nasconde un terribile segreto.
- Candidato a 1 Oscar
- 10 vittorie e 16 candidature totali
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- QuizTo help create the gothic atmosphere present in this movie, many shots were lit exclusively by firelight or candlelight.
- BlooperThe teacup that Jane is drinking out of is Belleek. Belleek porcelain was first produced in 1863 and was not widely available outside Ireland until the mid-1860s while the blue mark on Jane's cup was first used in 1993.
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Jane Eyre: I have lived a full life here. I have not been trampled on. I have not been petrified. I have not been excluded from every glimpse of what is bright. I have known you, Mr. Rochester, and it strikes me with anguish to be torn from you.
Rochester: Then why must you leave?
Jane Eyre: Because of your wife.
Rochester: I have no wife.
Jane Eyre: But you are to be married.
Rochester: Jane, you must stay.
Jane Eyre: I'm become nothing to you?...
[near tears]
Jane Eyre: Am I a machine with out feelings? Do you think that because I am poor, plain, obscure, and little that I am souless and heartless? I have as much soul as you and full as much heart. And if God had possessed me with beauty and wealth, I could make it as hard for you to leave me as it is for I to leave you... I'm not speaking to you through mortal flesh. It is my spirit that addresses your spirit, as if we'd have passed through the grave and stood at God's feet equal. As we are.
Rochester: [taking her arms] As we are.
Jane Eyre: [trying to pull away] I am a free human being with an independent will, which I now exert to leave you.
Rochester: Than let you will decide your destiny. I offer you my hand, my heart. Jane, I ask you to pass through life at my side. You are my equal and my likeness... Will you marry me?
Jane Eyre: Are you mocking me?
Rochester: Do you doubt me?
Jane Eyre: Entirely.
- ConnessioniFeatured in Ebert Presents: At the Movies: Episodio #1.8 (2011)
- Colonne sonoreFlamme Vengeresse
From Act 3 of "Le Domino Noir" (1837)
Music by Daniel-François Auber
Libretto by Eugène Scribe
Performed by Romy Settbon Moore
Arranged by Andrew McKenna
Fukunaga's ("Sin Nombre") take doesn't exactly provide an amazing revelation or epiphanic justification for bringing "Jane Eyre" back to life, but it does prove that no classic can be so overdone that it becomes untouchable; even the most tried and dated of love stories can find new life. Fukanaga has given "Jane Eyre" a photorealistic makeover devoid of frills and fiercely au naturel, but no less gripping than the story's "livelier" retellings.
Fictional period dramas often feel overtly pristine and glazed over to the point of fairytale, but in watching this film, you get the sense that this is quite possibly how the story would have looked and felt if it had been true. All the way down to accents, this rendition has clearly labored over historical authenticity and it shows in the finished product.
Mia Wasikowska ("The Kids Are All Right") continues to choose spot-on independent films despite leading the billion-dollar "Alice in Wonderland" of 2010 and it continues to pay off. She's clearly adept at embodying literary characters, or at least at recreating them within herself rather than worrying about trying to become the way the majority perceives them. Her modest looks suit Jane perfectly and she can play both the fragile girl who has been so often wronged by those who were supposed to care for her and the somewhat self-assured young woman who so plainly understands right from wrong.
Buffini ("Tamara Drewe") tells "Jane Eyre" in an un-narrated flashback. The film opens with Jane dashing away from the spectre of the Thornfield estate and stumbling through the beautifully captured but cold and desolate English countryside in a state of total anguish. She arrives at the Rivers' place where they enquire as to her identity. As the voice of Mr. Rochester (Michael Fassbender) beckons her, she cannot block out the memories of her journey. The film then catches up to that point in real time and continues on to the end.
Other than a terrific performance from Amelia Clarkson as young Jane, the early chapters involving Lowood School seem to be of less significance in this version other than the very clear point to establish Mr. Brocklehurst as an insensitive headmaster and clearly spell out Jane's early traumas that have affected her perspective. The love story between Jane and Mr. Rochester and the way it affects Jane takes supreme precedence in this film and with a two- hour run time, rightfully so. Nevertheless, the short beginnings prevent the film from showing the whole scope of Jane's troubled life.
Fassbender and Wasikowska work terrifically and manage to communicate the class and age discrepancy that made "Jane Eyre" a juicy read back in the 19th Century. Fassbender does seem to let Rochester's guard down quicker than expected, but I enjoyed his choice to be less standoffish and more brooding; he determines his secret to be more a responsibility of an unfortunate nature than a loathsome burden. His love for Jane then feels more sincere.
An actress as magnetizing as Judi Dench choosing to play the caretaker Mrs. Fairfax sums up the humble attitude of this "Jane Eyre." She uses her gravitas to the effect of being the film's lone comic relief and complements the scenes rather than stealing them from Wasikowska, who is 55 years her junior.
The film itself aims for subtlety and chooses not to amp up the shock value of the story's most pivotal scenes. There's some manufactured suspense, but it's mostly natural. It ends up being the most commendable aspect of Fukunaga's vision, but maybe the most hampering as well. He creates exceptional tone and mood with the help of his wonderful cast and this seizes our interest, but his "Jane" never takes a chance with any emotional punches. A superbly crafted film, just not a resonant one.
~Steven C
- Movie_Muse_Reviews
- 11 mar 2011
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- Chuyện Tình Nàng Jane Eyre
- Luoghi delle riprese
- Haddon Hall, Bakewell, Derbyshire, Inghilterra, Regno Unito(Thornfield Hall before the fire)
- Aziende produttrici
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Botteghino
- Lordo Stati Uniti e Canada
- 11.242.660 USD
- Fine settimana di apertura Stati Uniti e Canada
- 182.885 USD
- 13 mar 2011
- Lordo in tutto il mondo
- 34.710.627 USD
- Tempo di esecuzione2 ore
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1