VALUTAZIONE IMDb
5,7/10
6842
LA TUA VALUTAZIONE
Traccia la caduta a capofitto di Pinkie, un'adolescente svantaggiata che brandisce un rasoio con un religioso desiderio di morte.Traccia la caduta a capofitto di Pinkie, un'adolescente svantaggiata che brandisce un rasoio con un religioso desiderio di morte.Traccia la caduta a capofitto di Pinkie, un'adolescente svantaggiata che brandisce un rasoio con un religioso desiderio di morte.
- Premi
- 1 vittoria e 8 candidature totali
Phil Davis
- Spicer
- (as Philip Davis)
Trama
Lo sapevi?
- QuizThe climax was filmed at Beachy Head, a notorious suicide spot. A woman tried to kill herself by driving her car off the cliff on the night of filming.
- BlooperWhen Rose opens the record player, it has a modern British plug on it. In 1960s Britain plug pins were round. Safety switches wall sockets would not have been in place at this time, either.
- ConnessioniFeatured in Breakfast: Episodio datato 28 gennaio 2011 (2011)
Recensione in evidenza
The main character of this movie is Pinkie Brown, a small-time thug in Brighton, England, in the 1960s. Pinkie's true evil nature comes out when he tries to take over a small gang of criminals after their leader had been killed by a rival gang. As played here, Pinkie is in his 20s and, as brash and amoral as he is, he and his mediocre cohorts are no match for the rival gang that basically runs underground crime in Brighton.
The action is sordid and ugly, but the glossy color photography works at cross purposes to conveying that mood. Much of the photography is more appropriate for an art film than for this down-and-dirty fare, making me think that maybe black and white would have been a more appropriate choice. As Pinkie, I found Sam Riley just a little too handsome for the part--he does not exude the menace and harsh personality that is Pinkie's nature.
I found the initial setup scenes rapid-paced and confusing, requiring close attention; if you don't follow what has happened early on, you will be at a loss to fully understand what happens later. An additional complication to my following the opening scenes was the fact that I am not a Brit and didn't always follow the cadences and clipped manner of speaking. I confess to starting the movie over after about fifteen minutes, with English subtitles turned on. That was a great help.
The score that often seems to aspire to the transcendent seems greatly out of place.
I wish I had seen this movie before having read the book, since having some of the images in mind would have been good. Never having been to Brighton, my mental picture of it would have been greatly enhanced by what is well captured here. While the movie strips from the book much of the depth of the themes of sexuality, morality, loyalty, and sin, there are things in the movie that I found improved upon the book. I liked Helen Mirren's portrayal of Ida as a more centered person than the blithe Ida of the book, and John Hurt fleshed out Ida's friend Phil better than what I got from the book. And there are a lot of little things. For example, I pictured the candy, Brighton rock, as being something like a candy cane rather than the weighty rod seen in the movie. I regret that Pinkie's lawyer Prewitt was deleted--he was a truly Dickensian character in the book. And why the great ending in the book was changed is beyond me.
The action is sordid and ugly, but the glossy color photography works at cross purposes to conveying that mood. Much of the photography is more appropriate for an art film than for this down-and-dirty fare, making me think that maybe black and white would have been a more appropriate choice. As Pinkie, I found Sam Riley just a little too handsome for the part--he does not exude the menace and harsh personality that is Pinkie's nature.
I found the initial setup scenes rapid-paced and confusing, requiring close attention; if you don't follow what has happened early on, you will be at a loss to fully understand what happens later. An additional complication to my following the opening scenes was the fact that I am not a Brit and didn't always follow the cadences and clipped manner of speaking. I confess to starting the movie over after about fifteen minutes, with English subtitles turned on. That was a great help.
The score that often seems to aspire to the transcendent seems greatly out of place.
I wish I had seen this movie before having read the book, since having some of the images in mind would have been good. Never having been to Brighton, my mental picture of it would have been greatly enhanced by what is well captured here. While the movie strips from the book much of the depth of the themes of sexuality, morality, loyalty, and sin, there are things in the movie that I found improved upon the book. I liked Helen Mirren's portrayal of Ida as a more centered person than the blithe Ida of the book, and John Hurt fleshed out Ida's friend Phil better than what I got from the book. And there are a lot of little things. For example, I pictured the candy, Brighton rock, as being something like a candy cane rather than the weighty rod seen in the movie. I regret that Pinkie's lawyer Prewitt was deleted--he was a truly Dickensian character in the book. And why the great ending in the book was changed is beyond me.
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Băng Đảng Brighton
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 229.653 USD
- Fine settimana di apertura Stati Uniti e Canada
- 32.774 USD
- 28 ago 2011
- Lordo in tutto il mondo
- 2.913.599 USD
- Tempo di esecuzione1 ora 51 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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