I'm as sick and tired of predictable torture flicks and found footage films as the next horror fan, and so Penance—which 'cleverly' combines these two tired sub-genres to create the 'found torture footage' sub-sub-genre—hardly sounded like it was going to deliver much of interest to this particular jaded viewer.
Indeed, after just a few minutes of wobbly Blair Witch-style nonsense, during which attractive young mother Amelia Wallis (Marieh Delfino) prattles in front of a video camera about her love of Topanga Canyon, her job at a centre for battered women, and her daughter, I was itching to switch off. But what I had forgotten about was the power of a fit bird in the raw to make almost anything worthwhile...
As part of her audition tape for a TV game-show, the usually reserved Amelia agrees to help her stripper pal Suzie (Eve Mauro) entertain a group of stags at a party; let's just say that this girl was built to strip! From that moment on, Penance becomes pure trash entertainment: after Suzie is given a black eye by a customer, Amelia reluctantly stands in for her friend on a highly paid job for a special client, a decision that results in the poor girl's incarceration at a disused asylum where she is subjected to torture by Geeves, a religious zealot who has dedicated his life to purifying the souls of strippers. Cue lots of gratuitous nudity, pointless cameos from horror icons, dumb plot development, vaginal mutilation, self-castration, and more nudity.
Penance's use of the found footage gimmick is totally implausible, the story painfully dumb, the supposedly tense action absolutely laughable, and the violence disappointing (although nasty in concept, the gore is not that graphic), but Marieh Delfino kept me entertained throughout, albeit on the most basic of levels. In fact, it makes me wonder if I would have enjoyed The Blair Witch Project more if Heather Donahue had only thrown caution to the wind and flipped out her norks....
