Cinque amici si recano ad una remota baita nei boschi dove la scoperta del Libro dei Morti causa l'apparizione di demoni assetati di sangue.Cinque amici si recano ad una remota baita nei boschi dove la scoperta del Libro dei Morti causa l'apparizione di demoni assetati di sangue.Cinque amici si recano ad una remota baita nei boschi dove la scoperta del Libro dei Morti causa l'apparizione di demoni assetati di sangue.
- Premi
- 6 vittorie e 20 candidature
Rupert Degas
- Demon
- (voce)
Bruce Campbell
- Ash
- (non citato nei titoli originali)
Jack Walley
- Billy Bob
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizAccording to reports in the press, the film used 70,000 gallons (equivalent to 264,978.82 liters) of fake blood. In an interview, Fede Alvarez said they used 50,000 gallons (189,270.59 liters) for the final scene alone. This is compared to the 200-300 gallons (757.08-1,135.62 liters) used in the original.
- BlooperAt the beginning of the film a woman is speaking a foreign language, according to the subtitles she is speaking Turkish, she is actually speaking in Welsh.
- Citazioni
Abomination Mia: I will feast on your soul!
Mia: [revs the chainsaw] Feast on this, motherfucker.
[Mia shoves the chainsaw into the Abomination's face]
Mia: Die.
[Mia defeats the Abomination by slice the head in half as the creature begins to sink into the ground]
Mia: Go back to Hell, bitch.
- Curiosità sui creditiIn reference to a term coined by Sam Raimi after The Three Stooges, the actors which appear in bit parts as "really good people" (Bill Vincent, Judah Tapert, Terri Donaldson, and Alan Breslau) are credited as "Fake Shemps".
- Versioni alternativeWhile the theatrical release was uncut, the German DVD release was cut by ca. 1 minute to to keep its "Not under 18" rating from the FSK. The uncut version was released with a SPIO/JK approval (resulting in various sale restrictions).
- ConnessioniFeatured in Face Off: Mummy Mayhem (2013)
- Colonne sonoreBaby, Little Baby
Written by Fede Alvarez and Rodo Sayagues
Performed by Jane Levy and Shiloh Fernandez
Published by Fede Alvarez (ASCAP) and Rodo Saygues (ASCAP)
Recensione in evidenza
So I've read here and there that this remake lacks the camp of the original. And I look back over 20 years ago, watching The Evil Dead on a crummy rental VHS, in the dark of my teenage bedroom one night. The camp? The original Evil Dead was a terrifying experience, even with Bruce Campbell's over the top performance, the film was a scare-fest, a terrifying trip even nearly ten years after its release. The camp was in Evil Dead 2, an horror comedy remaking the original already, technically.
This remake finds many way to bow to the original, aside the obligatory visual quotes. The use of practical effects, notably, in an era of CGI- filled movies, is extremely refreshing. The gore feels painful, makes you cringe, churned my stomach. It successfully palliates a somewhat shallow characterization that makes it difficult to root for the characters (with the exception of Mia, who owes a lot to a really visceral performance by Jane Levy.)
And this is where Evil Dead 2013 took me by surprise. After roughly a first half of the movie taking Evil Dead fans by the hand towards hashed and rehashed territories, making them doubt that this was a good idea at all, the movie lets go of your hand and you're alone, in the middle of the woods, and it's dark and there's strange noises all about... and then limbs start flying.
I won't get into conjectures that the highly conventional and overly familiar first half was made that way with the sole purpose of placing the audience in their comfort zone, only to give more impact to the second half... but I would surely ask Fede Alvarez if I was to interview him.
Evil Dead 2013 is a treat for the fans of gore and horror, in any case. Another reminder that out of ten awful remakes, sometimes one rises to the top and delivers. Not for the faint of heart, for sure, but if you're a true horror fan, and even more, if you miss your old school, gruesome gore rides, this one is for you.
This remake finds many way to bow to the original, aside the obligatory visual quotes. The use of practical effects, notably, in an era of CGI- filled movies, is extremely refreshing. The gore feels painful, makes you cringe, churned my stomach. It successfully palliates a somewhat shallow characterization that makes it difficult to root for the characters (with the exception of Mia, who owes a lot to a really visceral performance by Jane Levy.)
And this is where Evil Dead 2013 took me by surprise. After roughly a first half of the movie taking Evil Dead fans by the hand towards hashed and rehashed territories, making them doubt that this was a good idea at all, the movie lets go of your hand and you're alone, in the middle of the woods, and it's dark and there's strange noises all about... and then limbs start flying.
I won't get into conjectures that the highly conventional and overly familiar first half was made that way with the sole purpose of placing the audience in their comfort zone, only to give more impact to the second half... but I would surely ask Fede Alvarez if I was to interview him.
Evil Dead 2013 is a treat for the fans of gore and horror, in any case. Another reminder that out of ten awful remakes, sometimes one rises to the top and delivers. Not for the faint of heart, for sure, but if you're a true horror fan, and even more, if you miss your old school, gruesome gore rides, this one is for you.
- creepysammich
- 4 set 2013
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Posesión infernal
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 17.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 54.239.856 USD
- Fine settimana di apertura Stati Uniti e Canada
- 25.775.847 USD
- 7 apr 2013
- Lordo in tutto il mondo
- 97.542.952 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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